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Pulling cinematic threads together I Nuovi Barbari saw a second life when it's model city sets were reused in Lucio Fulci's Guerrieri dell'anno 2072 (The New Gladiators). I could be wrong and an Italian man could have gleaned a lot of work building cardboard cities for all those 80's Italian post-apocalypse films. Regardless, the opening credits let us know the world came to an end due to a meteor or some stagehand's forgotten cigarette crashing into a cardboard city. After this we have to deal with another of Max Rockatansky's cousins that suffers a few mental setbacks. Scorpion drives around in his mock up V-8 Interceptor with a big glowing bubble dome in the roof, superfluous tubes, and hood mounted chrome skull. Scorpion's enemies are a smorgasbord of peeved caddies that roll across the wasteland in their super-modified golf carts complete with slicers, dicers, disintegrators, spears, donkey molesters, and other implements of golfing terror and destruction. The terrified victims of these rampaging carts are hard pressed not to completely outrun these lumbering carts of woe and despair. Laden as they are with donkey molesters, flame throwers, tin foil, and extra passengers these vehicles of the brave new wasteland top out and redline around 2 MPH. Apparently all the survivors of the wasteland made fun of the golf carts because One (George Eastman), the leader of the post-apocalyptic rugged caddies that call themselves the Templars wants to kill everybody in the wasteland. Scorpion (Giancarlo Prete) being the yin to One's yang only wants to kill a select few people, mostly ones that ride around on golf carts causing trouble. One (Eastman) establishes himself as the true entity of evil early on by effortlessly ripping (or rather breaking) a bible in half in a rather comical display of strength. Giovanni Frezza makes an appearance as the young mechanic and you may very well recognize him from Bava's Demons 2 or Fulci's House by the Cemetery. Giovanni gives another stellar performance as he freely transforms from his diminutive figure to a strapping, full-grown stuntman in a blond wig when convenient.

Warriors of the Wasteland is a study in one take magic as it becomes painfully obvious that many special effects were botched and just left in, no retakes allowed. Most painfully obvious is a fleeing citizen almost, but not quite, (botched special effect!!??!?!) decapitated by a golf cart donkey molester. The head kind falls over staying connected and the body just slumps over, although it twitches effectively. Anybody can tell this should have been shot over but either the budget didn't allow or Enzo G. Castellari (the director) just didn't care. Another effect has a golf cart shaft spear a man's rump, this may have been intentional as Scorpion receives a similar fate later on with a different kind of spear. Regardless, the effect is particularly lackluster. At this point things are bleak and we haven't even gotten to Fred 'The Hammer' Williamson showing up. In a departure from ripping off Mad Max 2: The Road Warrior, I Nuovi Barbari steals from Rambo II and has Johnny Rambo appear, only Sylvester Stallone has morphed into Fred Williamson for so reason, go figure. Nadir (Williamson) decapitates his share of helmeted cart riders with his explosive bow and arrow combination. Add into the mix Scorpion's love interest and you have your fab four fighting the white clad Templars of destruction and their menacing go-go golf carts of pandemonium.

Look for wooden acting, flat action, and gratuitous use of metal beer kegs placed inconveniently as obstacles to be rammed by vehicles or have actors fly through. Even at its worst I Nuovi Barbari is a superior work to later American counterparts that involve either lots of water or a guy delivering post apocalyptic parcels made by a certain guy that waltzes with lupines.

As far as post-apocalypse Italian cinema goes, Warriors of the Wasteland is just dull. None of the characters are nearly quirky enough to entertain, they're just bleak, bland characters not nearly archetypal enough to empathize with. The fact that Scorpion's mock muscle car is up against nitro-charged golf carts makes for rather dull chase scenes. By comparison Escape from the Bronx had tightly choreographed action scenes that set your adrenaline pumping. Escape from the Bronx was made two years after this so Enzo may have had time to sharpen up his directorial skills. However 1990: I guerrieri del Bronx (Bronx Warriors 1990) was made the same year as Warriors of the Wasteland and is leaps and bounds better than I Nuovi Barbari. I'd just chalk it up to Enzo having uneven directing skills or possibly just tacking an extra movie on after Bronx Warriors wrapped up filming. As far as Italian apocalypse films go, this is one of the weaker entries.

