Sã mori rãnit din dragoste de viatã

about a film who gives one of the first performances of Marcel Iureș on screen as Mironescu, a cruel cop. about two young men parts of political conspiracy. and about the poetry of image, influences from American movies, crumbs of idealism and eulogy of duty. like many films from the same period, it was a tool of propaganda. and this is its virtue - the science of Mircea Veroiu to give more than an ideological film. with grace and precision. using good actors and the right cinematography. and, off course, a not bad script.