Stroker Ace

Burt Reynolds goes through the motions as an absurdly-named stock car driver in this dull, deeply unfunny 'comedy' directed by long-time buddy Hal Needham. Nonsensical plot concerns Reynold's efforts to get out of a sponsorship contract (what, he doesn't want to be on a competitive team?) while trying to woo Loni Anderson's PR flack/Sunday school teacher, over the course of a seemingly endless racing season.

Big hair, cornpone accents and superficial performances abound, with particularly annoying turns from Jim Nabors (as Reynolds' crew chief) and Ned Beatty (as a fried chicken magnate). Only potential points of interest are the period racing scenes (including some of the top NASCAR drivers), and the vast cleavage displayed in the few female roles: Anderson, Cassandra "Elvira" Peterson, Debbie Casperson and the legendary Linda Vaughn.

Stroker Ace,a film directed by Hal Needham (the same director of such souped-up hits,like Smokey and The Bandit and Hooper),is a real surprise for the audience!it offers a lot of fun and laughs,all of this accomplished by dangerous and incredible scenes of action,which make Speed look like a boring movie!the character was made for Burt Reynolds,and combines with his own personality and way of interpretation!it's a nice movie,that everybody should discover,specially because it symbolizes a time when what really counted in the box-offices was the protagonist's charisma,and not stupid special effects!good times,when Burt was the best...and this time is going to be back!

NASCAR driver Burt Reynolds signs a contract with Ned Beatty to drive his car and hates it. He also courts nice girl Loni Anderson and has an on-track rivalry with Parker Stevenson.

Burt Reynolds was a fine actor, but you'd never know it from his career choices. He passed on the Jack Nicholson role in TERMS OF ENDEARMENT because he had a handshake agreement with director Hal Needham to make this; it seems it didn't occur to him to ask Needham to wait. Instead he made this lazy movie, with no dramatic tension and no energy in the comedy bits. It looks like Needham assembled all his friends, made a movie, and cut in some race-track sequences, with no one putting in much effort to learn their lines. If you want to see Reynolds in a chicken suit, or Loni Anderson lying on a bed in her clothes, her eyes shut, and looking like a Barbie doll, this is the movie for you. Not for me.

Normally I find myself defending Burt Reynolds' supposed lesser works but in this case I have to agree with the majority that this one's the pits. I want to like it much like I love the Cannonball Run and Smokey movies but this just isn't very funny. Jim Nabors has no comedic chemistry with Burt. Every line he utters I'm kind of annoyed. He actually makes me miss Dom Deluise which I never thought I'd say. Loni Anderson looks nice but brings nothing else to the table. I enjoyed her on WKRP so I know she's capable of better with a decent script. Ned Beatty is doing his best Charles Durning and failing miserably. As for Burt he's sleepwalking through this role, which he reportedly only took as a favor to director and friend Hal Needham. If true that he turned down Terms of Endearment for this then wow George Raft is no longer the actor with the worst decision-making skills in Hollywood history. If you like Burt's other 80s comedies then give it a shot but be warned it's not as much fun.

Stroker Ace (1983)

1/2 (out of 4)

I must admit that when people say Burt Reynolds I gladly call myself a fan since I love DELIVERANCE and enjoy both THE LONGEST YARD and SMOKEY AND THE BANDIT. So far I've stayed away from his 80s output but decided to tackle my first one with this turkey and it's rather sad if you really think about how bad this thing is. In the film Reynolds plays Stroker Ace, a hot-shot Nascar driver who signs a contract with a chicken king (Ned Beatty) who soon has the star on the road making a fool of himself. With the help of his mechanic (Jim Nabors) and another associate (Loni Anderson), Ace must try and find a way to get fired and released from the contract. Earlier I said it was sad to watch something like this considering some of the great things Reynolds had done in his career so it's rather stupid of me to highly recommend this film due to how incredibly bad it is. I really wasn't expecting too much but it's rather shocking to see how unfunny this comedy is and the only reason it avoids a BOMB rating from me is simply because it remains entertaining simply so you can see how much worse it's going to get. The movie has no plot to think of and what little there is is just downright stupid. Do we really believe someone would sign this contract without reading it? The movie contains one bad joke after another and we get at least four with Reynolds looking in the mirror to comment on how good his hair looks. I honestly can't say he gives a bad performance because he plays that same Good Ol' Boy that he made a career out of. He's certainly going through the motions but he comes off looking as if he thinks he's doing a great job. Nabors is slightly charming in a few scenes but Beatty comes off pretty bad throughout. Anderson's entire character seems like something from another movie and the supporting cast includes various Nascar drivers, Bubba Smith and even Elvira pops up in perhaps the best gag of the film. I think the scariest thing is that this movie apparently did pretty well at the box office and this wasn't the film that would eventually kill Reynolds career. I plan on going through more of his output from this decade and I really hope nothing is worse than this here. Fingers crossed.