26 opiniones
Dr. Alan Harker (Robert Foster) receives an invitation and arrives at the house of his former professor at the Prague University, Roderic Usher (Howard Vernon), who lives with his housekeeper Helen (Lina Romay) in an old castle. Dr. Usher is insane, living with ghosts, and invites his former student Harker to proceed with his research. He tells to Harker that when his daughter Melissa (Françoise Blanchard) died many years ago, he had developed a means to reanimate her using the blood of prostitutes. Along many years, Dr. Usher and his assistant Morpho (Olivier Mathot) kidnapped and killed many young women to keep Melissa alive. But when Harker meets Dr. Seward (Daniel Villiers), who is the doctor of Dr. Usher, he explains that Dr. Usher is delusional. What is the truth about Dr. Usher and his secret?
"Revenge in the House of Usher" is a boring, lame and messy movie by Jess Franco based on the story of the Edgar Allan Poe. The plot is a senseless mess, the old castle is actually a preserved castle, there is no continuity in the edition in this forgettable film. My vote is three.
Title (Brazil): "A Queda da Casa de Usher" ("The Fall of the House of Usher")
"Revenge in the House of Usher" is a boring, lame and messy movie by Jess Franco based on the story of the Edgar Allan Poe. The plot is a senseless mess, the old castle is actually a preserved castle, there is no continuity in the edition in this forgettable film. My vote is three.
Title (Brazil): "A Queda da Casa de Usher" ("The Fall of the House of Usher")
- claudio_carvalho
- 7 jul 2014
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Phew...I am a devoted fan of Jess Franco, but watching 3 incredibly awful movies of his in less than one week (this one, Oasis of the Zombies and The Castle of Fu Manchu) really isn't my admiration and respect for him doing much good! "Revenge in the House of Usher" is a very disappointing effort and it's a complete mystery to me what Franco intended to pull off by making it. Why filming another version of Edgar Allan Poe's classic tale when there are already other (and better) movies made revolving on the tale of the Ushers? Why did Franco feel it was necessary to link Poe's tale with his own 60's chiller "The Awful Dr. Orloff"? And, more importantly, why in God's name did I spent 10 Pounds buying this DVD?? This movie has nothing to do with Poe, it's unimaginably boring and it lacks every form of action or excitement. Howard Vernon (him again) stars as an insane "doctor" who keeps on trying to resurrect his late daughter with the blood of young girls. Living with him in the ramshackle castle are some insane employees and a couple of ghosts from the past. 'Revenge in the House of Usher' is horribly slow and it completely lacks all the elements that made Jess Franco (in)famous! Lina Romay stars in this film, yet she keeps her clothes on and the only bit of violence there was to see were actually flashbacks. I can imagine Franco is proud of his "Awful Dr. Orloff" but that doesn't give him the right to re-edit entire sequences of it in other movies! Like every other reviewer here already pointed out: stay far away from this movie!
- Coventry
- 14 may 2005
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A traveler arrives at the Usher mansion to find that the sibling inhabitants are living under a mysterious family curse: The brother's senses have become painfully acute, while his sister has become nearly catatonic.
Why has this film been given the new name of "Zombie 5"? I mean, sure, it is a stretch to say it is based on Poe's "House of Usher", but it is an even bigger stretch to try to say this somehow fits in the Italian "Zombie" franchise... not even close.
People seem to hate this film, and I can see why. The effects are terrible: the poor use of a spotlight to simulate a hand-held light, the strange eyeball. One reviewer said they fell asleep twice in the first fifteen minutes. I did not find it nearly all that bad. Cheesy, sure, A bit weak on plot, certainly. But I have seen a lot worse than this, even from Jess Franco.
Why has this film been given the new name of "Zombie 5"? I mean, sure, it is a stretch to say it is based on Poe's "House of Usher", but it is an even bigger stretch to try to say this somehow fits in the Italian "Zombie" franchise... not even close.
People seem to hate this film, and I can see why. The effects are terrible: the poor use of a spotlight to simulate a hand-held light, the strange eyeball. One reviewer said they fell asleep twice in the first fifteen minutes. I did not find it nearly all that bad. Cheesy, sure, A bit weak on plot, certainly. But I have seen a lot worse than this, even from Jess Franco.
- gavin6942
- 25 feb 2013
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- eccom2002
- 19 ene 2007
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A lot of people are complaining about this film - but watch this short interview with Franco - about the movie he initially made and what the studio then did to it to turn it into the piece of crap everyone is complaining about. I'd love to get hold of the original film Franco made (Fall of the House of Usher) and compare it to the version that is commonly available.
