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Finally saw this film today. I laughed out loud many times. It's just so wonderfully outrageous. The nuns are played by actresses that went on to play leads in Almodovar's later films: Women on the Verge, All About My Mother, etc. The actress who plays Sister Rat figures prominently, which made me very happy, as she has had mostly very minor roles in his subsequent films. She first came to my attention in Talk To Her. She plays the concierge, and asks the reporter why her tenant is in jail. The reporter says he's innocent. She replies, I know, but innocent of what? She has right-on deadpan delivery that just knocks you out, and it's on full display in Dark Habits.

The film is less neatly constructed than Almodovar's later works, and one might say the ending is somewhat messy. Still, it's interesting to compare it to his incredibly polished work of the last ten years. While the uninitiated (to Almodovar) may find parts of it a little shocking, it's not nearly as raw as it would be if it were made today--certainly the lesbianism is tame by today's standard.

Other reviewers are right that a lot of the English subtitles miss the ironic tone in the script. But don't let that stop you . . . It's Almodovar! Even second tier Almodovar with inadequate subtitling is better than 99 percent of everything else!

This is early Almodovar, and if you've seen his other early films, you know what to expect. If you haven't seen them, then you might be surprised. The film is funny, unpredictable, and endearing in a kinky, warped kind of way. Almodovar's nuns are wonderful characters. With straight faces and looks of piety, they do outrageous things without batting an eye. There are probably many ways to interpret the film, but I think it's about acceptance. We're all "sinners" in one way or another, as the nuns would say, and it's not up to us to judge or condemn other people. The sisters are very forgiving - in fact, they love sinners! - and they create a little haven where marginal people can find shelter. They are eccentric, they do things that mainstream society condemns, but they don't really do any harm to anyone and maybe even help some people find their path in life. This isn't the Catholic Church's idea of what a convent should be like, and I understand that very devout people would be offended by the way Almodóvar treats the subject. Still, he does it in a kind of gentle, good humored way and he offers an alternative vision of religious devotion that can make you laugh if you aren't too uptight about these things. Things don't always make sense, but that's fine, things don't make sense in life sometimes, either. Just sit back and watch, and enjoy the twists and turns.

Maybe the one line summary is wrong, that's the problem with Pedro Almodovar's flick, you don't know what its supposed to be: ironic, satire, parody, black comedy or a serious drama. It's got a lounge singer hiding out in a convent (remember this is a 1983 movie, made way before Sister Act) after her lover ODs. The nuns are former losers, street trash, etc. who are given punishable names like Sister Rat-in-the-Sewer or Sister-Damned and their Mother Superior shoots up heroin. Are they making fun of Catholics or what? Nevertheless, this is a bit funny, while being a little boring. Recommended to the Almodovar/Spanish/foreign fans who shouldn't expect this one to be better than his usual films.

Ignore the mediocre reviews. Dark Habits is delightful, no less so than Almodóvar's later, more popular movies. This is not in any way interesting only because it shows how much better he got later. That's absurd.

This movie is great fun, deadpan, outrageously irreverent but never mean-spirited, affectionate, hilarious but in a subtly low-key way, wildly imaginative and yet gentle and sweet. I loved it. Julieta Serrano as the Mother Superior and Chus Lampreave (who has a larger role than in his later movies) as Sister Alley Rat are especially delightful.

What else do you need to know? Honestly, this isn't Almodovar's best work. In fact, it's pretty sloppy story-wise. But I enjoyed the heck out of it. Cristina Sanchez Pascual plays a heroin-addicted singer who hides out in a convent after her boyfriend overdoses. The nuns there are, shall we say, a little quirky in that they are mostly on drugs (heroin, cocaine, acid - but not pot; at one point a nun says "you know I don't do soft drugs"). Also, one's a lesbian and another writes lurid romance novels and together they have raised a pet tiger. They all have names like Sister Snake and Sister Rat, because the humiliation is sacred. There's really no compelling reason the nuns are on drugs. It's just kind of a shocking, humorous detail. I think Bunuel would have loved it, though the film itself isn't particularly blasphemous. It doesn't view the nuns or Catholicism cynically. It just exists in its own, weird Almodovar universe. The plot is not very strong, so the whole thing just kind of fizzles, but it's entertaining. Carmen Maura plays one of the nuns, but she's not an extremely important character. On the Region 1 DVD, though, she graces the cover.