Sobreviviendo

Seeing this film on TV again the other night made me wonder how amazing the human body is.... or more specifically John Travolta's body.

In Michael and Get Shorty he had a tremendous girth for the character's roles yet the films before and after Phenomenon and Broken arrow show a different size. and then we have the extreme end of the scale in this film. Sly Stallone trained Travolta for 3 months to get him into the rippling muscled fat free condition he displays in this film.

It just goes to show you that your fat levels aren't really THAT predetermined by birth and genetics afterall. All you have to to is be committed to attaining a the shape you want to be. Travolta can be slim, medium or large build, muscled, fat or average depending on the film role his ability in this regard is second only to Robert deNiro of raging Bull and Cape fear physique abilities.

Travolta wil never be out of work while he is able to mold himself into his characters. The charcter of Tony would not have been believeable in this film in any shape other than the one depicted by John Travolta in this film. he got it spot on --- in appearance, line delivery and overall feeling!

7/10

I don't understand why critics always scorn this film. OK, it doesn't have the magic of its predecessor "Saturday Night Fever", but it works as an "80's point of view" of the original film. The thing is that you should watch this film as a single one, not a 'sequel'. It has nothing to do with "Saturday Night Fever" but the main character Tony Manero (once again played by John Travolta) and his mother (Julie Bovasso) in a brief appearance. Fast forward from 1977 to 1983. Now Tony wants to be a Broadway star and keeps his struggle for a more mature purpose, as he himself is more mature. Manero's "moody girl" here is Laura (Finola Hughes, not so convincing), who also looks down on him. The funniest thing about "Staying Alive" is that it is directed by Sylvester Stallone! (No one remembers...) The soundtrack is one of my favorite, although it didn't received the deserved attention at the time of its release, nor did the movie itself. (I think people were afraid of another 'Bee Gees fever'). After this film, Travolta's career fell out of the spotlight only to be retaken in late 80's with "Look Who's Talking". Summarizing, in my opinion it is a very good movie, but don't expect this to be another "Saturday Night Fever".

Cynthia Rhodes again! The continum from Dirty Dancing, Staying Alive & Flashdance! How is this sexy beautiful dancer always the forlorn gal!?

The original writer of Saturday Night Fever Norman Wexler gets a co-writer credit for the sequel.

Staying Alive was directed and co-written by Sylvester Stallone. The story owes a debt to A Chorus Line. Some of the clunky dialogue and scenes are likely to be the fault of Stallone.

However Stallone also got John Travolta into shape. Here he looks like a dancer with rippling muscles.

The story has moved on six years. Tony Manero is trying to hit it big as a bit part player in Broadway. He gets a long list of rejections and struggles on with the support of his girlfriend.

An abrasive relationship with the star of a new Broadway show, Laura (Finola Hughes) has not gone unnoticed by its director. Tony might have a girlfriend but he hits on Laura if it might help his career.

Travolta presents an older Tony Manero but he is still immature, shallow and self centred. Manero has a rawness and streetwise that attracts the attention of the director of the new Broadway show.

The film is let down by a thin uninvolving plot and too many songs that just does not fit in with the film. Whereas those Bee Gees songs became classics in Saturday Night Fever, they just are forgettable here. I thought Vince DiCola's composition blended better.

The real low point was the opening night of the campy Broadway show 'Satan's Alley' that Manero gets a starring role opposite with Laura. Conceptually is should had been reworked, maybe something more disco themed.

Travolta understands Manero but the film felt too different from Saturday Night Fever. Staying Alive did well at the box office when it was released but it was critically lambasted. It was a big task for it to even equal the original's success which had entered public consciousness in a big way. Looking at the movie again it does fit in well with the MTV aesthetics of the 1980s but it lacks the grittiness.

Not good, but not as bad as it is made out to be.

Plot is thin, but the behind-the-scenes look at a Broadway dance show is interesting. Far too much time is spent on the actual show though, making you think that the whole movie may as well have been one big recording of a dance show.

Music is kind of cheesy, specially the music in the Broadway production.

Acting is so-so. Cynthia Rhodes gives probably the only convincing performance. John Travolta is his usual one-dimensional self and Finola Hughes is irritating.