Mo toi

After buying a strange vase at an auction, a woman finds a strange demonic being inside and quickly gets the being out of the house, but years later when her sons accidentally release the creature again they turn to a Taoist priest and his teachings to get the demon under control.

Generally, this one is a pretty straightforward offering. This wastes no time at getting to the point of the film, which is unleashing wild and over-the-top moments every chance possible. The opening arrival of the demon and his seduction of the wife where her husband arrives and attempts to interfere only to be turned into a hideous worm-faced figure who then kills himself by jumping out a nearby window in the matter of a few minutes allows for a taste of what's on display throughout here. With later scenes featuring a flying cat knocking a person off a balcony ledge and a funeral being interrupted by the sight of a woman's belly swelling up and about to erupt into a giant pulsating fetus, there's a strong start to a fantastic series of gross-out attacks. With a birthday cake filled with worms, disemboweling a dog to eat its uncooked remains and scenes of the possessed family member playing with the body of a victim all giving this a series of shocking and somewhat obvious sense that something's going on, there's a great foundation for the crazier action here. With a standout wizard battle that's become the norm for these movies, attacks by levitating furniture and teleporting bodies flying around the room, the film packs in plenty of fun action just as much as the over-the-top elements. Still, even with the wildness out of the way, there's more to like here. The idea of incorporating elements from outside the usual sphere of influence for these kinds of films adds hints of class that shouldn't be here in a sleazy gore-fest like this, such as the rather impressive suspenseful camerawork featured here for some of the attacks by the possessed individuals. A night-time stroll through the courtyard of the family house showing the spirit floating along waiting for the opportunity to strike is quite creepy, much like the use of the dog's point-of-view walking through the house into the bedroom before attacking the girlfriend. Also quite impressive is a nighttime drive home from the hospital which includes the car coming under attack by supernatural means as the lights go out and are afflicted with a supernatural storm before meeting an unexpected end with a possessed body, making this quite enjoyable in that sense when it tries. As well, this one goes overboard with the pacing and tempo here, featuring these frantic scenes and ideas at such a frantic pace that there's little stopping this one once it gets going which takes place incredibly early. The boundless energy and momentum this carries is infectious at a point, making for such a wholly engrossing effort with plenty to like about it. That said, there are some issues here. The most obvious flaw is a chaotic and discordant storyline that fails spectacularly at making cohesive sense. Very rarely does anything happen within rational means, as the impetus for how the demon is trapped inside the vase to start with or how the creature's release affects the family once it's been released, which are important parts of the initial setup to get into the story. That this just bounds from one scene to the other with little regard to how anything makes sense, ranging from how the possession travels from animal to person and how the basic idea of the actions presented doesn't cause any concern in the family to leave the house quicker. How they end up defeating the demon makes no sense and the general idea of figuring out we're even in the future after the initial attack has to be inferred making for a truly confusing mess of a storyline. Lastly, it's hard to overlook the abysmal special effects work, utilizing hand-drawn animation for laser beams and energy weapons that resemble third-tier video-game work and the wizard battle is so laughably filled with wire-work, frame-skipping and immobile puppets that all look out-of-date the moment they were filmed. Combined, these elements are enough to hold it down.

Rated Unrated/NC-17: Extreme Graphic Violence, Language, Nudity, a sex scene, violence against animals and themes of necrophilia.

The story of a demon spirit (or devil) possessing and terrorizing a very unfortunate family. There's a little backstory to this but basically this is the main theme. And even though it's a simple story, the flick delivers more than enough fun for any fan of HK craziness.

With a certifiably evil spirit, some sorcery battles, and even some genuine chills, Devil Fetus delivered a whole lot more than I was anticipating. Just a couple parts where the movie dragged and a possible, stupid Eagle slaying (if real), had me bored and kinda upset. But with a horny, disgusting, slimy devil trying to get some missionary action with any chick on the menu, it easily makes you forget about any boring parts.

