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IMDbPro

La fuerza del cariño

Título original: Terms of Endearment
  • 1983
  • PG
  • 2h 12min
CALIFICACIÓN DE IMDb
7.4/10
69 k
TU CALIFICACIÓN
POPULARIDAD
2,346
483
Shirley MacLaine and Debra Winger in La fuerza del cariño (1983)
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2 videos
90 fotos
ComedyDrama

Sigue a Aurora, difícil de complacer, en busca de amor y los problemas familiares de su hija.Sigue a Aurora, difícil de complacer, en busca de amor y los problemas familiares de su hija.Sigue a Aurora, difícil de complacer, en busca de amor y los problemas familiares de su hija.

  • Dirección
    • James L. Brooks
  • Guionistas
    • Larry McMurtry
    • James L. Brooks
  • Elenco
    • Shirley MacLaine
    • Debra Winger
    • Jack Nicholson
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.4/10
    69 k
    TU CALIFICACIÓN
    POPULARIDAD
    2,346
    483
    • Dirección
      • James L. Brooks
    • Guionistas
      • Larry McMurtry
      • James L. Brooks
    • Elenco
      • Shirley MacLaine
      • Debra Winger
      • Jack Nicholson
    • 257Opiniones de los usuarios
    • 57Opiniones de los críticos
    • 79Metascore
  • Ver la información de producción en IMDbPro
    • Ganó 5 premios Óscar
      • 33 premios ganados y 22 nominaciones en total

    Videos2

    Official Trailer
    Trailer 1:01
    Official Trailer
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    Clip 4:03
    Ultimate Weeper Watchlist: Flow, Gump, Lion, & More
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    Clip 4:03
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    Fotos90

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    + 83
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    Elenco principal45

    Editar
    Shirley MacLaine
    Shirley MacLaine
    • Aurora Greenway
    Debra Winger
    Debra Winger
    • Emma Horton
    Jack Nicholson
    Jack Nicholson
    • Garrett Breedlove
    Danny DeVito
    Danny DeVito
    • Vernon Dahlart
    Jeff Daniels
    Jeff Daniels
    • Flap Horton
    John Lithgow
    John Lithgow
    • Sam Burns
    Lisa Hart Carroll
    Lisa Hart Carroll
    • Patsy Clark
    Betty King
    • Rosie Dunlop
    • (as Betty R. King)
    Huckleberry Fox
    Huckleberry Fox
    • Teddy Horton
    Troy Bishop
    Troy Bishop
    • Tommy Horton
    Shane Serwin
    • Younger Tommy Horton
    Megan Morris
    • Melanie Horton
    Tara Yeakey
    • Baby Melanie
    Norman Bennett
    Norman Bennett
    • Edward Johnson
    Jennifer Josey
    • Young Emma
    Kate Charleson
    • Janice
    Tom Wees
    • Dr. Budge
    Paul Menzel
    • Dr. Maise
    • Dirección
      • James L. Brooks
    • Guionistas
      • Larry McMurtry
      • James L. Brooks
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios257

    7.468.6K
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    Opiniones destacadas

    8eroviravalls

    Life is a gap

    Life is a gap between what we expect to happen and what really occurs. Aurora doesn't accept the gap and she closes herself in her "daughter & home" micro-world. Life turns up to be more cruel to her than the average, but she proves to be ready and faces all obstacles that come with outstanding integrity and brave. So, accept the gap but bé ready. Memmorable Shirley MacLaine in a universal classic movie.
    7Tito-8

    Quite good, but overrated

    After looking forward to seeing this film for many years, I finally have watched it, and was left a little disappointed. Don't get me wrong, it's a good movie, but I expected so very much more. I found the plot to be rather thin for a movie this long, and after some thought, I'd have to say that the script was average at best. With a weaker cast, I suspect that I wouldn't have even liked it. Fortunately, this film is blessed with a spectacular cast, and this film deservedly received Oscar recognition in the acting categories. It just didn't deserve the best picture Oscar that it also won.
    8bkoganbing

    Mother & Daughter

    Terms Of Endearment is a story of what happens when life does not go as planned and how you deal with it. In one way or another we are flawed humans, but most of us can rise to the occasion if the situation calls for it. It gained an Oscar at last for Shirley MacLaine and a second for Jack Nicholson though in the Supporting character category.

    The story stretches out over a 30 year period and it starts with the death of MacLaine's husband early on and she's left to raise her daughter on her own. As the daughter who grows up to be Debby Winger the two fight constantly. She really doesn't approve of her choice of husband Jeff Daniels who is a struggling academic who in the course of the movie has several teaching positions and rises slowly in his profession. Not fast enough for MacLaine. She reminds me of Madge Wallace the mother-in-law of Harry S. Truman who never thought her son-in-law would amount to anything. She died in the White House just before the Trumans left for Independence permanently.

    Winger has three children, but she's beset by doubts about Daniels's infidelity as he does have nubile coeds all about. Both of them misread signals about each other and MacLaine's hectoring doesn't help.

    As for Shirley, her neighbor is a retired astronaut Jack Nicholson who is still looking for space groupies. He's an unlikely candidate to thaw MacLaine out, but they find out they have more in common than they think. And Nicholson has more character than we first suspect.

