A Woman of Substance

The story follows the life of Emma Harte and her rise from a servant girl to the owner of a large empire of her own creation. The movie begins in the 1980's, but the bulk is Emma's recollection of her life from the age of 14 on (1900's-1940's.) Jenny Seagrove does a magnificent job portraying young Emma, and a young Liam Neeson plays the part of 'Blackie' wonderfully. This mini series matches the likes of 'The Thornbirds' and 'Pride and Prejudice' in it's acting and beautiful scenery, not to mention the story itself. Emma is a young woman of independence during a time when such a thing was a rarity. Definitely worth the 6 hours it will take you to watch it!

I regard this series as one of the best drama and romantic English tv-series ever to be done. It contains drama, fighting spirit, sadness, happiness and misfortune. So if you haven't seen this series, DO IT NOW. it's worth it.

Even the most hard-hearted will find it difficult to resist the spell of this stylish mini-series. The audience is put through the emotional mangle as spirited heroine Emma Harte endures every setback and hardship going, yet still wins through.

Part of the fascination of the series lies in the quite remarkable cast. Jenny Seagrove splendid as the indefatigable Emma ; a young Liam Neeson and Miranda Richardson ; dear old Barry Morse ; Deborah Kerr as the older Emma ; Christopher Guard as the blackguardly villain, who gets his comeuppance in one of the most satisfying scenes ; and Peter Chelsom, who went on to direct the hit British film "Hear My Song", as well as the less successful "Funny Bones".

A Woman of Substance is an entertaining, typically British mini series, which tells the story of a young woman empowering herself through hard work and hatred against a high class family that have always been indifferent and bossy to her and her poor relatives. She rapidly grows into a powerful business woman who ruins the hated family to the very last crumb.

A biography must always find a fine line: how 'old' can the actors grow and when to substitute characters with new players? They've done a marvelous job with 'Blackie' Neeson; he really looks like an old man at the end of the series, although his mannerisms completely oppose his former, playful self. And it must be added: gluing a beard and silvering his hair makes the job a lot easier.

Miss Seagrove didn't make it into old age, she got replaced by (a first-rate) Deborah Kerr. In the main story Emmy ages some 40 years, but in her fifties she still looks like the teenage lass from the beginning of the story. Here, old-fashioned haircuts and clothes don't help; Seagrove just has too youthful a face The acting is of a reasonable level. Seagrove does a fine job, with the exception of some cheesy moments and the instances where she talks to her young children - as if she doesn't know how to talk to kids. Although this could also have been the director's fault. All in all, Seagrove is believable in her role, and she has one of the sweetest smiles I've ever seen...

The other dozen or so actors are okay but forgettable, except for two of them: Blackie, the happy-go-lucky everybody's friend and Gerald Fairley, Mr. Evil Impersonated; overacting has never been so effective!

After decades, I preserve the powerful impression, as child behind Iron Curtain, about it. At that time, it was a good support for motivation. A delightful occasion to discover the impeccable art of Jenny Seagrove, the elegance of Deborah Carr and a beautiful moral. Barbara Taylor Carter was an obscure name and , in that last years of communist regime, this film was just an opened window to a fairy tale world. Short, after decades, fascinating, yet.