CALIFICACIÓN DE IMDb
6.1/10
54 k
TU CALIFICACIÓN
Un simpático San Bernardo, contrae rabia y crea caos en un pequeño pueblo estadounidense.Un simpático San Bernardo, contrae rabia y crea caos en un pequeño pueblo estadounidense.Un simpático San Bernardo, contrae rabia y crea caos en un pequeño pueblo estadounidense.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 4 nominaciones en total
Daniel Hugh Kelly
- Vic Trenton
- (as Daniel Hugh-Kelly)
Billy Jayne
- Brett Camber
- (as Billy Jacoby)
Clare Torao
- Lady Reporter
- (as Claire Nono)
Robert Craighead
- Joe MaGruder
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
1983 was a bit of a bumper year for cinematic versions of Stephen King novels. In that year alone we had Christine and The Dead Zone as well as Cujo. It would probably not be unfair to say that Cujo is the least good of the three but in all honesty there isn't a great deal in it, with all being pretty effective and nicely varied horror films. Out of those three, and unlike most King horror films in general, Cujo is not a supernatural horror movie and is based on a plausible idea. A woman and her young son become trapped in their broken down car in a remote junkyard when a St. Bernard dog, made rabid by a bite from an infected bat, lays siege to their vehicle in a murderous mood.
This one could be described as a high concept movie given the very basic nature of its set-up. In order to pad things out to feature length and to add some depth, we have quite a bit of character development in the first half of the movie, which focuses mainly on a dysfunctional family and the dramas that surround them. Once the action moves to the junkyard though, most of this is largely forgotten and the film essentially becomes an 'animal-attack' horror-thriller. Dee Wallace does some good work as the mother who has to deal with the trauma while having to comfort her young son, who it has to be said is involved in some pretty intense looking scenes which may have been quite full on for the young actor involved. But the scary scenes were often achieved by very clever editing, after all a St. Bernard is hardly the most threatening of beasts to base a horror movie on. The fast and clever edits do make this creature seem genuinely menacing. Less successful though was the soundtrack which compromised of a considerable amount of really terrible music which would have been better suited to a daytime TV melodrama than a suspenseful and thrilling feature film. But on the whole, this is a pretty decent and lean effort that gets the job done quite effectively.
This one could be described as a high concept movie given the very basic nature of its set-up. In order to pad things out to feature length and to add some depth, we have quite a bit of character development in the first half of the movie, which focuses mainly on a dysfunctional family and the dramas that surround them. Once the action moves to the junkyard though, most of this is largely forgotten and the film essentially becomes an 'animal-attack' horror-thriller. Dee Wallace does some good work as the mother who has to deal with the trauma while having to comfort her young son, who it has to be said is involved in some pretty intense looking scenes which may have been quite full on for the young actor involved. But the scary scenes were often achieved by very clever editing, after all a St. Bernard is hardly the most threatening of beasts to base a horror movie on. The fast and clever edits do make this creature seem genuinely menacing. Less successful though was the soundtrack which compromised of a considerable amount of really terrible music which would have been better suited to a daytime TV melodrama than a suspenseful and thrilling feature film. But on the whole, this is a pretty decent and lean effort that gets the job done quite effectively.
A friendly St. Bernard named "Cujo" contracts rabies and conducts a reign of terror on a small American town.
"Cujo" is more than just a monstrous dog, this is also a tale of infidelity and a family breakdown. This is what separates it from other animal attack films.
The New York Times called the film "predictable" and said, "Cujo is not as menacing or frightening as other film adaptations of King's popular stories and especially can not compare to the 1976 Carrie..." Now, that may be true. But let us not sell it short, either. Just about everyone, whether they have seen the film or not, knows what the word "Cujo" means... far more than, say, "Christine". So this is one of King's more deeply imprinted films, even if not the most creative.
"Cujo" is more than just a monstrous dog, this is also a tale of infidelity and a family breakdown. This is what separates it from other animal attack films.