If you're a fan of weirdo hybrid genre flicks, this is almost a must-see. Give it a look-see if you're hunkering for a Devil, a Fetus, and some Hong Kong sorcery magic. Also, the ending ain't too shabby either. Oh, one other thing, if you have the ability to watch it with surround sound, don't hesistate. This flick has some awesome sound effects and music that will shake the hell outta you and the room you're watching it in. 7.5 outta 10

This movie would have been better without the actual dead German Shepherd. Did they kill the dog for the movie, or did they just happen to have one? It's not a fake prop, it's just sad.

There is a great scene with the monk trying to exorcize the demon.

I don't think it's unfair to criticize how highly variable the storytelling is. It starts out incredibly prompt and direct - leaving nothing to the imagination, introducing ideas very forthrightly in imagery or dialogue, and advancing the story in precise, concrete steps - before becoming just as incredibly, weirdly vague. As viewers we just have to kind of blithely accept on faith that everything is happening because of the jade vase seen at the beginning, and the evil that was attached to it is subsequently jumping from person to person. The storytelling switches back and forth, too, and meanwhile Lau Hung-chuen's direction is simply very straight; in the acting and in how scenes are orchestrated generally, there's not a lot of nuance to be had. Then again, in this case the predominant ethos isn't impactful drama, creeping horror, or even so much sinister vibes (though we do get some of those) as it is a spectacle of effects. 'Devil fetus' opts rather simply for shock value, and while some facets come off better than others, I'd be plainly lying if I said it weren't a wild, entertaining ride. This won't appeal to everyone, but for those open to all the wide possibilities of what horror has to offer, this is great!

There's a lot that gets thrown at us at one time or another, from the more straightforward horror-thriller approach of a person being pursued by an antagonist, to tinges of suspense and dark atmosphere; from supernatural splendor and madness, to the one-on-one showdown between priests or mystics and demons or practitioners of black magic, as we've seen in the likes of 1981's 'Bewitched,' or 1983's 'Ghosts galore.' Some of this is realized with stop-motion animation, stunts, and major moving set pieces, and at other times we get extensive blood, gore, special makeup, and gross-out effects. Sometimes we're treated to post-production digital additions that are more than a little outdated, and accompanying sound effects that are A Choice; sometimes this is realized through lighting, or tricky editing and cinematography. The preponderance of these are tangible creations, I should note, but one way or another, they all mostly look great! It's primarily through this that the horror element is realized, though even as the writing is variable, Wen-Hua and Cheng Ging-Jiu Lo whipped up a tale of violence, death, and otherworldly possession that's a wicked good time.

In all other capacities this is pretty well made, from art direction and costume design to the music. It may not be a title that wholly demands viewership, but it sits somewhere on a spectrum between B-movie and low-budget romp, and whether one is familiar with other genre flicks out of Hong Kong (be they from The Shaw Brothers, Golden Harvest, or as in this instance, Lo Wei Motion Picture Company), or like-minded fare like Sam Raimi's first 'Evil dead,' there's a recognizable kinship with other works. For the inelegance of how it presents it carries some rough edges, yet by and large 'Devil fetus' is fun, gnarly, well made, and satisfying, and even if it's not the most visceral of thrill rides, I think most anyone who appreciates horror will find it enjoyable. Don't necessarily go out of your way for this, but if you have the chance to watch 'Devil fetus,' these eighty-six minutes are well worth anyone's time!

Wow! This movie was so inappropriate. Incredibly funny stuff, albeit unintentionally. An ugly lamp humps, possesses, and slaughters it's way through an entire family. The (non-gore) highlight for me would have to be the wild and tacky 80's dance party that stuck in the middle of the film. None of these people should ever be allowed to dance or act in a movie again. Was that dog doing what I think he was doing during the party? The sorcerous fight scene using Atari-era special effects and teleportation via the simple expedient of turning the camera off and on was also classic. The only disappointment is that the titular fetus only really appears onscreen in its "fetus" incarnation for a few seconds, in a scene stolen straight from Alien. Don't miss this one, it'll mess you up and loosen your bladder.