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IMDbPro

Sans soleil

  • 1983
  • Not Rated
  • 1h 44min
CALIFICACIÓN DE IMDb
7.7/10
13 k
TU CALIFICACIÓN
Sans soleil (1983)
A woman narrates the contemplative writings of a seasoned world traveler, focusing on contemporary Japan.
Reproducir trailer1:46
1 video
46 fotos
DocumentaryDrama

Una mujer narra los escritos contemplativos de un viajero mundial experimentado, centrándose en el Japón contemporáneo.Una mujer narra los escritos contemplativos de un viajero mundial experimentado, centrándose en el Japón contemporáneo.Una mujer narra los escritos contemplativos de un viajero mundial experimentado, centrándose en el Japón contemporáneo.

  • Dirección
    • Chris Marker
  • Guionista
    • Chris Marker
  • Elenco
    • Amilcar Cabral
    • Florence Delay
    • Arielle Dombasle
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.7/10
    13 k
    TU CALIFICACIÓN
    • Dirección
      • Chris Marker
    • Guionista
      • Chris Marker
    • Elenco
      • Amilcar Cabral
      • Florence Delay
      • Arielle Dombasle
    • 44Opiniones de los usuarios
    • 62Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 5 premios ganados en total

    Videos1

    Official Trailer
    Trailer 1:46
    Official Trailer

    Fotos46

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    + 40
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    Elenco principal11

    Editar
    Amilcar Cabral
    • Self
    • (material de archivo)
    Florence Delay
    • Narrator (French version)
    • (voz)
    Arielle Dombasle
    Arielle Dombasle
    • Self
    Riyoko Ikeda
    • Narrator (Japanese version)
    • (voz)
    Charlotte Kerr
    Charlotte Kerr
    • Narrator (German version)
    • (voz)
    Kim Novak
    Kim Novak
    • Self
    • (material de archivo)
    • …
    Alexandra Stewart
    Alexandra Stewart
    • Narrator (English version)
    • (voz)
    James Stewart
    James Stewart
    • Self
    • (material de archivo)
    • …
    Bin Akao
    • Self
    • (sin créditos)
    David Coverdale
    David Coverdale
    • Self
    • (sin créditos)
    • …
    Chris Marker
    Chris Marker
    • Self
    • (sin créditos)
    • Dirección
      • Chris Marker
    • Guionista
      • Chris Marker
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios44

    7.712.7K
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    Opiniones destacadas

    9catchdog

    re: pretentious claptrap

    A response to the reviewer who called the film pretentious claptrap: This movie is not for everyone and I can easily understand the sentiments of one who finds it pretentious. But when one says "Assumptions include that the east is superior to the west, television is bad, capitalism evil,etc." you are so thoroughly missing the point of the film that I have to wonder if you watched it out of the corner of your eye while doing a crossword puzzle. Perhaps one doesn't hear "Capitalism is good" and understands "capitalism is evil," but that all occurs within the viewer. I for one never saw any of these "assumptions" being made here.
    federovsky

    unwatchable twaddle

    One of the most worthless things I've ever seen put on celluloid. I had previously tried to get through it twice and failed - finding it miserably tedious. The images were barely more than home movie quality, every sentiment was abysmally banal, and there was something me than faintly self-congratulatory about it all. What on earth can Marker's fans get out of this…? He seemed to think he was the first westerner to set foot in Asia - and with a camera too! He tried to invest everything he saw with such utter gravity and meaning, but fell head first into every clichéd image and hackneyed idea of Asia there is. I waited for something to grab me… some remarkable insight or pearl of wisdom… nothing… just a film-maker (a fairly amateurish one) desperate to film every little oddity, and when there are none, every little banality.

    I knew this was going to be a hard ride, but I tried to shrug off any preconceptions and prejudices to give this another try. After only three minutes I had to hit the pause button. Later I tried again, a non-believer reading the Bible.

    Bland images. This kind of thing needs-pictures like Baraka to at least provide some justification. Five minutes are spent watching a Japanese street carnival. Marker takes a fascination in people that comes across as simply naïve. He waxes philosophical about a man frying food on a hotplate, presumably because it's the first time he has seen it happening. A Japanese cameraman of equal naivety might well point his camera at a little old woman frying chips in a British chippie and call it meaningful. Thankfully, nobody ever did.

    His camera craves little oddities, such as the temple of the beckoning cats, but it's no more than touristic innocence.

    The observation that people ought to look in the camera is typical of the 'aren't I being meaningful by seeing something that no-one else can?' attitude. But by doing so they are not revealing themselves with curiosity, only hiding themselves with insecurity.

    There are two ways of looking at every human emotion. A blithe side and a cynical side. Marker is full of the tourist's childish fascination in things he little understands, and which he photographs for precisely that reason. Every image is the gawping of an idiot - at the beginning we stare at people asleep on a ferry as if there is something unique and profound about this particular ferry this particular day.

    Drawing filigree connections is his main past-time: Marker thinks it clever to move from formal stylised movements of a Japanese traditional dance to awkwardness.

