Impacto fulminante

It's at this point that the 'Dirty Harry' series really starts to blend into itself, with set-pieces from one entry easily being mistaken for those in another. The overall stories still distinguish themselves, though. 'Sudden Impact (1983)' is perhaps the least conventional in the franchise, at least in terms of how it relates to the first in its series, as it follows both Eastwood's disgruntled detective and the serial killer he's chasing in, essentially, equal measure. It's at its most interesting when it explores themes of justice, revenge and how the system can sometimes fail. Unfortunately, it sort of goes back on Harry's character in the process, ending on a decision that would have made his skin crawl in any other feature. It's not a huge issue, but it is noticeable. So is the generally less entertaining nature of the flick, which doesn't feel quite as confident as any of the others in its franchise. It's entertaining enough, don't get me wrong. In fact, it's usually enjoyable. It's just that it has stretches that are almost dull and, as a whole, isn't as compelling as it could have been. It's a good film, just not a great one. 6/10

Sudden Impact was the fourth instalment in the 'Dirty Harry' series and the only one in which Clint Eastwood not only starred in but directed as well. This time, Harry Callahan is sent up the coast by his superiors to investigate a series of murders that are connected to a small ocean side resort town.

I reckon this may well be the third best entry in the series after the peerless first instalment and its follow-up Magnum Force (1973). Unlike the other two in the series, this one has a more interesting plot-line which involves a vigilante killer played by Eastwood regular actress Sandra Locke. She almost shares top-billing with him here such is the prominence of her role. She plays by far the most sympathetic villain in the series, one who dispatches a series of truly vile characters who assaulted her and her now comatose sister ten years previously. It's the very fact that the role has been written with a lot more depth that contributes to the audience empathising with her, while still knowing that she is committing a series of murders. This dramatic tension is underpinned by the theme of how ineffective and corrupt the justice system can be, leading to victims taking the law into their own hands.

This is probably the entry in the series that most veers into psychological thriller territory and I think this change does work in its favour. However, its bread and butter is still action and it hardly falls short on that score. There is an ongoing plot thread which has Callahan continually targeted by Mob hit-men who want him dead for an earlier infraction he instigated against one of their big bosses. Not only this but he also has high adrenaline encounters with three other sets of different criminals. It could be argued, however, that in its latter stages the film went too much in the direction of having villains acting like half-wits allowing for Callahan to escape their clutches and return to defeat them, while the finale in the fun-park felt a little too simplistically cheesy. But, these small gripes aside, I thought this to be a pretty fine effort for a fourth instalment in a film series and a pretty good film in its own right overall.

A rape victim is going around, bumping off her attackers one by one, having been denied justice originally. A rather unconventional detective, Callahan is put on the case.. but whose side will he take?

This is one of the most brutal films I've seen in quite some time. Virtually every scene seems to be a set-up for some punks to make the mistake of annoying our hero, who then proceeds to beat the living daylights out of them, or simply blows their heads off. I am 100% convinced that if any serving officer did what the Eastwood character gets away with in this film, he would not only be stripped of his badge, but also be looking at a considerable stretch in prison. Another striking aspect of the picture is the violence used against the fairer sex. The female cast members get punched in the face, kicked when on they're on the ground.. And that doesn't even include the constant flashbacks we get of Sondra Locke's sexual assault ordeal (We get one every time she carries out one of her revenge attacks on her aggressors). The misogyny displayed on screen is incredible and is unlikely to endear itself to anyone concerned about domestic violence.

So why am I recommending it? Well for a start, the film is well directed, with some very exciting gunfights and car chases which will keep you on the edge of your seat. But the main reason for watching is Clint himself, the evergreen icon giving us another classy performance as a veteran cop who might not share the ethics of the modern police force, but tends to do the job 10x better than his colleagues who do it all 'by the book'. If only we had someone like that here in Britain, perhaps this country wouldn't be the crime hotspot it is these days.. 6/10

For a while, "Sudden Impact" plays like a a highlight reel of Dirty Harry's signature moves. The altercations occur one after another, his superiors are pretty much meaningless, and Eastwood scowls all throughout. Forget rationalizing his actions; it's just entertaining.

Up until that second half at least, which is when things turn towards dramatic as a serial killer/revenge flick. There's still the body count, but it's not as fun as seeing Eastwood laying down larger-than-life street justice. Take that early coffee shop robbery for example; a well-staged shootout that almost brings The Man With No Name to mind. It's terrific.

6/10

Inspector "Dirty" Harry Callahan once again angers his superiors with his maverick approach to police work. Refusing to take a vacation he is given a simple case which takes him outside of San Francisco. However, he soon discovers a link between a recent murder in the city and a murder outside of the city, which leads him to the trail of a revenge killer.

As an entry in the Dirty Harry franchise the film starts with some very promising moments, including the legendary "Go ahead, make my day" line that Eastwood delivers wonderfully through clenched teeth before single handedly foiling a robbery. Very badass and it just what fans can expect from him. However, the film soon shifts gears and focuses on the mysterious revenge killer. The problem is that this killer isn't all that mysterious as she is characterized as much as Harry is. This really detracts from the presence of the main character who ruled all of his previous film appearances with, pardon the pun, Magnum Force.

On the bright side this new storyline does draw several parallels to Harry's own unorthodox methods and gives his character dramatic depth that was not there before, but fans that were looking for another badass Harry outing will more than likely be somewhat disappointed. However, a tense climax ends the film on an exciting note so if you don't mind something a little different, it is a good movie for fans. --- 7/10

Rated R for violence and a rape scene