Le père Noël est une ordure

Definitely one of the funniest movies I have ever seen. It's a family tradition to watch this film every year at christmas since it came out on tape :D The dialog is so witty, quotes are so memorable, "vous voulez cracher, Therese? Non, car c'est offert de bon coeur"... All classic stuff.

This is the kind of movie you don't mind watching over and over again because its script is so rich, so full of wonderful dialogue and genuinely funny situations, that one view isn't enough to absorb everything. Ultimately, this is a film about the spirit of Christmas in the modern times. We live stressed and frantic lives, so why would Christmas Eve be different form a regular day? That's sort of the premise of this movie.

LE PÈRE NOEL EST UNE ORDURE is a black comedy, a very dark one, full of odd characters and bizarre situations. Themes like homosexuality, suicide and murder aren't left behind and spice up this crazy, passionate, comedy set on Christmas Eve.

The performances are plain terrific, with no exception. The characters are wonderfully defined and the dialogue is delicious. It's impossible not to laugh. a lot! After a relatively calm beginning, the wacky situations start to pile up in a frenzy rhythm. Being a huge fan of black comedies myself, I prefer a more subtle approach to the themes. The humor here is sometimes histrionic, theatrical and over-the-top. That can be easily accepted because the movie is adapted from a stage play and, in the end, it works in perfection.

This is one of these films in your country that for some reason, somehow, has transformed into a national treasure. People will immediately dislike you and frown at you when you recall how you don't think it's a good film. They'll immediately think there's something wrong with you, when really the film isn't even that defensible, it's not like the film is amazing on any level or anything, it's just a crowd favorite. Objectively, this comedy is well enough constructed in that it allows for wacky scenarios to take place and go berserk from there, all sorts of strange happenings in subplots that eventually connect. The gags are those of a prude society of the time (early 80's) liberating itself with silly, stuck-up eruptions of vulgarity whether verbally or through act. It isn't really funny, most of the comedy here being cheap sex-oriented, taboo type humor. It's barely entertaining at all to watch now, moving back from it in the later decades, but at one point this was the absolute blast of absolute blasts, and it's hard to even imagine this is the same Jean-Marie Poiré who, a decade later, would go on to write the mythical, legendary "Les Visiteurs", for this reviewer, the single greatest french film of all-time.

This is probably the first time I've read all the previous comments for a given movie and found not a single pan so far be it for me to go against the consensus. I've long been a fan of 'Splendid' both as a group and later as individuals (in fact I'm just about to add my comment on 'Monsieur Batignole' a comparatively new film by triple-threat Gerard Jugnot, the 'Felix' from pere noel) and this represents them at their very best, which is saying something indeed. I missed, alas, the original stage version of Pere Noel but the good news is it's now available on DVD so it's automatically on my 'must have' list. It's also going to be difficult to improve on the raves already posted here so really the best one can do is add to them. I think it's fair to say that this movie gives a new meaning to the old gag 'the Samaritans call ME', given that the main setting (it started out as a play, remember) is the run-down offices of SOS distresse amitie, the French equivalent of the Samaritans which is invaded - against the no-face-to-face contact Rule, natch, by three assorted fruitcakes - four, if you count Felix-and-how-could-you-not - the santa claus-suited, gun-toting boyfriend of the slightly enceinte Zezette (Marie-Ann Chaval). The most rational thing you can say about this is that it's difficult to separate the fruitcakes - Gerard Jugnot, Bruno Mayot, Marie-Ann Chaval, Christian Clavier, from the 'staff', Anemone, Thierry Lhermitte, Josiane Balasko, in fact the title of the pathetic American remake 'Mixed Nuts' says it all (but don't rush to see it, it's light years away from the original on the wrong galaxy side). Incredibly they pack all the mayhem into one hour twenty eight minutes and that includes the best part of a minute on Establishing Shots. To attempt to describe the labyrinthine plot is a new way to grow schizoid so suffice it to say this is THE surreal comedy they all have to beat. 10/10

I have seen this movie yesterday for the Xth times. After all these views, I still cannot get tired of it. Yesterday, I was wondering when this movie was actually happening. It is actually dated of 1982. 21 years ago. And after all this time every single piece of humour you see or hear is stil funny.

Ok, the sets are a bit old fashioned but stil represents the type of low-end apartment you could find in Paris and that would be hired by an non-profit association like SOS Detresse amitie.

I don't know what makes this movie so present and why it is impossible not to find it funny after all this time. I think it is the ability to make laugh by taking the opposite of the common sense.

Another interesting point is that the Pere Noel has been adapted from a theatre play written and played by the same actors as in the film. And the movie doesn't look like a filmed play as it often is. There's been a great job in the adaptation of the text as well as the story (because there are some important differences)

I am afraid I will see this movie every year and always laugh with it.