- LiveFrogsUpMyArse
- 13 jul 2019
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- Woodyanders
- 2 jul 2009
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- BandSAboutMovies
- 6 feb 2022
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Jess Franco made a hell of a lot of movies in his career, and rather unsurprisingly that has lead to a lot of respect from the cult movie community, and it also means that he made a lot of bad films - and unfortunately, Revenge in the House of Usher is right down there with the likes of Succubus as one of his very worst efforts! Edgar Allen Poe's story was made into a brilliant film in 1960 by the great Roger Corman, but unfortunately Jess Franco wasn't able to do likewise - mainly because he hasn't based this on the Poe story at all, but rather the common idea that stemmed from the classic Eyes Without a Face, and which he made did himself some years earlier with The Awful Dr Orloff, that being basing the film on a doctor who is trying to help his daughter and sacrificing a lot of other people in the process. The main problem with this film, aside from the fact that it has nothing to do with the story that it's supposedly based on, is the fact that it's BORING. I seriously was completely numbed for most of this movie and it did often make me wonder quite how anyone involved could have thought it was a good idea. Franco regulars Howard Vernon and Lina Romay star but neither has a good day and not even the atmosphere is worth commenting on. Don't bother with this one!
- The_Void
- 29 dic 2007
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When Dr.Alan Harker travels to the crumbling estate of his university mentor Dr.Usher,he finds the man plagued by a horrible paranoia-destroyed by his repeated attempts at awakening his comatose daughter.Haunted by ghosts of his dead family members,Dr.Usher is rushing toward madness,with only Harker left to save him.I can easily say that I'm a big fan of Jesus Franco,unfortunately "Revenge in the House of Usher" is breathtakingly awful.Those expecting gore and sex in a Eurohorror title(especially from Franco)will be sorely disappointed,because there is absolutely no nudity or blood in this one.The pacing is horribly slow and there are a lot of 'flashback' scenes taken from Franco's earlier horror classic "The Awful Dr.Orloff".Avoid this piece of stinking crap like the plague.
- HumanoidOfFlesh
- 26 feb 2005
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I understand that director Jesús Franco has a strong cult following and that when his name is attached to a film, it is something many people will pay attention to. Unfortunately, I did and I paid good money to rent this awful film. The problems with "Revenge in the House of Usher" are too numerous to mention, but I will provide a sampling.
First off, except for the name of Howard Vernon's character, this film has nothing, and I mean nothing, to do with the works of Edgar Allan Poe.
Second, this is a slow-moving and intensely dull film, one which literally put me to sleep. I had to turn the film off and finish it several hours later. Sound familiar?
Third, the acting is atrocious. Perhaps this has something to do with the pathetic screenplay. I don't know nor do I care.
Fourth, a long, black and white portion in the middle of the film is taken directly from an earlier Franco film, also featuring Howard Vernon. I believe that it is from the original Dr. Orloff film, but I cannot confirm this since I have not yet viewed any of Franco's work that pre-dates 1970. This black and white section is provided as kind of a flashback from the point of view of Dr. Usher. Whatever.
Save your money and especially, save your precious time. Avoid this like you would the ebola virus. The only way I was able to finish the darn thing was so that I could write this review and warn users of the IMDb database.
First off, except for the name of Howard Vernon's character, this film has nothing, and I mean nothing, to do with the works of Edgar Allan Poe.
Second, this is a slow-moving and intensely dull film, one which literally put me to sleep. I had to turn the film off and finish it several hours later. Sound familiar?
Third, the acting is atrocious. Perhaps this has something to do with the pathetic screenplay. I don't know nor do I care.
Fourth, a long, black and white portion in the middle of the film is taken directly from an earlier Franco film, also featuring Howard Vernon. I believe that it is from the original Dr. Orloff film, but I cannot confirm this since I have not yet viewed any of Franco's work that pre-dates 1970. This black and white section is provided as kind of a flashback from the point of view of Dr. Usher. Whatever.
Save your money and especially, save your precious time. Avoid this like you would the ebola virus. The only way I was able to finish the darn thing was so that I could write this review and warn users of the IMDb database.
- JHC3
- 21 feb 2000
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- matheusmarchetti
- 5 dic 2011
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Let's look at two movies, both of which have as their subject matter a man haunted by images of his dead wife. Both films are photographed by their directors, and both star highly respected character actors. The first film is a remake of classic, and the second incorporates lengthy scenes from a classic. The first film cost around $47,000,000; the second, around $1.98. The first film is Steven Soderbergh's remake of Solaris; the second is Jess Franco's Revenge in the House of Usher. Guess which one is better?
