La fuerza del cariño

Terms of Endearment stands the test of time. This film was released in 1983 and is defiantly a classic. Shirley MacLaine as Aurora Greenway and Debra Winger as Emma Horton are two of the best actresses of this generation. Not to mention, Jack Nicholson as the "Astronaut" Garrett Breedlove, his characters are always memorable no matter how big or small his role in a film.

This film is about the lifelong relationship between a daughter, Emma, her slightly neurotic mother, Aurora and the men in their lives. From the beginning of the film you see Aurora's dependence on Emma, even though Aurora is slightly cold towards her at first. You also see that Emma, as a daughter, doesn't care, she loves her mother unconditionally for who she is, as a child does. The film goes on to tell a realistic tale about how life is funny, exciting, disappointing and just plain sad.

Very few films have the ability to tell such a heart warming yet heart wrenching tale so realistically. The director's focus in this film is on the emotional effect, he wants to make you feel as if you are living life with these women. The use of natural lighting and the use of a subjective view point keep you sitting next to these woman as they experience dating "the astronaut" and having children with a spouse who is not always there for you.

I have to say my favorite part of the film was being transported back in time to the place where I grew up. A place of Laura Ashley furniture and phones that had a cords. The setting to this movie was so authentic that it made me wish for a simpler time before all the technology came along and children used to play outside. You really do feel that you are widowed housewife in Texas, trying to figure out that "astronaut" next door and what you may want from him. Maybe you're also the mother of three trying to figure out where your husband is; of course he is probably trying to figure out where you are.

One of the nicest things in life is being able to share your whole self with someone who will love you anyway. That is what this story conveys. It may not always be happy and rosy, but it is funny and real. It reminds me of the movie Steel Magnolias which Shirley MacLaine also does a terrific job. This is a must see movie for anyone.

After looking forward to seeing this film for many years, I finally have watched it, and was left a little disappointed. Don't get me wrong, it's a good movie, but I expected so very much more. I found the plot to be rather thin for a movie this long, and after some thought, I'd have to say that the script was average at best. With a weaker cast, I suspect that I wouldn't have even liked it. Fortunately, this film is blessed with a spectacular cast, and this film deservedly received Oscar recognition in the acting categories. It just didn't deserve the best picture Oscar that it also won.

TERMS OF ENDEARMENT is an undeniably gripping and emotional film experience that will have you rolling on the floor during one scene and weeping uncontrollably during the next. This film follows the complicated relationship between an icy, Texan widow named Aurora Greenway (Shirley MacLaine)and her slightly-off-the-wall daughter, Emma (Debra Winger), who at the beginning of the film is marrying a man named Flap Horton (Jeff Daniels), whom her mother clearly hates, seemingly just to get away from her. The film follows Emma's marriage through three children, infidelity, and unexpected tragedy but it never lets go of the unspoken bond between Aurora and Emma...a bond so strong that it transcends telephone lines, geography, and even dialogue at times...there are moments in the story where you see Aurora and Emma communicate without saying a word to each other. Writer-director James L. Brooks won a pair of Oscars for writing and directing this funny and heartbreaking story that stretches over a long period of time but never fails to hold interest and trust me, the last 20-30 minutes of this film will have you weeping. Shirley MacLaine finally won her long-overdue Best Actress Oscar for her controlled performance as Aurora and Jack Nicholson won a Best Supporting Actor Oscar for his performance as a retired astronaut who moves in next door to Aurora after Emma moves out and begins a hilarious and touching relationship with Aurora. Debra Winger is explosive and unpredictable as Emma and Jeff Daniels is fully invested in the unsympathetic role of Flap. A truly unique motion picture experience that will leave you limp.

I've heard many good things about James L. Brooks's 'Terms of Endearment' and finally I decided to give it ago. Honestly speaking I was expecting a typical melodramatic tearjerker that's sole aim is to emotionally manipulate the viewer. I was wrong. 'Terms of Endearment' is a slice of life that centres around a mother, her daughter and their respective lives. The film looks very authentic. The sets, makeup, costumes and art direction look genuine.

This is very much a character driven film. The dialogues are full of humour and wit but what's also striking is how deeply layered the words are. While the visuals are quite simplistic it's the characters that shine especially through the actors' natural performances. Their excellent non-verbal gestures, spot on line delivery and restrained performances are superb.

A sassy Shirley Maclaine and bubbly Debra Winger are spellbinding. Both actresses beautifully carry the film and they are brilliantly supported by fine actors like Danny DeVito, Jack Nicholson, John Lithgow and Jeff Daniels.

What particularly appealed to me about 'Terms of Endearment' is the depiction of the mother-daughter relationship and the dynamic of it. It definitely has its ups and downs and it does not involve the use of clichéd lines like 'I love you' etc but at the same time the unconditional love between them is wonderfully conveyed.

A well-observed, well-made drama (with occasional comedic moments), that may not be exactly "high art" (it's neither profound nor original), but DOES feature some great acting and manages to pull you in.

Debra Winger gives an extraordinary performance; she has a naturalness and expressiveness that you rarely see on the screen. When her character is happy, her whole face brightens up and her joy becomes infectious; when she's sad or confused or embarrassed, the emotions come across strongly, although she never goes over the top. Considering that she lost the Oscar to her co-star, Shirley MacLaine, who is reasonably good but far more one-note, I'd say we had a major Academy Award injustice there. Jack Nicholson is fun to watch and has some amusing lines, and most supporting roles, like those played by John Lithgow and Danny De Vito, are also first-rate and completely believable.

So overall it's a good film, directed almost flawlessly, although in the final 20 minutes it needlessly wallows in melodrama. (***)