    Terms Of Endearment is a film that places people who are very much like the people who pay to see this film in real universal situations we can all understand. Not hard to understand how this became such a critical and popular hit.

    Terms Of Endearment won for Best Picture in 1983 and Best Director and Best Adapted Screenplay for James Brooks. It got a flock more nominations as well. It's an enduring classic and will remain so.

    The finale with MacLaine is sublimely beautiful.
    7gridoon

    A little heavy, but with astonishing performances.

    A well-observed, well-made drama (with occasional comedic moments), that may not be exactly "high art" (it's neither profound nor original), but DOES feature some great acting and manages to pull you in.

    Debra Winger gives an extraordinary performance; she has a naturalness and expressiveness that you rarely see on the screen. When her character is happy, her whole face brightens up and her joy becomes infectious; when she's sad or confused or embarrassed, the emotions come across strongly, although she never goes over the top. Considering that she lost the Oscar to her co-star, Shirley MacLaine, who is reasonably good but far more one-note, I'd say we had a major Academy Award injustice there. Jack Nicholson is fun to watch and has some amusing lines, and most supporting roles, like those played by John Lithgow and Danny De Vito, are also first-rate and completely believable.

    So overall it's a good film, directed almost flawlessly, although in the final 20 minutes it needlessly wallows in melodrama. (***)
    8johngiovannicorda

    Terms Of Endearment 2018

    It's often a strange experience to revisit a film that made a big splash decades earlier. I remember enjoying it enormously and enjoyed it enormously again last night but the reasons for the enjoyment have changed. The film as a film has remained solidly planted in 1983, specially the score but what will lead this film into the forever ever are the writing of course and the performances. Shirley MacLaine's truthfulness warts an all is a work of art. She is present one hundred per cent of the time and let's remember, Shirley MacLaine didn't start as an actress, she was a dancer who became a star thanks to a twist of fate and she has remained there as an example of honesty and courage ever since. Her Aurora in Terms Of Endearment is a monumental treat. Debra Winger's performance is a revolution of sorts. Every detail confirms and/or challenges our feelings for her but she's never less that one hundred per cent truthful. It's impossible not to love her even if she doesn't make it easy for you. Jack Nicholson is a terrific interference and every one of his moments have a pleasure of their own. So, a 35 year old movie with a teenager's heart.

    Oscars Best Picture Winners, Ranked

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Shirley MacLaine said Jack Nicholson would do crazy things on the set like show up practically naked and improvise many of their scenes together.
    • Errores
      During the opening credits, set in the 1950s, a 1980s station wagon is parked in a driveway in the background.
    • Citas

      Emma Horton: You both of you have beautiful eyes and your hair is too long. I mean, I don't care how long it gets in the back, but keep your bangs cut, OK, it's too long.

      Tommy Horton: That's a matter of opinion.

      Emma Horton: Just keep it short, alright?

      Tommy Horton: Are you getting well?

      Emma Horton: Look, I'm sorry about this but I can't help it, and I can't talk to you for too long or I'll get real upset. I want you to make a lot of friends. And I want you to be real nice to the girls 'cause they're gonna be real important to you, I swear.

      Tommy Horton: I'm not afraid of girls. What makes you think that?

      Emma Horton: Well, you may be later on.

      Tommy Horton: I doubt it.

      Teddy Horton: Why don't you shut up? Shut up!

      Tommy Horton: You shut up!

      Emma Horton: Ted, give me a kiss, come on. Tommy, you be sweet. Be sweet. And stop tryin' to pretend like you hate me. I mean, it's silly.

      Tommy Horton: I like you.

      Emma Horton: OK then, will you listen especially close?

      Tommy Horton: What?

      Emma Horton: Listen real hard?

      Tommy Horton: I said 'what'?

      Emma Horton: I know you like me. I know it. For the last year or two, you've been pretending like you hate me. I love you very much. I love you as much as I love anybody, as much as I love myself. And in a few years when I haven't been around to be on your tail about something or irritating you, you could... remember that time that I bought you the baseball glove when you thought we were too broke. You know? Or when I read you those stories? Or when I let you goof off instead of mowing the lawn? Lots of things like that. And you're gonna realize that you love me. And maybe you're gonna feel badly, because you never told me. But don't - I know that you love me. So don't ever do that to yourself, all right?

    • Conexiones
      Featured in At the Movies: Nate and Hayes/A Night in Heaven/The Big Score/Terms of Endearment/Danton (1983)
    • Bandas sonoras
      Anything Goes
      By Cole Porter

      Performed by Ethel Merman

      Produced by Jule Styne (uncredited)

      Orchestrated by Buddy Bregman (uncredited) and Nelson Riddle (uncredited)

      Courtesy of National Broadcasting Company

    Selecciones populares

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    Preguntas Frecuentes20

    • How long is Terms of Endearment?Con tecnología de Alexa
    • Is the movie loyal to the book?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 9 de diciembre de 1983 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Terms of Endearment
    • Locaciones de filmación
      • 3060 Locke Lane, Houston, Texas, Estados Unidos(home where Aurora lived)
    • Productora
      • Paramount Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 8,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 108,423,489
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 3,498,813
      • 27 nov 1983
    • Total a nivel mundial
      • USD 108,423,749
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 12 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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