Revenge in the House of Usher is director Franco's apology for, and commentary upon, his first breakthrough hit, the groundbreaking and highly influential The Awful Dr. Orloff. In that film Orloff was a Sadean Superman, perverse and transgressive, taking horrific delight in his bloodthirsty usurpation of traditional values. Here, transmogrified into Dr. Usher, he is reduced to a blithering and doddering old man, tormented by the images of the women that he has sacrificed to his appalling morality. Franco has often been accused of sharing Orloff's extreme misogyny, but anyone familiar with his work will know that Franco was alway's on the women's side. Franco makes clear that Orloff/Usher's 'project', his desire to resurrect his disfigured daughter, Melissa, is only a pretext, a trigger, a spur, to his grotesquely Sadean 'transvaluation of all values'. Appropriately, Melissa becomes just another anonymous tortured body; when revived by the blood of Orloff/Usher's victims, Melissa can only writhe in excruciating pain before lapsing back into blissful unconsciousness. Clearly, the tormenting spectre of Orloff/Usher's wife, whether real or merely Orloff/Usher's per fervid imagining, reproaching her husband for his dreadful treatment of women, is Franco's judgment upon the character that put him on the cinematic map.
Revenge in the House of Usher has taken a lot of abuse on this site, rather unfairly, in my opinion. Image Entertainment's DVD restores Franco's impressive, if somewhat erratic, visual style; and Howard Vernon, as Usher/Orloff, and Linay Romay, as his housekeeper, give excellent, committed performances. Yes, the film is slow, poverty stricken, and lacking in nudity and gore, but it is about something rather important, if only you, the viewer, will pay attention. There is a sensibility at work here, allied with considerable technical skill, that insists on persevering beyond all financial and other material limitations. It's a hell of a lot better than watching Ocean's 12 again.
Revenge in the House of Usher is director Franco's apology for, and commentary upon, his first breakthrough hit, the groundbreaking and highly influential The Awful Dr. Orloff. In that film Orloff was a Sadean Superman, perverse and transgressive, taking horrific delight in his bloodthirsty usurpation of traditional values. Here, transmogrified into Dr. Usher, he is reduced to a blithering and doddering old man, tormented by the images of the women that he has sacrificed to his appalling morality. Franco has often been accused of sharing Orloff's extreme misogyny, but anyone familiar with his work will know that Franco was alway's on the women's side. Franco makes clear that Orloff/Usher's 'project', his desire to resurrect his disfigured daughter, Melissa, is only a pretext, a trigger, a spur, to his grotesquely Sadean 'transvaluation of all values'. Appropriately, Melissa becomes just another anonymous tortured body; when revived by the blood of Orloff/Usher's victims, Melissa can only writhe in excruciating pain before lapsing back into blissful unconsciousness. Clearly, the tormenting spectre of Orloff/Usher's wife, whether real or merely Orloff/Usher's per fervid imagining, reproaching her husband for his dreadful treatment of women, is Franco's judgment upon the character that put him on the cinematic map.
Revenge in the House of Usher has taken a lot of abuse on this site, rather unfairly, in my opinion. Image Entertainment's DVD restores Franco's impressive, if somewhat erratic, visual style; and Howard Vernon, as Usher/Orloff, and Linay Romay, as his housekeeper, give excellent, committed performances. Yes, the film is slow, poverty stricken, and lacking in nudity and gore, but it is about something rather important, if only you, the viewer, will pay attention. There is a sensibility at work here, allied with considerable technical skill, that insists on persevering beyond all financial and other material limitations. It's a hell of a lot better than watching Ocean's 12 again.
- mido505
- 24 sep 2005
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I couldn't agree more. Unfortunately I BOUGHT it (cheaply) and you've done better than me because I've attempted to watch it twice with no luck. Where does the aka Zombie bit in the title come from? The reason I bought it was one of the cast from Blairwitch Project said in an interview that a House of Usher film was their favorite horror. On checking after my mistake, it was a different House of Usher film!
- MHannah
- 15 ene 2001
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Returning to the gothic horror genre that helped launch his horror career, Jess Franco's Revenge in the House of Usher stars Howard Vernon as Dr. Usher, who drains the blood from prostitutes in an attempt to revive his seriously ill daughter Melissa.
