Reformatorio

Bad Boys is a gritty, suspenseful film dealing with drugs, rape, death and young delinquents existing in a hostile environment. I just want to point out that this is NOT the Michael Bay film of the 90's! This version of Bad Boys was released in 1983 to moderate success at the box office, compared to the summer blockbuster status of the newer Bad Boys films. Rick Rosenthal (Halloween 2) occupied the director's chair with strong support coming from Sean Penn, Esai Morales and Reni Santoni. The story goes like this: Mick O'Brien (Penn) is being held in a juvenile facility for the vehicular manslaughter of his rival's younger brother. The rest of the plot is a riveting tale of suspense as his nemesis Paco (played by Morales) rapes Mick's beloved girlfriend while Mick is still in prison. This vengeful act lands Paco in the same prison where our character Mick currently resides. What follows? You guessed it; a barrel full of drama as a dramatic confrontation between Mick and Paco ensues! I first saw Bad Boys a few years ago after I purchased it for 3 dollars in a used movie bin. It ended up being the best three dollars that I ever spent! It really is that good of a movie. I realize I might be a sucker for early 80's dramas, but I rank Bad Boys as the most under-rated film of Sean Penn's entire career. It's hard to believe that he was only 22 in the movie, having just come off the set of Fast Times at Ridgemont High. Esai Morales is solid throughout as Penn's rival as well. Apparently Esai used to get quite a bit of attention from young girls visiting the set. This left Sean Penn in a crabby and malicious mood, which resulted in him getting a gym membership and having some prep talk with director Rick Rosenthal. For more on that conversation I suggest you listen to the films commentary track. All of the acting in Bad Boys is 100 percent believable at all times. I actually felt like I was in a deadly prison environment where one minute I have a best friend and the next he's making a stereo to blow up in my face! Oh yes…Bad Boys is that bad! On a more technical note, I really enjoyed some of the steadicam shots that follow characters down various stairways and around sharp corners. There is even a mistake in the last 10 minutes of the film where you can plainly see a steadicam operator directly in the shot! But it is barely noticeable considering how intense the last few scenes are! The movie itself is rather dark in some spots; which is probably the result of the lower budget price tag. But nonetheless, this film is much better than any other teen angst movie of the 80's that I've seen (including Coppola's 'The Outsiders' released in theatres only 2 days later!). There is really so much more to Bad Boys then I can write in these few paragraphs. It paints a dark picture for the American judicial system and an even darker picture for dramas of the early 80's. Please see this movie!

10 OUT OF 10

I recently saw this movie again (on video, not the uncut DVD). I hadn't seen it in about twenty years, but it affected me the same at 35 as it did when I saw it on cable at 14. It is one of the grittiest, rawest movies I have ever seen, and it works on a visceral level. The performances of Sean Penn and Esai Morales in this film go to show why they have both continued to be two of the hardest working actors in Hollywood. After seeing Penn as Jeff Spiccolli in "Fast Times at Ridgemont High," I was amazed by his range in this film (although he was excellent in "Racing With the Moon," which if memory serves me right also came out around this time). Morales took what could have been a one-note role and turned it into a caricature of a revenge-bent punk, but his talent even back then was clear that he was up to the challenge of putting emotion into the role and bringing some sympathy to Paco's plight. Clancy Brown and Ally Sheedy were excellent in their roles as well.

The movie worked not just because the acting was great, but because the story moved along at an exciting pace. It was suspenseful and was not overly cliché or pat. Overall, it was an unforgettable movie experience, a strong cautionary tale that still makes people think.

This film has to be one of the best youth crime dramas around. Sean Penn delivers a strong performance as a troubled youth, without the will but the courage to change his ways. Ally Sheedy also delivers a strong performance as the sole light in Penn's insane lifestyle. Esai Morales delivers a strong performance as a youth who has takes the wrong roads in life. Buckle up, and get ready for an emotional ride by some talented actors/writers/director in this movie.

