The Pirates of Penzance

I am a true G & S Aficionado but this surprised and delighted me. The cast are brilliant but Kevin Kline has the edge. Agile, in great voice, lots of humour and quick, funny bits in his performance (blink and you miss them). His dancing and acrobatics are superb. The police also had me howling with laughter along with their police dogs and the major general romping through the fields with the pirates singing UNDERWATER in the babbling brook has to be a classic. This scene has to be seen to be believed. Bravo, cast !! This should have had a lot more publicity. I would adore seeing it in the large theatre, at least we had "Topsy Turvy" this year. This Pirate is fun for all ages.

This movie's great even though it's quite clear that this movie was low budget. Still, why wasn't it a hit? It's wonderful! Linda Ronstadt's Mabel is superb, I wish I could hit those high notes as flawlessly as she does and plus she is so pretty! Who can play the Pirate King as charismatically as Kevin Kline? You just have to love his crazy antics and that voice, oh! It's obvious he has great talent and that Tony Award he won for his portrayal of The Pirate King on Broadway was well-deserved. I wonder if he can still sing and dance... Rex Smith is divine as Frederic; his singing voice is powerful yet has a tender appeal. He is quite talented in his portrayal of a gullible yet loveable Frederic. Angela Lansbury is lovely in her portrayal of the deaf nursemaid and she has such a wonderful voice; it fits the role perfectly. The pirates, the daughters, the policemen, were all wonderful. I especially love the policemen's song-and-dance numbers. Tony Azito's nasal voice and rubber-like movements are perfect as the Sergeant. I have nothing bad to say about this movie, only I wish it were longer and it did not end so soon! See this movie! It's funny, romantic, and has good music.

I STRONGLY recommend "The Pirates of Penzance". Kevin Kline steals the show as the "Pirate King". He is fabulously funny!!! His looks, voice and energetic acting make him the perfect Pirate King. Angela Lansbury adds to the fun as Ruth, a maid-of-all-work who has seen better days. Linda Ronstadt as Mabel shows off her versatile voice and gets into the silly spirit of Gilbert and Sullivan. Rex Smith does an adequate job as Frederick, the slave of duty who is forced by fate to serve as a pirate.

If you think opera is boring, give this a try! Gilbert and Sullivan operettas are hilarious and this version has lots of fun with Gilbert's humor. There is one "Abbott and Costello"-like turn on the word "orphan" that cracks me up! The contrast between the cocky confidence of Kline and his pirates and the quaking-yet-committed police force is a joy to behold. The "Major General's Song" has been parodied so many times (perhaps most notably as Tom Lehrer's listing of all of the chemical elements) that it is instantly recognizable even if you do not know the operetta. The cast has such fun with this it is hard not to be drawn into it.

All-in-all, "The Pirates of Penzance" is a modern update that loses neither the spirit nor the substance of Gilbert and Sullivan's original. See this movie - soon.

I first saw this incarnation of Gilbert and Sullivan's "Pirates of Penzance" at the age of 10, but just recently saw it again when my school decided to perform it for our annual spring musical. At the age of 18, I expected that I would find it immature after having liked it at 10. Needless to say, I was wrong. This is a wonderful adaptation of a great operetta, and becomes even better with the experience of performing it.

Fans of Kevin Kline rejoice! He plays the perfect "Pirate King," the silly leader of a band of pirates who seem to be completely incompetent, if only at piracy. He delivers his lines with precision and, along with David Hatton (Samuel), adds a much needed low bass-baritone to Rex Smith(Frederic) and the rest of the pirates' tenor in the pirate tunes.

The late Tony Azito(Police Sergeant)'s performance is literally unbelievable, as he looks more like a man made out of rubber rather than flesh and bone.

I would recommend this to anyone, especially die hard Gilbert and Sullivan fans.

History records that Gilbert and Sullivan were personally often at odds when producing their great comic operettas - no doubt that, if they are still monitoring this, they are surprised to find both their humour and their music - despite its limitations in both time and location - still has a great appeal to audiences throughout much of the world. The music of course is timeless, but music too evolves and many people today have no appreciation of the types of lyrics which G & S exploited so shamelessly. Perhaps the remarkable thing is the wide and continuing appeal of so many of their works. This film is a movie version of a 100th anniversary Broadway stage production of this operetta in New York. A review of previous comments show, not unexpectedly, that it has been adored by numerous G. & S. fans; but that its appeal to those who are not in this category is much more limited. They also make it clear that this is a very fine production; and it would be a serious omission if I did not re-emphasise it is almost a classical example of the way in which a major stage production should be presented on film, both to retain the best of the original production and to as fully as possible exploit the more fluid form of presentation that is possible on the screen.

To your reviewer who reports fears about wearing out her taped version, I would recommend doing what I have done and converting this to a VCD disk that she can play, almost for ever, on her DVD player. It is, I believe, a great film; and my wife and I have also viewed it repeatedly whenever we have been a little "blue", we never fail to feel cheered up afterwards. However we recognise that most members of the contemporary generation would not respond in this way, and that our appreciation will not even be understood by them. We remain thankful that minority tastes can still be satisfied without infringing on the perogatives of the majority, and that in the process of doing so the film will be seen by many who initially have little sympathy with the production, but who find that - as with so many of us in the older generation - they have come to appreciate both its music and its humour.