De mendigo a millonario

This is probably one of the funniest films of the 1980's. It not only is a play on the classic nature vs. nurture theme, but it is also a somewhat comedic commentary on the "greed is good" decade of the 80's. However, it is also a nice bridging of the generations as it features two of the biggest stars to come from "Saturday Night Live" Eddie Murphy does a fine job as con man Billy Ray and Dan Ackroyd is great as Louis. Jamie Lee Curtis is also wonderful as Ophelia. In fact, it was good to see her do something other than the "scream queen" roles which she became famous for during the early part of her career. She definitely shows the comedic timing that she would display later in her career and would make her one of the finest comedic actresses in film today. However, the one that really steals it for me is Denholm Elliot as Coleman. He delivers a very low key performance that is befitting for that role. This is a real gem.

John Landis has directed a brilliant original screenplay by Timothy Harris and Herschel Weingrod.

Eddie Murphy is absolutely hilarious as a street hustler that was placed in the world of options trading by a couple of old farts who just like to bet with each other.

Of course on the opposite side, the real options trader, Dan Aykroyd, is dumped on the street.

Coming to save the day is Jamie Lee Curtis, who is funny and hot as a prostitute who feels sorry for Winthorpe (Ackroyd).

Denholm Elliott is positively lovable as the butler. Don Ameche and Ralph Bellemy play the betting Duke brothers.

SKIN-TASTIC Moment: In front of a mirror (and Dan Aykroyd) hooker- with-a-chest-of-gold Jamie Lee doffs her top and lets loose her magnificent money-markers in one of history's all-time hottest topless scenes.

Dan Aykroyd (The Blues Brothers) stars as Louis Winthorpe, a smart and rich businessman who gets his life turned around when he is kicked out of his house and is forced to live on the street, all because of 2 other businessmen who have placed a wager to see if a street thief would succeed in his place.

In this ambitious and dramatic tale, viewers are invited into the hard and cruel life of the business world and what goes on behind closed doors, and though unrealistic, is a tale of cunning and loyalty in a great comedy drama.

In his best ever role, Eddie Murphy (Beverly Hills Cop) stars as street urchin Billy Ray Valentine, a cheeky and egotistical man who can't believe his luck when he is invited to work for the Dukes, the two businessmen who are scamming against him. Murphy excels in his own way, with that big smile and that own sophistication that he does so well, and the reason that this is his best ever role, is because as well as the comedy, there is a strong and determined belief about his character that is admirable and watchable and through his portrayal, we can see differences in the type of culture his character takes to.

Murphy is matched on every level by an excellent performance by Aykroyd whose life falls through our very eyes. The way his life can't seem to get any worse is one of the many reasons this film works so well.

These performances are matched with a gripping plot that sees viewers taken into the dark side of the business life, and through two evil and manipulative money driven owners, the Dukes. And the concept of money drives the film forward and the cruelty behind their bet is unbelievable and horrible to even think about, and is shown in such a dramatic fashion.

There is plenty of illegal activity, not to mention racial abuse and discrimination through the hierarchy that it is unthinkable that business was once like this.

Though I was completely lost during the final couple of scenes, this is a serious ideology encoded into a fairly humorous and dramatic film about the dealings and the life in business.

When it comes to great comic films, nobody recalls the magic between Murphy and Aykroyd in Trading Places. In the early 80's Eddie Murphy was considered the funniest black comedian next to Richard Pryor. Dan Aykroyd was one of the all time great cast members of Saturday Night Live. Both actors started on SNL and were ready to make their career in films. Trading Places is an example of a perfect comedy. It is funny yes, but there is so much more. With its story, the acting, and the political, racial, and economical plots in the film add to its greatness. One of the best comedies to come out of the 1980's, it stands as one of Eddie Murphy's best earlier films as well as Aykroyd's performances as a character actor. A wonderful and somewhat good family film. If you're that kind of family that is.

I skimmed over the comments to this movie and was heartened to see that so many people love it like I do. It just doesn't seem to be considered by the mainstream to be in the same league as, say, "Beverly Hills Cop" or "Coming to America" when talking about Eddie Murphy's movies, but the fact is that this is hands down his funniest part ever. And Dan Ackroyd is equally hilarious as the (at first) repulsively elitist Louis Winthorpe III. Add the stellar supporting cast, particularly Don Ameche and Ralph Bellamy as the Dukes, Paul Gleason as the slimy Clarence Beeks, Jamie Lee Curtis as Ophelia, your standard hooker with a heart of gold (rarely done as well as here), and Denholm Elliott as Coleman the butler, and you hit a rich vein of comedy gold.

The plot is a classic farce situation. The Duke brothers, who clearly feel they are above everybody else, make a bet, for one dollar, over whether anybody regardless of breeding can, in the right environment, become an upper-crust gentleman. So as an experiment to see which one is right, they work circumstances so that the rich Louis Winthorpe III is turned into a miserly bum, while they have Billy Ray Valentine (Murphy) take his place. He takes over Louis's job, his house, and his standing in the community. Realistic? Well, no, not really, but this is a farce, so it doesn't really have to be. It is, however, hilarious, which is exactly what a farce should be.

If there's a running theme in this movie, it is duplicity and mistaken identity. People are constantly being mistaken for something they are not, or forced into a situation where they become something they are not. We see this happen not only with the two main characters in the basic plot, but also with Billy Ray pretending to be a Vietnam veteran, then a karate master; Louis, who despite all appearances as a wimp, claims to have stood up to Billy Ray during their earliest encounter in the movie, when he actually hands Billy Ray his suitcase, setting him up for an arrest, when he was not actually trying to steal anything; Ophelia, who for a price pretends to know Louis outside the police station, further besmirching his name; all three plus Coleman, who each dresses up as a different hilarious ethnic character to trick Clarence Beeks; and Beeks, who in a subsequent scene is mistaken for an actual gorilla because he's wearing a costume (Al Franken and Tom Davis as the baggage handlers, marveling over how human the "gorilla" appears, are priceless).

Eventually, Billy Ray finds out what is going on, and gets together with Louis to turn the tables on the Dukes. Ophelia (who has fallen for Louis) and Coleman (who feels guilty and used over his part in the whole ruse) help them out. Do they get their revenge? Watch the movie and find out. It will be well worth your while. This is easily the funniest movie either Ackroyd or Murphy have ever done (its only real competition in this regard is "The Blues Brothers") and to think this was originally meant as a vehicle for Gene Wilder and Richard Pryor is odd, because it's hard to imagine either of them in the parts done so well by Dan Ackroyd and Eddie Murphy. John Landis keeps the pace going at a nice fast speed, and being a native Philadelphian, the locales and opening montage (including a scene of the Rocky statue) are a kick. But of course you'll love this movie even if you're not from Philly.