The Pirates of Penzance

This movie's great even though it's quite clear that this movie was low budget. Still, why wasn't it a hit? It's wonderful! Linda Ronstadt's Mabel is superb, I wish I could hit those high notes as flawlessly as she does and plus she is so pretty! Who can play the Pirate King as charismatically as Kevin Kline? You just have to love his crazy antics and that voice, oh! It's obvious he has great talent and that Tony Award he won for his portrayal of The Pirate King on Broadway was well-deserved. I wonder if he can still sing and dance... Rex Smith is divine as Frederic; his singing voice is powerful yet has a tender appeal. He is quite talented in his portrayal of a gullible yet loveable Frederic. Angela Lansbury is lovely in her portrayal of the deaf nursemaid and she has such a wonderful voice; it fits the role perfectly. The pirates, the daughters, the policemen, were all wonderful. I especially love the policemen's song-and-dance numbers. Tony Azito's nasal voice and rubber-like movements are perfect as the Sergeant. I have nothing bad to say about this movie, only I wish it were longer and it did not end so soon! See this movie! It's funny, romantic, and has good music.

I fell in love with Linda Ronstadt the first time I saw this film in 1983. I also fell in love with Angela Lansbury and, perhaps even Kevin Kline.

This fantastical, comedic, interpretation of the wonderful Gilbert and Sullivan musical updates the music, the humor, and performance, while actually enhancing the theatrical quality of the original play and leaving the plot, characters, and script largely intact.

The film feels like an exciting, quite silly, and very fun play seen from the best possible angles on an elaborate but very stagy set. The actors intentionally overact - as if their most subtle movements must be seen by an audience in a three story balcony. The music is also somewhat overblown, but absolutely wonderful. Did I mention Linda Ronstadt? Her vocal performance is frankly unbelievable! She might not be much of an actress, but acting talent was really not required for the role of Maybelle.

The story is about Frederick (Rex Smith), a young man who has just left his indenture under the flamboyant, somewhat unsuccessful and soft-hearted 'Pirate King' (Kline) and his band of fairly inoffensive ruffians. Vowing to slay his beloved friend to atone for the sins he probably did not commit during his indenture, Frederick leaves his doomed friends and comes ashore, only to fall immediately in love with Maybelle, but the pirates are only a few steps behind him.

The entire story is told with very minimal dialog and a lot of great music, slapstick, and camp. The voices are cast perfectly, and Kline's physical performance is nothing short of amazing.

What can I say? I've just watched 'Pirates' again after a hiatus of about 18 years, and the old magic came back immediately. I love this film, and heartily recommend it to all. Not everybody will feel as I do, but I can't even attempt objectivity in reviewing this film.

Enjoy!

History records that Gilbert and Sullivan were personally often at odds when producing their great comic operettas - no doubt that, if they are still monitoring this, they are surprised to find both their humour and their music - despite its limitations in both time and location - still has a great appeal to audiences throughout much of the world. The music of course is timeless, but music too evolves and many people today have no appreciation of the types of lyrics which G & S exploited so shamelessly. Perhaps the remarkable thing is the wide and continuing appeal of so many of their works. This film is a movie version of a 100th anniversary Broadway stage production of this operetta in New York. A review of previous comments show, not unexpectedly, that it has been adored by numerous G. & S. fans; but that its appeal to those who are not in this category is much more limited. They also make it clear that this is a very fine production; and it would be a serious omission if I did not re-emphasise it is almost a classical example of the way in which a major stage production should be presented on film, both to retain the best of the original production and to as fully as possible exploit the more fluid form of presentation that is possible on the screen.

To your reviewer who reports fears about wearing out her taped version, I would recommend doing what I have done and converting this to a VCD disk that she can play, almost for ever, on her DVD player. It is, I believe, a great film; and my wife and I have also viewed it repeatedly whenever we have been a little "blue", we never fail to feel cheered up afterwards. However we recognise that most members of the contemporary generation would not respond in this way, and that our appreciation will not even be understood by them. We remain thankful that minority tastes can still be satisfied without infringing on the perogatives of the majority, and that in the process of doing so the film will be seen by many who initially have little sympathy with the production, but who find that - as with so many of us in the older generation - they have come to appreciate both its music and its humour.

I saw the movie version of "Pirates Of Penzance" again six years after my first viewing;I have to admit it wasn't quite as good as I remembered. The movie can't seem to build any momentum for the first few numbers until the Major General shows up. It falters again for several minutes while Kline, Stevens, and Lansbury struggle gamely with the "Leap Year" birthday number (it just isn't all that funny,guys); and the gimmick of staging the big fight between the cops and the pirates through an community theater staging of "HMS Pinafore" is way too cutesy and self-referential. A few of the "patter songs" have a bit of obvious filler, too (although a first time viewer might not notice this among all the clever word play).

But man, that scene where the pirates are parading through the commons singing "WITH CAT-LIKE TREAD, WE HARDLY MAKE A SOUND" at the top of their lungs...it makes me forgive the movie any of its obvious flaws. Kevin Kline was born to play the "Pirate King" and the movie is worth watching for his (and the Major General's) performance alone. Everyone else is good-to-great... there's not a flat tire or a bad performance in the bunch. Linda Ronstadt's abilities were a surprise to me; even though I am sure she got some "assistance" via dubbing and clever arrangements that hid her weak spots as a singer, she still made a smashing Mabel. And Gilbert and Sullivan's frothy, feather-light operettas still provide easy enjoyment for a modern audience who want light, clever comedy and pretty, accessible songs.

Still very good stuff, though not quite as good as I remembered. That's probably because I played a whole lot of pit orchestras in the intervening years and became a bit jaded.

I am a true G & S Aficionado but this surprised and delighted me. The cast are brilliant but Kevin Kline has the edge. Agile, in great voice, lots of humour and quick, funny bits in his performance (blink and you miss them). His dancing and acrobatics are superb. The police also had me howling with laughter along with their police dogs and the major general romping through the fields with the pirates singing UNDERWATER in the babbling brook has to be a classic. This scene has to be seen to be believed. Bravo, cast !! This should have had a lot more publicity. I would adore seeing it in the large theatre, at least we had "Topsy Turvy" this year. This Pirate is fun for all ages.