Careful, He Might Hear You

"Careful He Might Hear You" showcases the full talent and wonderful potential of the Australian film industry and must rank as one of the best Australian movies ever made. The depth of excellence, talent and acting in this movie is second to none and absolutely superb The plot and background to this movie is intriguing and the script and the way that the plot unfolds keeps the viewer engaged and intrigued until the end. Everything is done to a standard of superb excellence down to the scenery and the portrayal of the two very different lifestyles depicted in this movie. The musical score is absolutely beautiful. Everything about the background and setting of this movie works out perfectly.

But this all pales in comparison to the acting. I have perhaps never seen a movie so perfectly cast where each of the actors and actresses involved -even the supporting cast -gives a wonderful and creative depth and dimension to their portrayal of the characters. Nicholas Gledhill is an excellent child actor and a maturity in conveying emotions beyond his years. Robyn Niven is perfect in her role as PS's aunt and guardian Lila and Peter Whitford is also wonderfully believable in his role as her loving, affable husband. John Hargreaves gives a breathtaking performance (if only briefly) in his heartbreaking role as PS's father, who obviously deeply loves his son but is incapable of caring for him.

But a special mention must go to Wendy Hughes for her portrayal of Vanessa. This character has many complexities to her personality and Wendy Hughes portrays all of the different aspects to her personality flawlessly and with a depth of reality and emotion that really brings the character to life. She is strikingly, breathtakingly beautiful and she is more than perfect for this role. In fact I would perhaps rank this as the best character portrayal I have seen in Australian cinematic history and one of the best character portrayals I have ever seen in any movie.

This movie is seriously underrated and I can't recommend it enough. 10/10 and I'd rate it higher if I could

The film is a superb adaptation of the book. As is true of most adaptations, it doesn't quite live up to the book. Read the book first--and then see the movie. The acting is first-rate. The little boy, Nicholas Gledhill, is amazing. And Wendy Hughes is stunning--what a shame she has never caught on with American audiences in her relatively unproductive American film and television career. The film is another example of the high quality work that comes out of Australia with such frequency.

One of Australia's great films of the 80s...big, lavish and crafted for an international audience.......along with GALLIPOLI, THE LIGHTHORSEMEN and MAN FROM SNOWY RIVER, "Careful"..is different in that it is set in Sydney harbourside suburbs of the 1920s......most period films made at this time are set earlier and are rural.....also like the sublime masterpiece THE IRISHMAN. The cast for "Careful" is theater professionals who fit the passionate personalities the extremely emotional and personal roles demand. Their transformation to film is also thanks to the great director Carl Schultz who also made the superb Australian films GOODBYE PARADISE and TRAVELLING NORTH. Much under employed here and almost forgotten ...... Nicholas Gledhill is still in Sydney theater and occasionally appears in fringe productions.

Robyn Nevin is the supreme being of the Sydney Theatre Company and the great Wendy Hughes is the goddess of the Australian screen.....see NEWSFRONT for that confirmation. The late great John Hughes such a genuine Australian man in his perfect realisation of the irresponsible but lovable main male character "Logan". This film is Australian screen perfection, however the end credits come too early.

Surely one of the best modern films about childhood, this swept the Australian Academy Awards and remains a thrilling film experience. When a young boy is left orphaned, his two aunts wage a bitter custody war over him. We see the adults' actions from the boy's point of view, with all the wonder, confusion, and naive wisdom such an outlook would provide. The events have a wry edge even in tragedy and remain gripping even in happiness. Stay tuned through the final credits for one of the best epilogues in film history.

Wendy Hughes plays the dark side of Auntie Mame, and she is both entrancing and repulsive, ludicrous and heartbreaking. The late John Hargreaves delivers a shattering cameo, and young Nicholas Gledhill deserves to be named in the company of Jean-Pierre Leaud, Anton Glanzelius, and Haley Joel Osment. The child's-eye direction is never less than astonishing, while the cinematography and music are gorgeous enough to take your breath away. If you thought the squabble over Elian Gonzalez was great drama, wait till you see this!

One of the greatest and least sentimental films about childhood and one of the best, yet most undervalued, of Australian pictures, Carl Schultz's "Careful, He Might Hear You", taken from Sumner Locke Elliott's best-selling book, is about a young boy, known simply as PS, (terrifically played by 8 year old Nicholas Gledhill), caught in the middle of an acrimonious custody battle between his two aunts after his mother's death and his abandonment by his father. It's a very simple, straightforward film with excellent performances from Wendy Hughes and Robyn Nevin as the two women in question, John Hargreaves as the returning father and Peter Whitford as his uncle.

Schultz films it so that we see everything through PS's eyes and it's often very moving though Ray Cook's over-emphatic score sometimes drags it down while the period setting is beautifully captured in John Stoddart's designs and John Seales' superb widescreen cinematography. A sizeable international hit in its day it was named one of the top ten films of the year by the National Board of Review.