Bamba: veneno mortal

Engaging tale of a band of thieves whose plan to take a child and his grandfather hostage in their plush London townhouse, to extort money from the child's wealthy mother, is short-circuited by a rampaging Black Mamba that's been mistakenly brought into the mix. Intriguing to see how the plan unravels as the inimitable Klaus Kinski and his accomplices fall prey one by one to the elusive predator, its venom more deadly than any other species of snake. Cornered by the law on the outside, and the aggressive asp from within, they must adapt and improvise to affect a miraculous escape, no longer concerned with money, but basic survival.

Taut little suspense-thriller enabled by a strong cast, decent dialogue and well-paced direction. Kinski as the main protagonist is chilling, and he's well supported in Oliver Reed as the boozy henchman and Susan George as an unlikely (and unlucky) accomplice. Also noteworthy is Nicol Williamson as the dedicated police inspector who finds himself at the helm of a tense stand-off between the bandits, their captures and the unpredictable rogue reptile. While Sterling Hayden's characterisation of an aging ex game hunter is somewhat vague and incidental to the plot, it does add another dimension to the proceedings that stirs the curiosity and colours the complexity of an otherwise straightforward yarn.

Effective use of sets, lighting, music and tight editing nicely complement the occasional sadistic and surprisingly graphic violence. The snake itself, sometimes portrayed by a replica, is also well staged and looks convincingly hostile. Understated and somewhat obscure considering its impressive credits (Tobe Hooper was also linked with the film early on, but parted ways with the project), "Venom" is a compelling hostage thriller, cleverly bolstered by an unorthodox twist, and is well worth the time.

This is a much maligned film. Given the fine acting and the really Hitchcockian development and story line, this thing delivers in a big way. I don't want to give away the story line, but let's just say that while snakes play a part in it, this is not a shlocky horror film. In fact, the storyline doesn't revolve around snakes; they're more of a plot device. This is a thriller of the best caliber. The British actors are some of the finest ever cranked out and the claustrophobic atmosphere seems to drive you even crazier. If you are afraid of snakes, then you'll be gut wrenchingly terrified (I was). If you aren't, then you'll still be glued to your seat. Watch it and if you dare, do it with the lights off!

An exciting story with lots of suspenseful moments. Kinsky makes a great villain. Sterling Hayden did seem a bit under the weather, but Nicol Williamson gave an outstanding performance as a very different kind of policeman. I think the reviewers have been far too hard on this thriller. It sure kept me on the edge of my seat.

Menacing, but not in an over the top psychotic way, Klaus Kinski delivers a very believable performance. He is more calculating than usual, and has no problem outsmarting the British police, who seem more interested in drinking coffee than anything else. What ever happened to tea? Klaus easily steals this movie from the remaining likable cast. The snake has it's own point of view, which works quite effectively. The story plays out with a couple tense moments,and at least one major surprise, that is unfortunately revealed in the trailer, so I recommend skipping watching the extra's until after the feature. Overall, one of Kinski's best, and he has ample screen time, for you to enjoy this wonderful actor. - MERK

VENOM (1982) ***½ Klaus Kinski, Oliver Reed, Nicol Williamson, Sarah Miles, Susan George. Even though this film is called "Venom" and features a snake, this is no "creature feature." Two English domestics (Reed and George), along with an international criminal (Kinski), conspire to kidnap their wealthy employers' ten-year-old son. The plan goes awry after the boy mistakenly receives a highly aggressive, super-poisonous black mamba (originally intended for a research facility), which kills one of the conspirators and transforms the attempted kidnapping into a tense armed standoff. A box-office flop in its day, American audiences were probably turned off by the film's stodgy English production values and – thanks to a misleading advertising campaign – probably felt duped once they realized it wasn't a killer snake movie. Still, a strong script and Kinski and Reed's explosive performances make this a powerful thriller. Highly recommended.