Un grupo de aventureros se dirige a una tribu primitiva de África para encontrar un tesoro de diamantes y una hermosa niña blanca que se perdió hace años y fue convertida en diosa de la trib... Leer todoUn grupo de aventureros se dirige a una tribu primitiva de África para encontrar un tesoro de diamantes y una hermosa niña blanca que se perdió hace años y fue convertida en diosa de la tribu.Un grupo de aventureros se dirige a una tribu primitiva de África para encontrar un tesoro de diamantes y una hermosa niña blanca que se perdió hace años y fue convertida en diosa de la tribu.
Antonio Mayans
- Fred Pereira
- (as Robert Foster)
Mari Carmen Nieto
- Lita
- (as Ana Stern)
Daniel White
- Mr. De Winter
- (as Dan Villers)
Yolanda Mobita
- Girl
- (as Yolanda Mubita)
Opiniones destacadas
A group of adventurers travel to the 'dark continent' to try and locate a lost heiress named Diana, who disappeared years before in a plane crash, and who is now believed to be living with a savage tribe that consider her to be their goddess.
Once again, my search for sleazy, European cannibal movies has taken me deep into Jess Franco territorya seemingly endless cinematic wilderness swarming with sub-par scriptwriting, crawling with crap camera-work, and abundant with awful acting (Franco regular Lina Romay taking the prize this time for her pitiful performance as an ailing, elderly woman). It is here, in this hellish place, that I finally stumbled upon Diamonds of Kilimanjaro, an abysmal jungle-based exploitationer so stupefyingly bad that it took me three successive evenings to finish watching it.
Tawdry and unrelentingly dull, even by Franco's standards, this wearisome piece of trash fails on almost every level: the story is a dreadfully dull derivative of Edgar Rice Burrough's Tarzan, albeit with a feminine twist; the film appears to have been filmed in the local botanical gardens, although grainy stock footage is poorly integrated into the film in a pointless effort to convince viewers that the action is really taking place in Africa; and the death scenes are virtually bloodless (Franco can usually be relied upon for some splatter, but despite initial appearances, this isn't a cannibal movie and it isn't that gory).
Where the director does succeed, however, is in his casting of sexy young Katja Bienert as jungle jail-bait Diana. Running and leaping through the undergrowth in nothing but a skimpy loin-cloth, her curvaceous bod belying the fact that she was only sixteen at the time, this nubile beauty makes quite an impression. Franco also throws in some further nudity courtesy of Mari Carmen Nieto as treacherous traveller Lita (who gives us a glimpse of her untamed regions), and Aline Mess as topless warrior woman Noba, thus narrowly avoiding getting yet another rating of 1/10 from me (although I'm sure he'll be receiving plenty more in the futureI have loads of his films yet to see).
Once again, my search for sleazy, European cannibal movies has taken me deep into Jess Franco territorya seemingly endless cinematic wilderness swarming with sub-par scriptwriting, crawling with crap camera-work, and abundant with awful acting (Franco regular Lina Romay taking the prize this time for her pitiful performance as an ailing, elderly woman). It is here, in this hellish place, that I finally stumbled upon Diamonds of Kilimanjaro, an abysmal jungle-based exploitationer so stupefyingly bad that it took me three successive evenings to finish watching it.
Tawdry and unrelentingly dull, even by Franco's standards, this wearisome piece of trash fails on almost every level: the story is a dreadfully dull derivative of Edgar Rice Burrough's Tarzan, albeit with a feminine twist; the film appears to have been filmed in the local botanical gardens, although grainy stock footage is poorly integrated into the film in a pointless effort to convince viewers that the action is really taking place in Africa; and the death scenes are virtually bloodless (Franco can usually be relied upon for some splatter, but despite initial appearances, this isn't a cannibal movie and it isn't that gory).
Where the director does succeed, however, is in his casting of sexy young Katja Bienert as jungle jail-bait Diana. Running and leaping through the undergrowth in nothing but a skimpy loin-cloth, her curvaceous bod belying the fact that she was only sixteen at the time, this nubile beauty makes quite an impression. Franco also throws in some further nudity courtesy of Mari Carmen Nieto as treacherous traveller Lita (who gives us a glimpse of her untamed regions), and Aline Mess as topless warrior woman Noba, thus narrowly avoiding getting yet another rating of 1/10 from me (although I'm sure he'll be receiving plenty more in the futureI have loads of his films yet to see).
Ummm. A Jess Franco-movie from the early 80's. So what would you expect? Right: actors incapable of acting, incredibly dumb dialogue and a whole lot of joyful nudity (and downright disgusting sex scenes with totally unattractive guys and girls). Which I regard as absolutely worthwhile and entertaining - but that's just my personal opinion. The story? Story?? oh, well, it's kind of a remake of TARZAN, plus some adventure- and cannibal-stuff. But basically it's about seeing Katja Bienert nude, and it works when it comes down to that. Just realize: she was about 15 or 16 when this film was made, and she was really not very shy. Anyway: go get this one if you're able to find it, but be prepared to feel the urge to throw it in the garbage can once you've seen it. P.S.: This film has been re-issued in 1999 by the german label X-RATED CULT MOVIES, but with a different title: MONDO CANNIBALE 4. Obviously for marketing-reasons. Cause you'd better not expect to watch one of the infamous Euro-Cannibal-flics when you put this in. Franco has done better than this. Katja Bienert has, too. But the jungle has never looked more corny. So ... you get the idea. I like it.
Jess Franco makes exploitation films, and he has made tons of them. Franco is responsible for some of the most shocking films in cinema history, and god bless him for it. Unfortunately, The Diamonds of Kilominjaro is a truly awful movie that is not up to his usual standards.
