Christine

This is a well made horror/Fantasy picture, John Carpenter directs and puts his talent even into the music score, which is classic Carpenter old school synth based vibe, among also the presence of many 1950's rock n roll classic tracks, to give you a vibe of the car 'Christine' Period of manufacture during the 1950's. Of course there are a few flaws here and there, but it's a addictive watch, with many modern horrors churned out in recent years which go straight to Netflix streaming service, this 1980's film has a high a look of high production value, especially when comparing it to so many modern digital movies from 2000 onwards. , I love the grain in the film and the non CGI, it has great special effects never the less. I think it stands up as one of Carpenters better features along with The Thing and Assault on Precinct 13. It's perhaps not quite as good, but still it seems to have aged well. Good fun, if you like a car based film with mind of its own.

John Carpenter adapts Stephen King's novel with skillful precision. A high school kid becomes obsessive in his feelings for a very strange car he has bought. The car is given the name Christine and repays her owner's adoration by "taking care of" his enemies.

It is fun watching Keith Gordon, owner of Christine, go from wimp to self proclaimed stud. Also in the cast are: John Stockwell, Alexandra Paul, Harry Dean Stanton and David Spielberg.

It is super cool watching Christine repair her damaged parts. This is an underrated movie that deserves a repeat viewing.

Tense, thrilling, reeking of terror & delivering the goods in a gripping fashion, John Carpenter's Christine is far more engaging & nail-biting than it looks, and appears just as polished today as it did at its time of release. Another impressive yet under-appreciated gem from The Horror Master that's well worthy of its cult following.

Ah, do I remember the day that I saw Christine, which is disturbing since I was only 6 years old, but my sister said "Do you wanna watch Christine?" and I was confused, my name is Kristine, but she told me about this little horror movie and thanks to her I couldn't go near our family car for a few months. This is a movie that has always stayed with me and still scares the heck out of me when I watch it in the dark. Who knew that even before taking a driver's ed class that cars could scare me? But this isn't just any ordinary car, this is a killer car! This is a car with ghosts in it and you wouldn't like them if you make them angry or try to take their owner away. Christine is the car that you definitely don't wanna mess with, otherwise you may have to face those bright lights and loud rock and roll music, what happens next, you may not wanna know.

Arnie Cunningham, a typical high school nerd with only one friend, a childhood companion named Dennis Guilder, a popular jock. Arnie's life begins to change when he discovers Christine, a red 1958 Plymouth Fury in serious need of repair. Arnie begins to restore Christine to her original beauty, but as he spends more and more of his time repairing her, those in his life notice that he is changing as well. Formerly shy, Arnie develops a cocky arrogance. Dennis, as well as Arnie's new girlfriend Leigh, discover that the car has a deadly past. The previous owner, Roland LeBay, became consumed with Christine and he paid for it with his life. Leigh and Dennis try to save Arnie from a similar fate. They realize that the only way to save Arnie is by destroying Christine. Christine, however, isn't ready to give up Arnie without a fight.

Christine is a classic horror movie that for me will always deliver on the good scares. I still have a hard time watching it. I think the scariest scene for me will always be the last scene where Leigh and Dennis face off with Christine and you see that Arnie just completely gone. I'm honestly shocked that Keith Gordon didn't continue on with his acting career, he just blew me away as Arnie, reading the book I couldn't picture anybody else. He's absolutely incredible. John Stockwell also pulls in a good solid performance as well. This is one of the rare horror movies that is over all very enjoyable and if it doesn't scare you, I still think you will like it, it has a great story and a very good cast and crew. I highly recommend that you see this movie if you get the chance, it's a classic.

8/10

For my Smart Money, "Christine" is one of John Carpenter's most underrated efforts (up there with "Assault on Precinct 13"), and also one of his most effective. Even though its modest look and relative restraint in gore came as a result of "The Thing"'s box-office failure the previous year, and Carpenter has all but admitted his heart wasn't in the project, it ultimately turned out VERY well (if this is an effort from a sleepwalking Carpenter, he's better than most directors when they're awake). As someone who was knocked out by Rob Bottin's intricately gruesome FX work in "The Thing," but left cold by the shallow characters, "Christine" fills in the gaps of suspense and human story with ease. In retrospect, some of the absurd plot elements ("a haunted car," as Carpenter constantly reiterates) lends the film an odd humor that doesn't detract from things (and indeed, it was Stephen King's own infatuation with cars and rock music that inspired this story of obsession). Scenes are composed with great skill by Carpenter (making wonderful use of the widescreen image), and there are many striking images sprinkled throughout (the most incredible being the flaming Christine speeding after a villain). The excellent cast gives their all in making a potential B-movie premise glow with A-list polish: Keith Gordon's Arnie (the painfully square high-school senior who buys the titular vehicle), John Stockwell's Dennis (the resourceful jock and best friend), Alexandra Paul's Leigh (the earthy girlfriend who sparks Christine's jealousy), and Harry Dean Stanton's Junkins (the snooping P.I.) provide this tale with a lot of propulsive force. In a sense, "Christine" is a nice even ground between the zaniness of "Escape from New York" and the FX extremes of "The Thing," and exemplifies Carpenter's range as a director. A very underrated effort that is very much worth your time.