It was only yesterday that I described Alan Birkinshaw's The House of Usher (1989) as probably the worst film ever to be inspired by Edgar Allen Poe's novel The Fall of the House of Usher. Having just finished watching Jess Franco's Revenge in the House of Usher, I take it all back - this is the worst.
That said, other than the title, and the surname of Howard Vernon's character, Revenge in the House of Usher has little to nothing to do with Poe's tale: it's more like a continuation of Franco's Dr. Orloff series, complete with disfigured assistant Morpho, and flashbacks to the far superior The Awful Dr. Orloff (1962), which also starred Vernon.
This film is aimless, overly talky, horribly acted, nonsensical, and completely and utterly boring, making it one of the most intolerable of all of Franco's work. And that's saying something. I defy anyone to adequately explain the relevance of the women singing 'Ring Around the Rosie' and 'Three Blind Mice', and who the hell is Adrien?
It was only yesterday that I described Alan Birkinshaw's The House of Usher (1989) as probably the worst film ever to be inspired by Edgar Allen Poe's novel The Fall of the House of Usher. Having just finished watching Jess Franco's Revenge in the House of Usher, I take it all back - this is the worst.
That said, other than the title, and the surname of Howard Vernon's character, Revenge in the House of Usher has little to nothing to do with Poe's tale: it's more like a continuation of Franco's Dr. Orloff series, complete with disfigured assistant Morpho, and flashbacks to the far superior The Awful Dr. Orloff (1962), which also starred Vernon.
This film is aimless, overly talky, horribly acted, nonsensical, and completely and utterly boring, making it one of the most intolerable of all of Franco's work. And that's saying something. I defy anyone to adequately explain the relevance of the women singing 'Ring Around the Rosie' and 'Three Blind Mice', and who the hell is Adrien?
- BA_Harrison
- 27 mar 2021
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Director Jess Franco's REVENGE OF THE HOUSE OF USHER has little to do with the original Poe story. It's about the insane Dr. Eric Usher (Franco regular Howard Vernon) and his diabolical experiments.
When the visiting Alan Harker (Antonio Mayans) uncovers Usher's activities, involving female test subjects locked in his dungeon, Usher goes into an extremely lengthy explanation.
Said explanation includes 20+ minutes of "flashback" footage from an unrelated movie (Franco's THE AWFUL DR. ORLOF)! The rest of this film appears to be whatever happened to arise in the Director's mind at the time.
Sitting through this, like having your face stuffed into the world's biggest armpit, is pure misery...
When the visiting Alan Harker (Antonio Mayans) uncovers Usher's activities, involving female test subjects locked in his dungeon, Usher goes into an extremely lengthy explanation.
Said explanation includes 20+ minutes of "flashback" footage from an unrelated movie (Franco's THE AWFUL DR. ORLOF)! The rest of this film appears to be whatever happened to arise in the Director's mind at the time.
Sitting through this, like having your face stuffed into the world's biggest armpit, is pure misery...
- Dethcharm
- 25 oct 2021
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When I first tried to watch this film I fell asleep THREE times inside the first 15 minutes! Now this was late at night so I tried again during daylight and, with the aid of a large bag of chewy caramels, managed to make my way to the end. At that point I wondered just how much of a masochist I am.
Apart from the sections "borrowed" from an earlier film by the same director(which was enjoyable in a camp so-bad-it's-good kind of way)there is absolutely nothing of any entertainment value here. Bad is too good a word to use to describe it.
If anyone wants to run a course on how not to make a movie I would recommend this as the main text. Otherwise avoid like the plague!
Apart from the sections "borrowed" from an earlier film by the same director(which was enjoyable in a camp so-bad-it's-good kind of way)there is absolutely nothing of any entertainment value here. Bad is too good a word to use to describe it.
If anyone wants to run a course on how not to make a movie I would recommend this as the main text. Otherwise avoid like the plague!
- ivanm-5
- 13 dic 2004
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Starring the usual Franco stalwart Howard Vernon (in terrible white pancake makeup), this one is awful, simply awful. The dubbing, the acting, the prosthetics, the makeup, everything....
This just goes to show you what a schlock director Jess Franco had become. A third year film student could do better than this.
It doesn't even hold a candle of Roger Corman's HOUSE OF USHER (1960). Nowhere close...
Other than having a couple of cute Spanish chicks, this waste of celluloid that has nothing going for it.
1 out of 10 for being such a silver nitrate waste
This just goes to show you what a schlock director Jess Franco had become. A third year film student could do better than this.