Exploitation films should be judged on story, sex, and gore. What else is there? This film fails on most of those benchmarks. The plot is paper thin, placing a nubile young girl in the jungle among cannibals. We really don't get information on why she and her father were there in the first place. As expected, her father is the "Big White Chief" and she becomes a goddess, sitting in trees, naked. Add fortune hunters and precious stones, and you have your basic rescue the girl for greedy intentions plot line. The characters are stock, not adding an ounce of believability to the proceedings.
Gore? None, or at least very little. This film is often mentioned in the same vein as the classic Italian cannibal movies. Those seeking that type of gore need to run the other way. Save for one cheap be-heading, this movie features surprisingly little blood and guts.
As best I can tell the only reason this movie exists is so Katja Bienert, Aliene Mess, and Mari Carmen Neieto could run around naked. Actually "Lita" (Mari Carmen Neieto) does the full frontal heavy lifting, while the two jungle ladies are bare chested throughout. Yes, there are love scenes....probably the most sterile Franco has ever supervised. The women are beautiful, but nothing here to really make this movie an erotic classic either.
This movie just reeks of low budget buffoonery. The sets are laughable. The acting is horrid, and the editing is confusing. There is no real story to hold this together, and not enough of a budget (or effort) to shock or titillate. I think Franco fans have come to expect more out of the master of exploitation.
Exploitation films should be judged on story, sex, and gore. What else is there? This film fails on most of those benchmarks. The plot is paper thin, placing a nubile young girl in the jungle among cannibals. We really don't get information on why she and her father were there in the first place. As expected, her father is the "Big White Chief" and she becomes a goddess, sitting in trees, naked. Add fortune hunters and precious stones, and you have your basic rescue the girl for greedy intentions plot line. The characters are stock, not adding an ounce of believability to the proceedings.
Gore? None, or at least very little. This film is often mentioned in the same vein as the classic Italian cannibal movies. Those seeking that type of gore need to run the other way. Save for one cheap be-heading, this movie features surprisingly little blood and guts.
As best I can tell the only reason this movie exists is so Katja Bienert, Aliene Mess, and Mari Carmen Neieto could run around naked. Actually "Lita" (Mari Carmen Neieto) does the full frontal heavy lifting, while the two jungle ladies are bare chested throughout. Yes, there are love scenes....probably the most sterile Franco has ever supervised. The women are beautiful, but nothing here to really make this movie an erotic classic either.
This movie just reeks of low budget buffoonery. The sets are laughable. The acting is horrid, and the editing is confusing. There is no real story to hold this together, and not enough of a budget (or effort) to shock or titillate. I think Franco fans have come to expect more out of the master of exploitation.
This film is a cheap rip off of King Solomon's Mines and "She." Those books have been done so much better in other films. But this one manages to grab all the tropes from those classics and trot them out in a cheaper version.
Do you want a native tribe protecting jewels Check Do you want a white woman as the tribe's goddess? Check Dp you want a native shaman dancing for the tribe Check Do you want stock footage of a jungle? Check Do you want women running around in skimpy loin cloths? Check.
And when it comes to continuity.... Well, I am sure the director would echo the classic line: "Continuity? Continuity? We don't need no stinking continuity".
So, for example, quick cut to a rhino chasing a jeep. Wait, we didn't get into the jeep yet. Film that. Now add the same cut of the rhino. Don't worry about the first one - no one will notice.
There is just so little to like about this movie.
Do you want a native tribe protecting jewels Check Do you want a white woman as the tribe's goddess? Check Dp you want a native shaman dancing for the tribe Check Do you want stock footage of a jungle? Check Do you want women running around in skimpy loin cloths? Check.
And when it comes to continuity.... Well, I am sure the director would echo the classic line: "Continuity? Continuity? We don't need no stinking continuity".
So, for example, quick cut to a rhino chasing a jeep. Wait, we didn't get into the jeep yet. Film that. Now add the same cut of the rhino. Don't worry about the first one - no one will notice.
There is just so little to like about this movie.
Diamonds of Kilimandjaro (1983)
* 1/2 (out of 4)
A plane crashes in the jungles of Africa and a little girl survives. Fifteen years later her mother (Lina Romay) sends a search party out looking for her but they've also got their eyes on some priceless jewels. I enjoy these jungle adventure films but this one here dies off after a decent start. There are a few good moments but not enough to really keep the film moving as well as it should. I've heard that Franco didn't shoot all of the material here but it certainly looks like his work.
* 1/2 (out of 4)
A plane crashes in the jungles of Africa and a little girl survives. Fifteen years later her mother (Lina Romay) sends a search party out looking for her but they've also got their eyes on some priceless jewels. I enjoy these jungle adventure films but this one here dies off after a decent start. There are a few good moments but not enough to really keep the film moving as well as it should. I've heard that Franco didn't shoot all of the material here but it certainly looks like his work.
¿Sabías que…?
- TriviaKatja Bienert said playing in this film was quite an act, cause she is far away from being sportive. "Mostly I was frightened acting like being a female Tarzan, so I was thankful that he added some scenes where I looked seductive or was fighting with my hunters - anything, but my feet on the ground. We shot on the Canary Islands in a natural resort and I enjoyed being in the nature, having a comfortable hotel nearby. Mostly we shot during the summer-holidays, cause Jess always respected me being a schoolgirl," Bienert recalled.
- ErroresTwo crew members are seen hiding behind some rocks when Fred walks off just before Lita goes swimming.
- Versiones alternativasThe export version, credited to Cole Polly, has a few additional scenes shot by Olivier Mathot.
- ConexionesReferences En el infierno caníbal (1980)
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What is the French language plot outline for El tesoro de la diosa blanca (1983)?
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