This is a crash-budget spaghetti-western (with open references to films by Sergio Leone) disguised as a post-apocalyptic action film ala "Mad Max" or "Escape From New York". Apparently the whole world has been reduced to gravel-pits, because the whole film takes place in one after another of these - a sure sign the budget allowed for zero set design. There's no point in trying to pretend it's a good film.

However, I should note that there is some good in it; whether enough to warrant a viewing is debatable - let the buyer beware.

First and foremost is that the director, having decided he was going to make an action film using only funds and resources he had at hand, has done a rather remarkable job of keeping up traditional action-film pacing throughout the film. This is largely thanks to camera angles and editing. We get rapid intercuts between close-ups of struggling hands, full-shots of bodies blowing apart, long shots of an over-all battle area - with very little excessive flashiness masquerading as 'art'. These guys intend to sell some tickets, period (and, at the time of 1st release, were actually successful at it). These film-makers either know what they're doing or are really trying to learn what to do (more likely). They certainly deserve points for effort.

Although the characters are all one-dimensional, the actors manage to flesh them out somewhat, even Fred Williamson. And the cars are silly and kind of fun in a dumb way. But it's really the pacing that saves the film.

Hey, it's late at night, you had to work over-time, you're over-tired, you wanna crash with a cold drink and numb out before a forgettable action picture - well, this could be the one.

****CAUTION: This review is Rated R*** (because of: offensive language, mild drug references, exaggerated violence, a soft erotic sex-scene not mentioned in the review, idiotic nonsense)

What can I say? To give you a good idea of what this movie is all about, I'll try to make my comments as pointless as the movie itself. The plot? There is none. But there is a premise: In 2019 the Nuclear Apocalypse has happened. The Templars are a group of violent nut-cases driving modified 'futuristic' looking cars that would make the vehicles in MAD MAX 2: THE ROAD WARRIOR turn around by themselves, drive to the nearest Nuke & Repair Auto-shop and go into hiding until this film is over. The Templars wardrobe and hairdo's are a nightmare to every designer with at least a single notion of good taste, or (depends on the way you look at it) a dream-come-true to fashion-experts high on Swedish designer-drugs. The Templars simply look THAT hilarious. You won't believe your eyes!

The Templars are on a mission, apparently... A simple mission at that too: This world is dead. So, accordingly, everybody in it must die too (except themselves, of course).

The characters in I NUOVI BARBARI have all remarkable, profound-sounding names (like Scorpion, Shadow, Father Moses, One,...). Scorpion is the loner-hero. As much as the Templars have no reason for killing everybody, Scorpion has absolutely no reason for being a hero. As well as Fred Williamson has no reason to be in this flick. All he does is drive around in his amazing buggy, give Scorpion some sort of Jedi-like training during his revalidation and shoot explosive arrows (and boy, do they go "booom!" indeed).

Now, it has been a while since I had so much fun with a very wrong movie like I NUOVI BARBARI. Most of the movie consists of superb (?) action-sequences of the Templars driving and crashing their cars. With a lot of amazingly (?) shot, but utterly pointless slow-motion shots.

The two main attractions of this movie are:

-- The cars: The vehicle's designs are simply mind-boggling. I can not put it any other way. Most of them even have very vicious 'boobie-traps', such like: grenade-launchers, ultra-long drills coming out of the front-grid, car-doors that launch themselves and explode on impact, flame-throwers (of course) and my personal favorite: a circular saw, expanding from the side of the car which decapitates innocent civilians running for their lives.

