The Bill

I have been watching The Bill since it started back in 1983. It is always hard commenting on a long running show because most shows have their good and bad patches.

The early Bill episodes were fantastic. Unlike the 21st century Bill, the early Bill focused entirely on the officer's work lives-you never got to see their private lives except in rare cases where their work impacted on their private lives. There were several different stories within each hourly episode usually split between the beat officers, C.I.D. cases and the politics of being a copper in the Met Police. The stories focused on all ranks from the constables to the Chief Superintendent. The first Chief Superintendent was Charles Brownlow, a man more interested in politics and PR and ensuring that justice was seen to be done. The first head of C.I.D. was Detective Inspector Galloway, a short tempered and stern cop who didn't think twice about shouting at his men but who was a good copper underneath. The early Sergeants were Alec Peters, Tom Penny and Bob Cryer. Bob Cryer was a veteran copper who the officers looked up to-he didn't suffer fools gladly but would support his men through and through. The constables included Jim Carver, a naive young probationer whose heart was in the right place but ended up putting his foot in it on occasion. Each of the early episodes were self contained.

In the 80's the Bill switched to a half hour format. Whilst there were some good stories, half an hour doesn't allow for much character development and at times, investigations seemed rushed. It would not revert to an hourly show until 1998.

There have been many memorable characters at Sun Hill Police Station. After D.I. Galloway left, he was replaced by D.I. Burnside, a copper who did whatever he could to achieve a result and would happily rough up a suspect to ensure justice was done. Other great D.I.'s include D.I. Deakin, a veteran old school copper and the intense D.I. Cullen. Let's not forget the old school copper Chief Inspector Conway whose job was mainly desk based but who got his hands dirty when necessary. Conway was killed off in 2002 when a petrol bomb was thrown into his car.There have been three bosses in the series, first there was Chief Superintendent Brownlow. He left in 2000 and was replaced by Superintendent Tom Chandler who seemed the right man to lead Sun Hill but who left in 2002 after he shot himself dead after being caught up in a scandal. The current boss is Superintendent Adam Okaro who is set to clean up Sun Hill and isn't afraid to go out on the streets with the troops.

The current Bill is far different to the early episodes. The show is now more of a soap and there are not really any self contained stories. The show, in my opinion, has suffered due to it's heavy emphasis on the officers private lives and the constant sexual liasons between officers. Another thing that has not helped The Bill is the constant axing of popular characters such as the crooked D.S. Beech, the intense D.I. Cullen and Supt. Chandler. Whilst their replacements have on the whole been good, The Bill needs to take more time to listen to it's fans and to give newer characters a chance before axing them.

Where does The Bill go from here? I definitely think it needs to tone down on the officers private lives and have less sex and more police work. It needs to give new characters a chance to find their feet before deciding they need to go. And it needs to be bold and have the odd self contained story as well.

All in all, The Bill is a decent enough programme which can steadily improve it it takes note of the above points. I hope it continues for a long time.

I wrote a review a couple of years ago regretting the direction the programme had taken. I note that several other readers have also commented on The Bill's headlong descent into pantomime soap-opera. I cannot believe that many of the show's long-time fans (which included the eminent historian Andrew Roberts) now bother to watch. Very occasionally I steel myself to tune in for part of an episode but end up watching through my fingers. My most recent visits coincided with the police station being blown up for the second time in five years, the exposure of yet another psychopathic deranged serial-killer police officer, Superintentent Okaro's entire family being wiped out and the poor man going doolally and a regular character being held hostage for the umpteenth time. Not to mention yet another series regular being involved in a relationship with a criminal and struggling with divided loyalties. Enough already! Let Sun Hill join Dock Green and Newtown in that great police beat in the sky.

I have followed this series from its earliest episodes and have rarely found it hard going until recently. Although it still delivers good entertainment, the show has lost much of its grittiness (although in many ways it is probably more realistic).Up until the recent dramatic changes (the bombing of Sun Hill and resultant death of many of the main characters)there was little shown of the violence, blood etc that is part and parcel of real police work. The show has suffered considerably for those of us who remember the good old days of Burnside, Tosh Lines et al. Serialising the episodes is not in itself a bad thing, for that makes it more believable than the old concept that each case was tied up in the half hour - or one hour episode, it does however mean that much of the crispness of the show is lost in the process. For the undedicated, the focus on private lives (and romances in the station)turns it very much into a "soap" and less of a serious show. I am still recovering from the first time Jim kissed June - it was a bit like watching someone kiss his sister! I suppose that the Old Bill is gone for good, but it still is good entertainment - and I suppose this is what we watch TV for.

I am now 25 and religiously watched 'The Bill' since I was about 8 years old. I loved the show. It probably was a bit biased in showing cops as virtual angels but it was tightly scripted with good solid acting and was not too soapy.

But ever since the changes made in the late 1990s I have not been able to watch this pile of drivel. The pathetic unbelievable plots are a joke. The characters are a bunch of sissies and it is more like an episode of 'Home and Away' than 'The Bill'. I cannot believe my mum still loves this show; but I know even she struggles to enjoy it.

So thanks to the morons who changed a great show into a pile of crap. If I ever get cable TV it will be to watch the old episodes, not the rubbish on today.

THE BILL is very hard to come by in the States, and even when it was running on CBC-Windsor, it was impossible to see it this far from the border. No cable CBC around here (do not have it anyway). I got hooked around seven years ago; it was aired one episode per day starting with 1988 episodes, which I viewed from Detroit. Eventually the station ran them all again in sequence.

At very first I avoided it. I never, for example, watched HILL STREET BLUES, which I thought THE BILL would be like. Wrong! Straightaway I was hopelessly hooked, even arranging my day so I could be home in late afternoon.

Keeping in mind that I have not seen an episode newer than perhaps 1995, I thought (think) THE BILL was an excellent programme, calling it my "soap opera." Some friends thought my being so devoted to a "cop show" was out of character, and perhaps yes, but it was the exotic setting . . . yet more: The stories' construction, occasionally running three tales in a mere half-hour, the dialogue, the character development and interactions, all for the most part top notch. I picked up a lot of obnoxious British lower-class slang, too. One also notes how most of the outdoor scenes are uncharacteristically sunny and warm, but surely that cannot be London?

The cheek: I once wrote offering to do a part for nothing if I could depict an obnoxious North American who gets punched out by D.I. Burnside. (P.C. Loxton would be unacceptable.)I was never favoured with a reply.

I have seen negative comment in this forum and else-where that THE BILL is turning into a real "soap," but cannot comment. All I can say to my mates over here is that British "prime time" drama as represented by THE BILL is as good as anything done in the States -- but without the bigger-than-life, distracting, razmatazz. To coin the proverbial phrase, Good Show.