It doesn't even hold a candle of Roger Corman's HOUSE OF USHER (1960). Nowhere close...
Other than having a couple of cute Spanish chicks, this waste of celluloid that has nothing going for it.
1 out of 10 for being such a silver nitrate waste
- macabro357
- 24 may 2003
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Please Anyone who would even have the slightest idea of renting this horrible movie i beg you for 3 reasons not to buy this 1. It has no plot or good story line at all 2. The acting is among the worst i have ever seen 3. It is very boring and i almost fell asleep during it( It was so boring i had to stop the movie in the middle and watch it later) So please think twice before you rent this movie
- andy-374
- 1 ago 1999
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Greetings And Salutations, and welcome to my review of Revenge In The House Of Usher; here's the breakdown of my ratings:
Story: 1.00 Direction: 0.75 Pace: 0.25 Acting: 0.75 Enjoyment: 0.75
TOTAL: 3.50 out of 10
Oh dear, what happened to Jesus Franco? After watching his version of Dracula, which I didn't mind, I thought I'd keep an eye on this director. However, had I viewed any of his subsequent films first, I would never have watched Dracula. It would appear Franco plummeted after old fang face. Though Revenge shows a glimmer of hope in its direction, the story is atrocious.
However, its awfulness isn't too surprising. Not when you consider the three rewrites it required to get international distribution. Three revisions and three movies. Why not forget the project after being laughed at and booed out of the festival and revisit it later? I don't mind the premise for the final story. The trouble is that Franco tries to cobble it together with the original tale, making it problematic. It would have been better to start afresh with a new script. He then shoots the new scenes and patches them into the previous work to create a new monster. Yep. Franco is Frankenstein, but his creation isn't as entertaining as Victor's.
That said, I did see a glimmer of hope in Franco's filming. Some segments are pretty decent. He utilises shadows and light to create an uneasy atmosphere. There are some diverse camera angles to add interest to the scenes. Sadly though, he doesn't get the best from his cast. And they often let him down, as does the flow of the picture. It's okay for a set to be lit and filmed perfectly, but if the sequence drags on too long or the performers don't bring their characters to life, the segment starts to fail. And there are too many of these in Revenge. One of the worst and best things with Revenge is Dr Orloff. Franco takes a large portion of the black and white Dr Orloff flick to use as a backstory to his character of Eric Usher. The good thing is that both films' lead character is portrayed by Howard Vernon. The terrible thing is also Howerd Vernon playing both characters. In the old B&W clips, Vernon is a much stronger actor. He comes across with panache and flair. In Revenge, it's a different story. He looks bored and comes across as tired, for the most part. The lack of umph is a hindrance to the film. It adds to the picture's lacklustre feel and dullness. It's a shame as he appeared to be a talented actor.
In fact, a few of the cast members suffer from the same malediction. The worst is the second lead, Antonio Mayans, as Alan Harker. Franco could have saved money by substituting Mayans for a cardboard cut-out - It would have possessed the same emotional range.
Revenge in the right hands and with the right performers could have been good. Sadly, the hands belonged to Jesus Franco and his regular cast of actors and actresses. Therefore, unless you're a die-hard Franco fan, I suggest you beat a clear path away from this House Of Usher.
Please feel free to visit my Killer Thriller Chillers and Absolute Horror lists to see where I ranked Revenge In The House Of Usher.
Take Care & Stay Well.
Story: 1.00 Direction: 0.75 Pace: 0.25 Acting: 0.75 Enjoyment: 0.75
TOTAL: 3.50 out of 10
Oh dear, what happened to Jesus Franco? After watching his version of Dracula, which I didn't mind, I thought I'd keep an eye on this director. However, had I viewed any of his subsequent films first, I would never have watched Dracula. It would appear Franco plummeted after old fang face. Though Revenge shows a glimmer of hope in its direction, the story is atrocious.
However, its awfulness isn't too surprising. Not when you consider the three rewrites it required to get international distribution. Three revisions and three movies. Why not forget the project after being laughed at and booed out of the festival and revisit it later? I don't mind the premise for the final story. The trouble is that Franco tries to cobble it together with the original tale, making it problematic. It would have been better to start afresh with a new script. He then shoots the new scenes and patches them into the previous work to create a new monster. Yep. Franco is Frankenstein, but his creation isn't as entertaining as Victor's.
