Los investigadores desarrollan un sistema con el que pueden meterse en la mente de las personas. Pero cuando los involucrados introducen sus problemas personales en la ecuación, se vuelve pe... Leer todoLos investigadores desarrollan un sistema con el que pueden meterse en la mente de las personas. Pero cuando los involucrados introducen sus problemas personales en la ecuación, se vuelve peligroso, y puede que mortal.Los investigadores desarrollan un sistema con el que pueden meterse en la mente de las personas. Pero cuando los involucrados introducen sus problemas personales en la ecuación, se vuelve peligroso, y puede que mortal.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 6 nominaciones en total
- Barry
- (as David Wood)
- Realtor
- (as Mary-Fran Lyman)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A team of scientists comes up with a way to *really* share experience, to let each other in on how they experience the eternal essentials; love, life, sex; even death. And then, it doesn't stop there, taking into consideration the dark side as well -- what happens if you share your pain as well? What happens if The Wrong People(TM) monopolize the Amazing Secret(TM) first?
I love this movie. It ties up eternal questions and hopes with fun F/X and combines them into a touching and thrilling plot that makes other movies (mostly of the "cyberpunk"-era) like "Strange Days" that exploit a similar theme seem anemic in comparison at best.
The film is caught in odd Catch 22 - much of its technology has been both long since been surpassed (the Mylar tape & laser show!), and, in other areas, not reached yet - true emotions and sensations transmitted via VR. As expected from Trumbull, the special effects are solid if not as spectacular as his work on 2001, BLADE RUNNER and CLOSE ENCOUNTERS. Originally conceived as a feature film test for his high frame rate Showscan process, Trumbull had to settle for 70mm and a wider aspect ratio for it's VR scenes. There is no question that true Showscan would have made for a more impressive visual experience, even if only in limited locations.
Douglas Trumbull is one of cinema's true visionaries, but a smooth accomplished Director he wasn't. As in SILENT RUNNING, the ideas and visuals outstrip his ability to do them full justice. Still, BRAINSTORM has more solid ideas than 99% of SF films even attempt. The film's love for Science, from the gadgets to the photos of Einstein, to the self-sacrifice of the wonderful Louise Fletcher, this is a movie that celebrates the world of knowledge. And, damn, Christopher Walken that off-the-wall even then!!?? Sadly, poor Natalie Wood looked very tired (her death during filming cast a pall over its release). Cliff Robertson is decent as the head of the experimental lab. Still, it is Fletcher who becomes the heart and literal soul of the production. Her Lillian Reynolds is an exceptional depiction of the dedicated scientist who lets no obstacle get in the way of her pursuits. It is because of Fletcher and the film's concepts that makes the film endure, whatever its flaws.
"Strange Days" was heralded for its originality, but some of us know better. People who are addicted to the tapes in "Strange Days" are called "tapeheads". I'd like to ask John Cusack and Tim Robbins if they think *that's* original.
I used to explain the plot to the guys at video rental places, and they would just stare at me as though I had gone nuts......
I then recently saw Flatliners and felt the urge to watch Brainstorm again.....so I did..... and I found it just as good as when I first saw it.
Of course there are a few bad points, but it is the idea behind the movie and the way it is projected that leaves you .......feeling......and thats rare for a movie these days.
If you're tired of the usual stuff being churned out by Hollywood, watch Brainstorm.........you wont see anything like it.
Watch it as an experience rather than as a scientific treatise and you will surely have a great ride.
¿Sabías que…?
- TriviaBecause of the immensely troubled production and disagreements with MGM, Douglas Trumbull opted never to direct a Hollywood film again. In 1983 he stated, "I have no interest . . . in doing another Hollywood feature film . . . Absolutely none. The movie business is so totally screwed-up that I just don't have the energy to invest three or four years in a feature film. Moviemaking is like waging war. It destroys your personal life, too. The people who can survive the process of making films have largely given up their personal lives in order to do that, just because it's such a battle to make a movie. And in doing that, they've isolated themselves from the very audience that they're trying to reach."
- ErroresSeveral of the tapes play back from a third-person perspective, which would be impossible if the tapes were actually a person's recorded memory.
- Citas
Dr. Michael Anthony Brace: I made that for you. It's a gift.
[hands her the tape and sets the large silver metal case on the bed]
Karen Brace: What is it?
Dr. Michael Anthony Brace: It's me.
- Créditos curiososAfter the final credit has rolled, 'TO NATALIE' appears for a couple seconds
- Versiones alternativasIn the psychotic episode sequence when Michael's (Christopher Walken) son Chris (Jason Lively) wears the headset, there's a slight difference between the 70mm version and 35mm version. In the 70mm version of Chris's hallucination when Michael flips a lever presumably sending an electrical current to Chris's head, the camera cuts to and remains on a shot of a circular device with electricity running through it, as Michael is heard to say, 'Now you're gonna find out it's mine!' In the 35mm version, the shot arrangement is the same except that it cuts back to a closeup of Michael saying the line 'Now you're gonna find out it's mine!'
- ConexionesEdited into Trumbull Land (2018)
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Brainstorm
- Locaciones de filmación
- Research Triangle Park, Carolina del Norte, Estados Unidos(Burroughs Wellcome Pharmaceutical Corporation HQ)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 10,219,460
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,196,965
- 2 oct 1983
- Total a nivel mundial
- USD 10,219,460
- Tiempo de ejecución
- 1h 46min(106 min)
- Color