Un joven de una escuela privada pasa una noche loca, y enseguida se da cuenta de que la mujer con la que se ha acostado no es quien esperaba.Un joven de una escuela privada pasa una noche loca, y enseguida se da cuenta de que la mujer con la que se ha acostado no es quien esperaba.Un joven de una escuela privada pasa una noche loca, y enseguida se da cuenta de que la mujer con la que se ha acostado no es quien esperaba.
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Opiniones destacadas
"Class" is a pleasant movie that begins very funny, with Andrew McCarthy, Rob Lowe, John Cusack and Virginia Madsen very young. Jacqueline Bisset is extremely beautiful and fits perfectly to the role of Ellen. Unfortunately the story is lost between comedy and drama with a disappointing conclusion. My vote is six.
Title (Brazil): "Uma Questão de Classe" ("A Question of Class")
The film begins and ends with the "kids" in complete control, theres no PC screwing around either, all of the students do drugs, with most of the action taking place at a prep boarding school there's poker games and smoking after lights out. I tried to re-enact the John Cussack 'tip truck' smoking trick for almost a decade, in fact it was the prime reason I took up smoking in the first place.
The New Renaissance has been indicated by many social historians as the years 1982 to 1987 with the peak beginning with the opening night of the movie ET, and the end coinciding with the closing ceremony of the 1984 LA olympics. This film, having been made in 1983, stands as a virtual document to the affirmations and values of Western Culture at its peak. The scene of the triumphal holiday return of Rob Lowes character to his ancestral home is resplendant with a punk version of 'the little drummer boy', as he tears through New England countryside in his Porshe charger......breathtaking.
Nothing since the death of communism comes close to replicating the self confidence that shimmers off this film with the possible exception of "The Chocolate War". This film is not to be taken as a trite story but should be viewed in the light that reflects what it is, an artistic vision of the height of teen existence at the height of human existence, not too big a call I'm sure you'd agree.
What is immediately evident, is the way in which the director skillfully juxtapses the moody atmosphere with the hilarious antics of the Ivy League school boys. Regarding this movie from the point of view of intertextuality, a number of other texts immediately spring to mind: 'The Graduate', 'Animal House' and J.D. Salinger's 'Catcher in the Rye'. Lowe (The Outsiders, Youngblood, Oxford Blues), and McCarthy (St. Elmo's Fire, Mannequin, Catholic Boys) turn out meritable performances: one being the typically egotistical teenager(Lowe), and the other(McCarthy)conveyed as the naive, withdrawn 'new boy'. Jacqueline Bisset is, as always, aptly cast as the sultry seductress who, with an overbearing husband (Cliff Robertson) and a subsequent case of neurosis, seeks contentment in the shape of a teenage boy. Other striking performances come from - at the time, unknown actors - John Cusack and Alan Ruck.
'Class' is dark and moody at times, and the direction and setting conveys this aspect of the film aptly: the fight between Skip(Lowe) and Jonathan(McCarthy) takes place in the woods outside the school on a cold, grey afternoon during the fall. In contrast to this, there is the bright lights and bustle of New York City, where Jonathan embarks on a mission to apparently gain his manhood and 'save face' with the other students(here, there is that connection with the students in 'Catcher in the Rye' taking weekend trips to New York and the character 'Ackley' who is always boastful of his conquests with women). The film further depicts the antics of the school boys; for example, the incident at the neighboring girls' school and Jonathan's initiation on his first day. 'Class', like 'Oxford Blues', 'Youngblood', 'The Breakfast Club', 'Catholic Boys' and 'St. Elmo's Fire', to name but a few, is the quintessential movie for teenagers; it has depth and feeling, as well as displaying good comical dialogue.
This film is simply 'Class'.
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- TriviaIn a 2013 interview, when Virginia Madsen was asked about this role, she refused to talk about it. All she said was "Those guys were assholes. They were really shitty to me. It was bad. Bad memories." Rob Lowe said her comment was justifiable, pointing out "her big part in that movie required her shirt to get ripped off, and looking back, it couldn't be a more egregious, vintage, lowbrow, 1980s Porky's-esque, shoehorned-in moment... I can imagine it was not much fun to do that big sequence with a bunch of laughing, ogling frat-boy actors. I mean, can you imagine putting up with me, [John] Cusack, Alan Ruck, and Andrew McCarthy at 18?"
- ErroresRoger has a black right eye in one scene. Later that same day, the black eye is gone.
- Citas
Mr. Burroughs: Government control, Jonathan, is anathema to the free-enterprise system. Any intelligent person knows you cannot interfere with the laws of supply and demand.
Jonathan: I see your point, sir. That's the reason why I'm not for tariffs.
Mr. Burroughs: Right. No, wrong! You gotta have tariffs, son. How you gonna compete with the damn foreigners? Gotta have tariffs.
- ConexionesFeatured in The Making of 'Class' (1983)
- Bandas sonorasOvernite
Composed by James Eaton and Reynold Faubert
Performed by Toymuzic
Selecciones populares
- How long is Class?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 7,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 21,667,789
- Fin de semana de estreno en EE. UU. y Canadá
- USD 4,553,233
- 24 jul 1983
- Total a nivel mundial
- USD 21,667,789
- Tiempo de ejecución
- 1h 38min(98 min)
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1