Bad Boys certainly has a lot going for it on many levels, but there are enough implausible moments in the script that keep it from any type of "classic" status. The story centers around Sean Penn playing an angry and violent young hood from the streets of Chicago getting sent to a tough juvenile detention center after accidentally killing a young boy during a botched robbery attempt. The balance of the story deals with Penn adjusting to his new confinement and having to prove how tough he is again and again. Once he has established himself as the toughest kid in the place, the plot is turned on its side. The older brother of the boy he killed (Morales) is also sent to the facility... for raping and almost killing Penn's girlfriend as revenge for the boy's death! From the moment he arrives, everyone knows that the score will have to be settled once and for all. Who will survive??

Yes, its a pretty good premise, but too many detours are taken before the anticipated climax finally arrives. And many of them just don't make sense. First of all, there is no doubt that Penn's character is one tough punk. Yet he is just not physically imposing enough to be the "barn boss" as the toughest inmate is called. Yes, he whips the two punks who once held the title in a crafty manner, but there would no doubt have been many others waiting in line for that title. Another problem deals with Penn's escape attempt. After learning of his girlfriend's rape, he actually breaks out of the facility and somehow is able to make it all the way back to Chicago from the location several miles out in the country. Even if he were actually able to do this (which wouldn't be likely), notice how once he's captured and returned to the lockup, they don't even punish him!! Uh huh! I'm guessing the escape and brief rendezvous with the badly bruised girlfriend were meant to establish some sort of motivation for Penn wanting to kill Morales. But honestly, would this type of character need such motivation? Not likely. In addition, Penn is momentarily taken to the state prison for adults and warned that this is the path he is headed down if he screws up again. And apparently this is why he initially refuses to fight Morales when he first arrives at the facility. Penn just wants to do his remaining time and split. Again, not likely. A guy like this would not hesitate to accept a challenge from any man who violated his woman. Another problem deals with how Morales and Penn are left in the same cell block right up to the moment Morales is about to be transferred to another facility. Wouldn't it have been a better idea to keep the two sequestered from one another, even if it meant putting one of them in the hole for a while??? But then we couldn't have had our final fight then, could we? Oh, well.

There are a lot of good aspects of this film, too. The acting is outstanding, the casting is picture perfect, and the locations look authentic. The film is full of surprises, and a lot of them work. The Jewish whiz-kid who shares a cell with Penn steals every scene he's in. Look for a young Clancy Brown as the yard boss de-throned by Penn. Ally Sheedy gives a good performance, but she doesn't look like she belongs in that neighborhood! And I like the fact that the film doesn't try to make Penn or any of the others out to be misunderstood kids. They are all rotten to the core and deserve their punishment! Despite some flaws with the script, Bad Boys is still worth at least 7 of 10 stars.

The Hound.

Prior to starring in the hard-edged 1983 drama Bad Boys, Sean Penn had proved his early promise in the TV movie The Killing of Randy Webster, played a memorable supporting role in Taps (with fellow newcomer Tom Cruise), and created the definitive California surfer dude as the perpetually stoned Jeff Spicoli in Fast Times at Ridgemont High. But it was Bad Boys that cemented Penn's reputation as a rare talent--an actor whose skill transcended his youth, revealing a depth and maturity that the majority of his acting peers could only aspire to. That gravity and emotional dimension is evident throughout Penn's performance here as Mick O'Brien, a chronic offender whose path to a Chicago juvenile corrections facility seems utterly preordained. The institution is hardly conducive to reformation--it's a jail for problem kids, and a cauldron for all the societal ills that sent kids there in the first place. Mick's there because he was involved in a shootout during a botched robbery of drugs from rival street gangster Paco Moreno (Esai Morales), whose little brother was killed when Mick accidentally ran him over with his getaway car. Overcrowding results in Mick and Paco's being sent to the same facility (one of the film's few stretches of credibility), and this leads to a rather predictable showdown that will take the jive prison's violence to its inevitable extreme. It's a shame this conclusion ultimately doesn't live up to the film's superior first hour, but Bad Boys remains a remarkably authentic, even touching portrait of troubled youth whose torment is conveyed through thoughtful and richly emotional development of characters. Director Rick Rosenthal (who had previously helmet Halloween II) maintains a vivid sense of setting within the correctional facility's cold walls, and through the performances of Penn and a superb supporting cast (including Ally Sheedy in her film debut as Mick's girlfriend), Bad Boys emerges as one of the best films of its kind, forcing the viewer to ask difficult questions about at-risk youth and the proper way to improve or at least preserve their endangered lives.