    He sets himself a challenge at the very beginning - how to follow an idyllic image of three Icelandic girls? Nothing works - certainly not the fighter plane he suggests. He gives us a long black pause instead. So, there's a game of meaning going on, couched in a game of imagery. Absolutely every piece of film here is the same.

    The woman's deadpan voice-over constantly riles. She has the tone of Virginia Woolf reading her suicide note. She is narrating the traveller's letters. It's earnest, adulatory - and you never forget it is Marker talking about himself, massaging his own ego through a fantasy girlfriend because it conveniently avoids the too-blatant first person. There's something unpleasantly adolescent, almost JD Salingerish, about this trick, and I instinctively resist.

    I felt like I was supposed to be impressed by the fact that Marker had travelled, had had reflections, that he was alive. It was not just self-congratulatory, but self-ratifying, self-aggrandizing; the immodesty of the adolescent that hasn't yet learned sophistication.

    At the end of it he had shown me nothing about the world or about people. He had made mountains out of philosophical molehills and was dining off the tale.
    10joeloh

    A film that can make earth seem like a strange and foreign planet

    A poetic and rambling essay film, in the form of a letter from a lost and lonely traveller. Chris Marker lets his mind and camera roam through the landscape of early eighties Japan, and his imagination drift across the world. Memory history and emotion blend into a loving study of human existence. The film's form is loose and sprawling and it it almost impossible to try to follow it in any linear fashion. Instead it washes across the surface of you conscious mind, occasionally burrowing deep with images you can never forget. It is a completely unique film and is inspiring in its ability to bring the political, the philosophical and the poetic together on screen. Chris Marker is one of the unsung greats of film history.
    flippo

    save this film for a day when you have energy

    I must be brief. This documentary, which splices in cuts from Vertigo and from some guerrilla films, is definitely worth seeing. Though a student of French literature, and therefore habitually and terminally bored by pretentious studies of memory, this movie is remarkable in the way it makes connections across continents through the filmmaker's memory, extended as it is by the visual images he has stored on film. To put it disrespectfully, there is a lot of eye candy in this film, some of which is extremely beautiful ... the computer graphics towards the end might even remind Cocteau fans of some of scenes from Blood of a Poet (these, though, were what I found to be a bit over the top). So far I have only seen this film once, and so many of the memories that it prodded just three weeks ago have faded, like for example the name of the composer whose Bez Solntse inspired the title, and the documentary on volcanic activity I saw somewhere sometime which was echoed in the section filmed in Finland. In any case, this film will give you insight into the fascinating co-existence of traditional and modern culture in Japan. This struck home with me because I lived in Asia during the 80s when the technology of video-games, computers, and stereophonic luxe were exploding in the very same culture in which colorful Hindu and golden Buddhist temples w/ smoking incense, bird-singing contests and kite races were popular Sunday diversions from production. Bref, a fabulous film. As others have suggested, be prepared to suspend the Hollywood mindset for this treat.
    10carrienations

    This is not a documentary

    To call this film a documentary is to cheapen it. It's life on screen, not a mere document. It's poetry... and I'm not sure that word is adequate. How about your view of how you live and the world around you? Have you ever seen a film that gave you the questions to ask yourself? This film is startling... I can't praise it enough. My mind was exhausted by considering the layered imagery, both audio and visual, and the contextual shifts between them. How does anyone pick up a camera after seeing this? You might as well toss it in the trash because Marker has made Earth's last film.

    It's a crime that this film is not available on VHS or DVD in the U.S. Fans of this film should also seek out "The Koumiko Mystery", another transcendant film by Chris Marker.

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    Argumento

    Editar

    ¿Sabías que…?

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    • Trivia
      The scenes from Iceland were filmed by Haroun Tazieff in 1965, on the island Vestmannaeyjar. It shows 3 sisters, Kristbjörg Sigríður Kristmundsdóttir, born 1954, Halldóra Kristmundsdóttir, born 1957, and Áshildur Kristmundsdóttir, born 1959. They first found out about being in this film in June 2015.
    • Errores
      The narration refers to the year 4001 and the 40th century. But the year 4001 will belong to the 41st century, not the 40th.
    • Citas

      Narrator: I will have spent my life trying to understand the function of remembering, which is not the opposite of forgetting, but rather its lining. We do not remember. We rewrite memory much as history is rewritten. How can one remember thirst?

    • Conexiones
      Edited into The Green Fog (2017)
    • Bandas sonoras
      Sunless
      Composed by Modest Mussorgsky

      Arranged by Chris Marker (as Michel Krasna)

    Selecciones populares

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    Preguntas Frecuentes17

    • How long is Sans Soleil?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 2 de marzo de 1983 (Francia)
    • País de origen
      • Francia
    • Idiomas
      • Francés
      • Japonés
      • Inglés
      • Cantonés
      • Lenguaje de signos japonés
    • También se conoce como
      • Sans Soleil
    • Locaciones de filmación
      • 224 Grant Avenue, San Francisco, California, Estados Unidos(Florist is Podesta Baldocchi Grant Street shop)
    • Productora
      • Argos Films
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 30,878
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 6,460
      • 12 oct 2003
    • Total a nivel mundial
      • USD 31,111
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 44 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.66 : 1

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