Paraíso

After reading the comments here, I hesitated on this one but glad I went ahead and saw it. Yes, the story has problems, far-fetched and cheesy, but the cinematography, costuming, and settings were fantastic. I don't consider myself too generous giving the film a 7 despite certain shortcomings. The locations - desert, oases, Arabic architecture were well chosen, costuming very stylish, camels, ocean, underwater photography were well done. The actors/actresses did a decent job despite the script. And since when was any paradise on this planet anything but far-fetched? Blue Lagoon does not own youthful awakening. Dream a little and enjoy the visuals.

The only two reasons to watch this movie are on Phoebe Cates chest. This is better than the movie it copies "Blue Lagoon", but that is saying very little. The best way to watch this movie is to have your finger on fast forward. There is a lot of wasted time that will put you to sleep. Unless you are specifically interested in seeing the the reasons previously mentioned, don't bother with this mess.

Phoebe Cates made her screen debut with TV teen heartthrob Willie Aames in Paradise, a landlocked Blue Lagoon with unfriendly Arabs lurking on the borders of Paradise. It's definitely got some nice nude shots of both young performers to gratify the prurient.

The two young people are in Bagdad of 1823 then part of the Ottoman Empire and governed rather loosely from Istanbul. Cates is with her guardian who is your proper British official and Aames is the son of a bible thumping reverend and his wife. All of these people haven't a clue about where they're at, just an exaggerated sense of western superiority.

But the beautiful and nubile Cates has caught the attention of a sheik who's in the slave trade. He could get some good bucks for her or keep her as private stock. He and his people ambush the caravan, but the kids escape and come to a hidden oasis where they set up and play house.

The similarities to the Blue Lagoon are rather obvious even in the looks of the protagonists. But whereas those kids had been shipwrecked on their island since they were still in single digits in The Blue Lagoon, in Paradise these two young people already know the facts of life, it's just that they have that Protestant Christian upbringing.

The film was shot in Israel and the scenery is magnificent with and without Aames and Cates. Given that Aames is now a born again Christian he probably wants those male nude shots off the market, so hang on to your DVDs and VHSs.

Like most of the others, I found a lot of this movie rather trite. I don't blame Aames or Cates for this; I thought they were good actors who did their best with terrible material. The plot is something straight out of a trashy romance novel, which could have worked with better writing but the script is a mess. However, lost in this mediocre feature film is a great 30 minute soft-core porn. The sex scenes are highly erotic, and the nude scenes are done with much better camera work and production than you would typically have in a skin flick. I'm particularly fond of the cave shower scene, where Phoebe Cates positively scorches the camera with her hotness.

At the end of the19. Century, two youngsters - an attractive heiress and a good-looking son of a missionary couple - are the only survivors of a massacre in Baghdad by a bloodthirsty sheik, who wants the girl for himself. Then they cross the desert to reach Damascus, but the sheik is after them.

Has-been, limply acted, dramatically empty and totally unconvincing period piece derived from "Blue Lagoon"; a curiously halting succession of Asian adventure and adolescent sex in breathtaking locations. Only for lovers of antique teenage romance and beautifully photographed pictures of tropical nature.