That said, I did see a glimmer of hope in Franco's filming. Some segments are pretty decent. He utilises shadows and light to create an uneasy atmosphere. There are some diverse camera angles to add interest to the scenes. Sadly though, he doesn't get the best from his cast. And they often let him down, as does the flow of the picture. It's okay for a set to be lit and filmed perfectly, but if the sequence drags on too long or the performers don't bring their characters to life, the segment starts to fail. And there are too many of these in Revenge. One of the worst and best things with Revenge is Dr Orloff. Franco takes a large portion of the black and white Dr Orloff flick to use as a backstory to his character of Eric Usher. The good thing is that both films' lead character is portrayed by Howard Vernon. The terrible thing is also Howerd Vernon playing both characters. In the old B&W clips, Vernon is a much stronger actor. He comes across with panache and flair. In Revenge, it's a different story. He looks bored and comes across as tired, for the most part. The lack of umph is a hindrance to the film. It adds to the picture's lacklustre feel and dullness. It's a shame as he appeared to be a talented actor.
In fact, a few of the cast members suffer from the same malediction. The worst is the second lead, Antonio Mayans, as Alan Harker. Franco could have saved money by substituting Mayans for a cardboard cut-out - It would have possessed the same emotional range.
Revenge in the right hands and with the right performers could have been good. Sadly, the hands belonged to Jesus Franco and his regular cast of actors and actresses. Therefore, unless you're a die-hard Franco fan, I suggest you beat a clear path away from this House Of Usher.
Please feel free to visit my Killer Thriller Chillers and Absolute Horror lists to see where I ranked Revenge In The House Of Usher.
Take Care & Stay Well.
- S1rr34l
- 15 may 2022
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I really have to give up on Jess Franco movies. This film was a total ripoff for anybody expecting a gory version of a Poe adaption. It had very little to do with Poe's famous story and much to do with Franco's previous Dr. Orloff film. A good chunk of this mess is scenes from Orloff and looks like what it is: padding. The box art for the version I saw has a woman being menaced with a power drill: no such scene exists in this movie. What does remain of Poe is a badly done retread of earlier efforts concerning the fall of the house of Usher: all done better by the 1960 film by Roger Corman. Nothing to recommend. I have heard there is a Spanish version that is completely different and much better but at this point who cares?! Avoid!
- phibes012000
- 18 ene 2011
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I am one of the biggest Jesse Franco fans around so if I think the movie is boring it has to be boring. There's just not anything really happening here it's revolving similar scenes with just nothingness.......the only thing saving it if you wanna call it save is the weird characters in the movie other than that it's pitching a small to medium sized goose egg...................... as they say in philosophy books the movie has taken a holiday...........
- james1-494-826857
- 10 sep 2019
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Picked this up, being a Jess Franco fan, but was somewhat surprised by the BBFC 12 rating. Surely not?? A Franco horror film without lashings of gore and nudity?? Well yes, actually. So straightaway it's very tame by his usual standard. The film is also slow, dull and looks badly acted, though that could be down to the atrocious dubbing on the English language version. On the plus side it is pretty creepy, filmed in an old castle in the mountains and does have his wife Lina Romay in it, though amazingly she is fully clothed throughout. Worth ticking off for Francophiles, otherwise avoid like the plague!
- Stevieboy666
- 8 ago 2018
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- parry_na
- 27 dic 2018
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- slayrrr666
- 22 ene 2007
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For the "Intelligencia" low budget garbage regardless if there's nudity or not is Garbage.
This fascination with Jess Franco like he was some underrated underfunded genius is a total reflection how full of poo people are.
That being said I don't know what it is but Lina Romay is a dream. From the 3/10-6/10 rated movies he's done with her I can't get enough. She's not really in this one.
In terms of getting the original untampered Franco film as he intended it's hard to attain. Mine was spliced with black and white memory scenes which were from Dr. Orloff.
So if you thought Dracula with Christopher Lee was funny in a "This is so ridiculously bad it's hysterical". You will not find that in this wacky film.
This fascination with Jess Franco like he was some underrated underfunded genius is a total reflection how full of poo people are.
That being said I don't know what it is but Lina Romay is a dream. From the 3/10-6/10 rated movies he's done with her I can't get enough. She's not really in this one.
In terms of getting the original untampered Franco film as he intended it's hard to attain. Mine was spliced with black and white memory scenes which were from Dr. Orloff.
So if you thought Dracula with Christopher Lee was funny in a "This is so ridiculously bad it's hysterical". You will not find that in this wacky film.
- EvanKevelson
- 4 sep 2024
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