-- Claudio Simonetti's completely warped musical score: I have simply no idea on how he did it, but he came up with his most spaced-out compositions I've ever heard from the man. It sounds like he might have dropped some extremely nasty LSD and then went nuts on his Korg Analog Sequencer. I tell you: this is a milestone in Soundtrack History. Echo's of Pierre Henry's pioneers-work in electronic music can be heard in Simonetti's score. As well as sounds and bleeps still used by todays electro-acts like Tosca and Autechre (to name only two totally unrelated ones of the so many). His score is motivationally groovy, pulsatingly warped, hauntingly electronic, strangely rocking and almost unbearably dripping with 80's cheese. And will you just please listen to the many completely unworldly sound-effects? Simply every machine or electronic device (from the cars over the guns to broadcasting equipment) makes completely undefinable noises. I will go on a frantic quest in search for this soundtrack on CD. Simply must have it!

Other highlights of this movie are undoubtedly the many various ways to blow people up (often in slow-motion too): Full body-explosions. Head-explosions. Chest-explosions,... One scene even has a guy riding a motorcycle with his head blown off for several seconds! And then there's this one incomprehensible torture-scene: The Templars have captured Scorpion and they're gonna make him die like a Templar. He's hanging in chains on some metal device. Then, George Eastman lashes out with 'something' at Scorpion's body. Then it looks like he is opening his pants (!) ready to give him the ass-f#@k of his life (!!) while some other prominent Templar seems to be holding up a sword ready to chop off Scorpion's head (!!!). I mean, WTF $@%#?!?! Only, you absolutely can't tell for sure what is going on in that scene, because the editor starts cutting up every shot with strangely framed pointless shots while Simonetti's wildly psychedelic sounds come on again. I had no clue what the hell was going on there, other than what I previously told I got out of it.

I just mentioned the utterly pointless framing, right? Well, the cinematographer was very persistent about that technique. Consistently throughout the whole movie, he keeps framing his shots with complete pointlessness. Most shots are often zoomed-in too closely on the action (whether the action be just people talking or cars crashing into something; doesn't matter). Resulting often in the viewer feeling the urge to try and look left or right of the TV-screen to see more of the action. But of course, the viewer then finds himself, very annoyingly, staring at his TV-speakers. Completely puzzling, the way they shot this film.

And to round it up with a final message this film seems to be carrying: Drugs are bad, okay? I don't know if George Eastman's character's superior visions initially came from using drugs too much, or his megalomaniac ramblings were already there to begin with, and they simply got enhanced by doing the stuff. One scene has him smoking the (probably radio-active) green herbs while getting even more high on himself, listening to his OWN recorded voice (on a tape) declaring nonsensical philosophies. You just gotta dig that. Simply hilarious, again.

Vomitron's final judgment: Was this a fun flick?: Hell yes, baby!!! Dig it, or don't! 8/10 Was it a good movie?: Geeezz... What do ya think? 2/10 That leaves us with an average rating of 5/10. Way to go Enzo G. Castellari!

In the future year 2019, the nuclear holocaust is over. What's left are bands of roaming gangs in a desert wasteland. "Warriors of the Wasteland" is one of many low-budget Italian Mad Max knockoff films and is pretty decent one from solid journeyman director in Enzo G. Castellari and the always cool Fred Williamson. The story, such as it is, involves and evil group of white robed baddies known as "The Templars" who raid peaceful wastelander villages and want to rid the earth of it's survivors, so it's up to our hero Giancarlo Prete as Scorpion and Fred Williamson as Nadir to save the world from the evil Templars. George Eastman makes a good snarling villain and there is also a nicely funky score by Claudio Simonetti of Gobin fame. It's also hard to resist the Williamson's exploding arrows, especially when he makes a head shot, or one villain's car that deploys a deadly spinning blade to decapitate his hapless victims. It's this sort of ridiculousness that I found so enjoyable and realized this film was probably one of the more direct influences on the more recent post-apocalyptic cheese fest homage that was "Turbo Kid: Chronicles of the Wasteland." Overall, "Warriors of the Wasteland" is is not a good movie by any measure in the conventional sense, but if you're a fan of these sorts of low-budget post-apocalyptic type of films, then this one is one of the better Italian entries into this disreputable subgenera.