The New York Times called the film "predictable" and said, "Cujo is not as menacing or frightening as other film adaptations of King's popular stories and especially can not compare to the 1976 Carrie..." Now, that may be true. But let us not sell it short, either. Just about everyone, whether they have seen the film or not, knows what the word "Cujo" means... far more than, say, "Christine". So this is one of King's more deeply imprinted films, even if not the most creative.
Hardcore horror fans won't be disappointed (although for a while they may think they will be) with this extremely bloody and gruesome shocker. The attack scenes are about as intense as possible - the director almost pushes them TOO far. But the first half of the movie is plodding, filled with unnecessary scenes, and the kid's constant whining (although justified) is sure to get on your nerves. (**1/2)
I think of Cujo as "realistic horror" because it is something that could really happen. People really do get killed by rabid dogs...this film just exaggerates the truth a bit. I can't say I really enjoyed this film as it is not what I look for in horror films. It's a very good film - well acted, well directed, suspenseful and emotional, but it's not really "fun" to watch. It starts off with the dog getting infected, and from then on tension is built up slowly as you sense the dog is getting angrier and angrier. Eventually it snaps and starts killing people. The bulk of the film focuses on when Donna and her son are trapped in the broken down car because Cujo attacks whenever they try to leave. You can feel all the desperation, pain and isolation of Donna and her son as they lay trapped inside. It makes you think twice about dogs and certainly what you would do in such a situation. Would you run, attack the dog, or wait until help arrives?
This is not a fun, campy or cheesy horror film, so don't watch if you're a fan of cheese. It's for those who want to feel suspense, fear and pain.
This is not a fun, campy or cheesy horror film, so don't watch if you're a fan of cheese. It's for those who want to feel suspense, fear and pain.
This movie was pretty good. I saw it on TV last Halloween, and it really set the mood. It's basically about a dog that gets rabies, and a mother and her son are trapped in the middle of nowhere (in their car that broke down, of all things) because the dog is terrorizing them. It's really pretty sad actually, because they show the dog chasing the rabbit into the cave where he gets the rabies, and the dog just seems so sweet and cute. It's pretty scary too, when the boy passes out from the heat in the car and needs water or SOMETHING. It obviously set that kind of situation for movies like Panic Room and Signs. It is really a pretty suspenseful movie with that psychological terror--it would scare the hell out of you if it happened to you.
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¿Sabías que…?
- TriviaThe dogs featured in the film would often have their tails tied down to their legs because the animals would be visibly enjoying themselves so much that they would wag their tails during filming. This tactic was missed once in the editing, where one shot clearly shows Cujo from behind, growling and supposedly ready to attack, but wagging his tail energetically. Such is also the case about 54 mins. in, after "Cujo" has finished his first kill: the dog must have broken out of its tail restraint, as it's wagging it unusually low, yet happily.
- ErroresDuring the first night that Cujo has Donna and Tad trapped in the car, Cujo becomes enraged by the ringing phone and crashes through the window to attack it. When the phone stops ringing, Cujo remains in the window, and you can see the trainer's hand come up and pull the dog down from the window.
- Citas
Donna Trenton: Fuck you, dog.
- Créditos curiososThe film's title appears out of a pool of swirling blood.
- Versiones alternativasThe original VHS release of the film, as well as the television version, omitted some early scenes in the film establishing the characters. Among the scenes cut are a scene of Vic Trenton and Steve Kemp playing tennis, a scene where Vic picks up Tad from daycare, and a scene where Donna and Steve are in bed and Steve starts playing a trombone while Donna gets up and goes to dress in the next room. This last scene replaces the more subtle scene of Donna and Steve making love that is featured in the VHS release.
- ConexionesEdited into Doggiewoggiez! Poochiewoochiez! (2012)
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Detalles
Taquilla
- Presupuesto
- USD 5,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 21,156,152
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,114,899
- 14 ago 1983
- Total a nivel mundial
- USD 21,156,152
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