Ren pi deng long

After being humiliated at a local ceremony, a lord seeks out an old rival who's a master lantern to put aside their differences to make a new lantern for an upcoming festival, but when several local women go missing all roads lead back to the strange method of making the lanterns he's attempting.

Overall, there's quite a lot to like with this one. One of the greatest aspects present is the breakneck story, which moves along at a great pace and keeping things interesting. Right away, we get the initial setup at the village banquet showing their disdain for each other and the desire to win the lantern contest, forcing him to turn to his arch-rival to win the competition. As well, the tyrannical control he has over the prostitutes in the brothel and the jealousy that governs his decisions plays into the continuing nature of the feud lasting throughout the film with each one looking to one-up and humiliate the other. Once they come to realize they've been set up and that everything has been turning them against each other, the story comes together with a surprisingly strong resolution. As well, when the film really lets loose with its grotesque elements, it becomes quite enjoyable. The first stalking in the brothel as well as the subsequent defleshing of the victim is exceptionally graphic and gruesome. The visual of the skin being sliced open and ripped from the still-alive victim in one piece creates an awfully striking visual, and when done in conjunction with the underground caverns and the various tools shown lying around to be utilized later on completes the grimy illusion. Likewise, the various interludes going back to the location showing how the pieces of stretched skin are being made into the lantern itself offers up the kind of unease associated with such a lair. Seeing the area dressed in entrails, dismembered body parts, drying skin pieces and bloodstained equipment creates a truly grotesque atmosphere alongside the graphic acts themselves. Another big positive is the mixture of horror and kung-fu in the film. Though not filled to the brim with such material as is to be expected, the fighting here comes off quite impressive and exciting. The inclusion of the killer's abilities in martial arts adds quite a lot to the abduction scenes as the sight of him dressed as a monkey complete with a skeletal animal mask take on a far more eerie quality than expected, especially the daytime ambush in the woods where the sight of that running around and flipping off tree-branches is quite creepy. The best, though, are the brawls which they continually find themselves in, and by taking place within eateries, the courtyards of their houses and out in the streets of the village the action carries along quite nicely. Even odd interstitial elements like fighting off assassins or seeing the killer take out a squad of random henchmen to set up their suspicions are rather fun, and the extended brawl at the end includes some really fine stunt-work and swordplay included in the hard-hitting fights. This creates a lot to really like in the film as there are some big problems here. The biggest issue is the central premise of the film in that there's no adequate explanation for the lantern festival to be the big comeuppance in their rivalry. Why he needs to commission a lantern to appear at the festival in order to get the last-laugh at him makes no sense, nor is there anything given as to what's going to happen if the true creator of the lantern is revealed. Being that this is the main driving point of the film as for why he and his rival put their differences aside to make the lantern for the festival, not making this piece make sense is all the more troubling. Likewise, the fact that the investigation should've lead the guards right to him without much difficulty speaks to a haphazard investigation method simply to keep the movie going. These elements do manage to bring the film down.

Rated Unrated/R: Extreme Graphic Violence, Language and Brief Nudity.

Do we have the nameless individual that tricks two others to fight each other? Does that sound like a famous western with Clint Eastwood? Which also was copied ... well let's not go down that road. Especially because while there may be parallels, there also quite a few differences here too.

I've seen my share of Shaw Brothers movies, but I can't remember seeing this one. This is quite out there, with a character being a mixture of monkey and demon, with the evil mindset of a ... human (a bad human that is of course). Add to that horror some good old fashioned stunts and flying lessons ... and voila you got yourself a movie that might not be everyones cup of tea (if you're easily offended, don't even bother, there are quite a few scenes that are far from political correct), but works for those who love these movies ... and if you're one of them, you won't mind certain flaws as much as others do

Human Lanterns goes for broke and mostly works. It's gonzo stuff, being a cross between a martial arts movie and a murder-mystery about a deranged serial killer, all taking place hundreds of years ago (possibly longer).

I like it when a Shaw Brothers movie does something out of left field. This isn't my favorite example of the studio doing that, but it certainly has its moments - enough of them for this to end up being pretty decent. There's enough here that's fun to make it worth a watch for martial arts fans after something different.

It was let down a little, I felt, by being uneven. It committed to different levels of crazy at different points, and feels all-over-the-place as a result. That sense of chaos can work when it's pushed far enough often enough in a movie like this, but I don't feel like Human Lanterns always did the best job at this.

Still, for having some silly horror mixed in with some violent fight scenes, there was a good amount here that proved enjoyable. The kind of thing that gets a caution recommendation, for fans of this style of odd film, at least.

In a quiet town nestled amidst mist-shrouded hills, two Kung-Fu masters vie for supremacy. Their battleground? Not the martial arts arena, but the eerie world of lantern craftsmanship. Directed by the enigmatic Chung Sun, Human Lanterns weaves a tale of obsession, betrayal, and gruesome artistry.

Master Lung (played by Tony Liu Yong) and Master Tan (Chen Kuan Tai) are town braggarts, each scheming to outshine the other. Tan unveils a human-sized lantern that captivates the simple folk, while Lung seeks an even grander creation. His quest leads him to Chun Fang (Lo Lieh), a former love rival turned master lantern maker. But Chun Fang's conditions are ominous: Lung must never visit his workshop.

The film's opening credits reveal a warehouse adorned with human remains atop a blood-soaked grinder. The macabre truth emerges: these gruesome trophies become the lanterns that illuminate the town. Skin peeled from victims' bodies, bones sculpted into delicate frames-the lanterns cast an otherworldly glow, fueled by suffering.

As more women vanish, the town trembles. The mysterious hermit hired by Tan adds to the intrigue. His lanterns, infused with secrets and darkness, lure unsuspecting souls. The brothel's madam, the prostitute, and the townsfolk-all are drawn into this dance of shadows and blades.

Human Lanterns teeters between horror and martial arts, its brutality tempered by censorship. The missing scenes-where skin meets blade-leave us craving the uncut version. Yet, the film's eerie ambiance and twisted creativity linger. It's a flawed gem, like a tarnished lantern casting both light and shadow.

Chung Sun's vision is a chiaroscuro nightmare, where beauty and horror entwine. Watch it for the unsettling visuals, the clash of egos, and the haunting lanterns. But beware: once you glimpse their glow, you'll forever question what lies beneath the surface.🌓 🔪🌟🌕🌺🔮🌓

Chung Sun, who directed, amongst many other films, the superb "The Sexy Killer" (see review), is unable to make the elements gel in "Human Lanterns" aka "Human Skin Lanterns". Personally, I have always loved the idea of using human skin to make lanterns, so this film was an eagerly awaited one by me. Unfortunately, there's too little skinning and too much martial arts in this. In fact, the skinning scenes (there are two), while well done, feel like they belong in a different movie altogether. This is a strange effort to make a martial arts fantasy and cross it with a Hammer-style horror plot. It doesn't work. That said, "Human Lanterns" is still a sumptuously photographed and designed period piece. The Shaw's certainly spent big on its sets, cast and special effects. It's a shame they didn't focus more on the horror promised in the title. Disappointing horror. Satisfactory period-fu epic.