Campamento del terror

Slightly disturbed and painfully shy Angela Baker (Felissa Rose) is sent away to summer camp with her foul-mouthed cousin Ricky Thomas (Jonathan Tiersten). Not long after Angela's arrival, things start to go horribly wrong for anyone with sinister or less than honorable intentions.

This film is either loved or hated, and with good reason, but it has been embraced more and more as the years go on by fans of the horror genre. The acting is excessively cheesy, especially from Desiree Gould, but purposely so. The kills are grisly and nasty, even if not always shown on screen. When that curling iron strikes, you know the situation. And the pedophile cook? Oh man... that is pushing boundaries that even horror films dare not cross (Freddy Krueger can be a child killer, but not a child molester).

One cannot vouch for the next two sequels, which have little connection to this film, but the original stands as a true modern classic, and if you have not seen it, you are really missing out on an important piece of horror history. What could have been a ripoff of other horror slashers that take place at camp (notably "Friday the 13th") turns out to be far different from any other title out there. And keep in mind the whole crew, more or less, had just come from "Creepshow", so these were folks who knew what they were doing.

Writer-director Robert Hiltzik (who graduated NYU with Ang Lee) mysteriously went decades without directing again. Many of the actors also never acted again, at least for a long time. And then you have Christopher Collet, going on to make such things as "Prayer of the Rollerboys"... does that make him the biggest success from this film?

Not only does the film get better with repeated viewings (which make the humor and camp more fun), but there are actually some clever subplots that will likely be missed on the first time or two. Mel Kostic (portrayed wonderfully by the late Mike Kellin) not only is one of the best characters, but has his own story and relationship with the campers and counselors that may not be immediately evident.

The Scream Factory Blu-ray is ridiculously good and worth owning. Beyond the excellent presentation, it has three different audio commentaries, where you learn odd trivia like Felissa Rose's husband Deron Miller meeting her as a fan, and much more. There is even a short film showing whatever happened to Judy (although it is not very good).

Sleepaway Camp (1983)

*** (out of 4)

Angela (Felissa Rose) goes with her cousin Ricky (Jonathan Tiersten) to a summer camp where she's constantly picked on and harassed by the most popular girl in camp (Karen Fields). Over and over again Angela is picked on due to her shyness, which causes Ricky to have to defend her and before long dead bodies begin to pile up.

SLEEPAWAY CAMP is a pretty notorious entry in the 80's slasher genre due in large part to a terrific twist at the end, which I obviously won't spoil here. If you want to play a uptight critic it's easy to really cream this film because there are some pretty bad things throughout including some at times hideous acting. However, if you're a fan of the genre, which I am, there's no question that this film has a lot going for it and it fits nicely into the genre, which at times delivered one cliché after another. There's no doubt that SLEEPAWAY CAMP has some clichéd moments but there's still no doubting it's impact on the genre and the all around good time you can have with it.

I think the best thing about the film is that it just feels so much like the 80's. The movie has the basic set-up taking place in a camp with a psycho running around but there's a lot of other stuff thrown in including a bizarre subplot dealing with a pedophile and there's even some stranger stuff that I won't go into so that I avoid any spoilers. The film also shows how bullying was handled in the 80's, which was usually with a big fat nothing. The film manages to really make you feel the time that it was set in and I think writer- director Robert Hiltzik deserves some credit for putting some of the more bizarre things in here.

It also doesn't hurt that you've got a group of characters that you can root for and against. One can't help but feel sympathy for Angela and you also can't help but like Ricky and Paul. The villains in the film are so over-the-top cruel that you also don't mind seeing them get knocked off one at a time. Then there's Judy who's certainly one of the most memorable villains in the history of the slasher period. Fields performance is just so spot-on that you can't help see the glee in her as she torments Angela. Rose is also quite charming in her role and there's certainly not a better slasher actor than Tiersten when it comes to saying profanity.

The murder scenes are mostly off-camera, I'm sure due to budget reasons but they're still quite memorable and especially the aftermath when we see what actually happened. The make-up effects are quite simple but effective enough. I also liked how the main goal of the film wasn't the gore and violence but instead the characters and especially the mystery. I'm sure some will guess what's going on but if you go through the film without knowing and just guessing who's doing the killing, it certainly adds to the entertainment level. SLEEPAWAY CAMP has a lot of nostalgia going for it but it's also one of the more entertaining films in the 80's slasher cycle.

"Sleepaway Camp" had been talked up to me by friends and associates as a unique entry into the slasher film sweepstakes, and they're right. Never before do I remember slasherfilmvictims being so mean, foul-mouthed, and spiteful. Not a single character in this film exists above redemption. And most of them get killed off.

There's an uneasy sexual undercurrent plodding about this film, from the camp chef (who calls the kids "baldies") to the treatment of homosexuality to the shot of a dozen bare-assed guys going for a night swim ... to a teenage counselor going on a "date" with the old, crusty camp owner. Perversions run high here, and not on a level that most will enjoy. The killing scenes are inventive, plentiful, and happen on a regular basis throughout the movie, and the reaction shots to these killings seem to go on forever, which make them all the more difficult to endure.

this was definitely a weird one. the realisticly ruthless portrayal of kids at camp, the pedophiliac in the kitchen, the unexplained insanity of the aunt, the homosexual undertones, the ENDING! i was utterly floored when i rented this one. if you can find it, rent it. watch it. show it to your friends and watch them cringe. Just follow my advice and hold onto something when it winds down to the end. i promise, you will be shocked, and will probably have the final image stuck in your head for a week.

After some VERY dramatic, ominous music during a panning shot of the titular camp Arawak, SLEEPAWAY CAMP begins.

Right off the bat, tragedy strikes on the lake. We know this mostly because of the water-skier who won't stop screeching like a pint-sized tornado siren.

Several years later, the scene switches to the soon-to-be camper, Ricky (Jonathan Tiersten). He and his shy cousin, Angela (Felissa Rose) are getting ready to leave. Angela survived the aforementioned tragedy, and was taken in by her Aunt, Ricky's -extremely odd- mum. Next stop, the camp.

It's probably not a good sign, when one of the first adults to be introduced, obviously likes kids a bit TOO much! He's Artie (Owen Hughes) the cook, and he's one of the most vile characters since the gargantuan neighbor in ALICE SWEET ALICE! Yecch! Don't worry though, he quickly becomes... overheated.

As it turns out, there's no shortage of creeps and jerks at Camp Arawak, which means there are lots of victims for whoever starts bumping them off in grisly ways. Most are vindictive idiots like Judy (Karen Fields) and Meg (Katherine Kamhi), who simply must torment Angela as LOUDLY! AS! POSSIBLE! This could be a long summer, if anyone lives through it!

Though everyone remembers this movie's "shock" finale, the rest of it is interesting in that it contains so many hateful, unbalanced characters. EXHIBIT A): Mel (Mike Kellin), who's unwarranted paranoia verges on the maniacal! This is especially disturbing, since he runs the camp!

EXTRA POINTS FOR: #1- The fake mustache on the cop at the end! #2- The cheap, cheeezey, yet somehow creepy song during the end credits!...