Gabriela, Cravo e Canela

The romance between Gabriela, a beautiful rural woman (Sonia Braga) and a Turkish businessman (Marcello Mastroianni) that confronted the prude society of Bahia, in the beginning of the 20th Century, presented in this film explodes in sensuality, and a little bit of humor but all of that wasn't enough to make me give a thumbs up for it at the ending.

Many tiny little plots around the main story ruined the film; the excessive sex scenes between the main stars are quite the same thing repeated over and over; and things built up and disappear out of nowhere. Throw your rocks on me because I'm from Brazil and I've never read the book written by Jorge Amado, one of Brazilian greatest writers so I can't construct my point of view comparing both medias. But what I did saw was a film that was quite good during its forty, fifty minutes, then it was just tiresome, annoying, with nothing much to say, and nothing much to show.

What was the point anyway? A love relationship only based in sex? What was the reason of Gabriela cheating on her beloved husband? Everything is too much trite and director Bruno Barreto didn't know exactly what he was doing here, this wasn't material for him, and probably he was just trying to repeat the success of his previous adaptation of Amado's book "Dona Flor e Seus Dois Maridos" (1976) which had the highest box-office performance of all time around here, holding the record of most seen film for almost 20 years, losing its place to "Titanic" (1997).

The supporting cast has some good moments here (specially Ricardo Petragalia playing the teacher); Mastroianni impressed me a little but I still want to know if his voice was dubbed or he really speaks Portuguese mixed with Spanish, something almost inaudible to hear. Braga displays lots of sensuality and nude scenes, things that worked a lot here in the 1980's, now it's just silly.

Overrated in all senses, this film almost made it through being a good film. The excess in story, soundtrack, direction and the lack of a higher purpose ruined the experience for me. 5/10.

This 1983 remake of Gabriela, directed by Bruno Barretto, features THE most sensuous performance of Sonia Braga on film--interesting, considering she was in the 1976 original film, also as the title character. But Barretto does things the previous director did not do, and nails the story, as well as casting, also interestingly, Marcello Mastrioanni as the Syrian Nacib who is entranced by Gabriela's obvious femaleness. In what is very likely the most sensuous scene in filmdom--or certainly one of them--he has her over a first floor window. You can actually feel the room temperature rising around you when this coupling is going on.

What it is that Barretto nails is the spirit of Jorge Amado's novel--that which captures the uncontrolled and uncontrollable desires of a woman who, as uneducated as she is, rules men with her looks. Nothing new there, but there's no other film like the 1983 Gabriela for "fleshing out" (you will, I am sure, pardon the pun) this concept.

The Mastrioanni-Braga chemistry is white hot and that's true not only for the coupling they do, but also for the arguments they have. Only when there is passionate love can there be passionate arguments, and they are definitely here, no question, making this a film that grabs you by the throat, and by the privates, and squeezes in a gentle way, until all you can finally do is gasp. And with good reason.

This is truly ripe for a DVD release. Where is it?????

Second film of Sonia Braga for director.Bruno Baretto, after the hit "Dona Flora and Her Two Husbands" Ms Braga carries the film, not Marcelo Mastroanni. A film that openly discusses corruption in Brazil.

Gabriela is a great romance by Jorge Amado, a great Brazilian writer. In 1975 it was adapted to TV novel. It was very successful and we could see a young Sonia Braga at the beginning of her career. Years later we could see Sonia again but she was not young anymore. But her talent was much better. The movie only shows sexy scenes and the political history was on the second hand unfortunately. But there was a present for us. We could see in a short time a great Brazilian actress called Maria Zenaide, with her beautiful eyes making a little participation. On the other hand we could see her again and we could ask where are the great actresses of Brazil ? Unfortunately Brazil is a country with no memory and only shows what the directors think are good. Thanks God we can see Maria Zenaide making educacional commercial and she still sings Brazilian Songs though her band Grupo Avelloz, with good singers and musicians: Will Tom and Teresa Carvalho(both from Dama de Paus band), Jorge Som and Chaguinha Lima(from Siri Atômico band).

Gabriela, Clove & Cinnamon was the novel which marked Jorge Amado's break from pure class warfare--he received several Stalin prizes in his early career!--and embrace of the joys of Brazilian humanity. Sonia Braga has starred in adaptations of three of Amado's novels, all of them magnificent (the other two are Dona Flor and Tieta). I won't say she is here at her sexiest--Sonia Braga is sexy any time she's on screen--but this is one of her best movies, helped much by the other players, among them, curiously, Marcello Mastrioanni as the Syrian immigrant who hires Gabriela as cook and quickly finds himself in a deeper relationship. The plot here involves attitudes toward women and their sexuality, an eventual welcome breakdown of the double standard. and progress of law and order in a society too often ruled by lawlessness and custom. Amado dies without getting a Nobel Prize for Literature: Gabriela and the other two films mentioned convincingly demonstrate why he should have won it.