Early 80's cult cinema – and particularly the Italian rip-off industry – made it look so easy to make a film. You only needed an idea that is crazy enough to sell (a fully written screenplay is an unnecessary option), a fairly large selection of grotesque costumes and flamboyant post-apocalyptic vehicles and, last but not least, a charismatic actor who was big in the 70's but desperately needed work in the 80's. Copy & paste all these elements together, add some cheesy Goblin tunes, and you've got yourself a genuine bona fide cult gem that is pretty bad but at the same time enormously entertaining. The year is once again 2019 (that appears to be a dangerous years, as Sergio Martino's "After the Fall of New York also takes place in 2019) and the world is badly recovering from a nuclear holocaust. There actually are only two groups of people left on the planet, namely petrified survivors who travel in caravans looking for remnants of civilization and the Templars; self-acclaimed prophets that dwell the wastelands and kill people for committing the crime of being alive. Then, finally, there are two lone warriors (and a ridiculously young blond mechanic) that courageously defend themselves against the Templars, yeah! "Warriors of the Wasteland" has no significant plot but at least it's never once boring thanks to an overload crazed battle sequences, vehicle-showdowns and silly gimmicks. The hero at one point wears a see-through bulletproof Plexiglas outfit, the blond kid goes around killing Templars with a slingshot and former Blaxploitation star Fred Williamson fires off arrows that explode upon impact. Williamson's character Nadir has a bit of an ego issue, as he clearly worships himself and continuously assures his buddy Scorpion that he is better than him, and the leader of the Templars (portrayed by the awesome exploitation star George Eastman) seemingly suffers from a slight personality crises. In other words, he's probably gay but doesn't realize it yet. Briefly summarized, "Warriors of the Wasteland" is a dumb but fast-paced "Mad Max" rip-off with a massive amount of cheesy showdown and explosions, in order words the ideal entertainment for undemanding 80's fans.

I had very, very low expectations for this movie. It did not live up to them. I can't recall a worse movie - The Killer Shrews was better!

The movie is essentially a western set in a bizzaro post-apocalyptic setting. The two main heroes seem borrowed from Han Solo and Lando Calrissian.

The movie does have its uses as something to laugh at - not with - with a bunch of friends.

The cover of this little stinker has a bunch of punkers (none of which are in the film) so i went into it expecting a punk rock style exploitation flick from the late 80's and instead discovered the funniest ROAD WARRIOR rip off ever! It's one of the tons of Italian knock offs of the early 80's so you know it's gonna be cheesy but this one is just ridiculous! Ultra cheap with plenty of action/violence and enough funny gore to satisfy any fan of 80s b-rated sleaze. Not to mention a ridiculous soundtrack! The only thing that's missing is some boobies. Not that there's no sex just not anything arousing in any way. Of course it takes place in the post apocalyptic future where a gang of ridiculously costumed barbarian types called the Templars set out to destroy the few humans left as punishment for the crime of being born. Cool enough plot for me! Basically this movie is pure shite but it's funny as hell especially when watched with chicks or people who are not fans of crappy movies. Trust me, seeing the expression on their face during the Templars initiation sense will make hunting this baby down well worth the hunt!

You may have thought you'd seen it all but you just have not until you've seen Warriors of the Wasteland, an apocalyptic tale of one man, Scorpion, fighting off the Templars - a group to which he formally belonged that goes around trying to purge mankind by killing any survivors(except themselves of course)of the nuclear holocaust which has left a barren world void of any vegetation or animal life or real cities but lo! has allowed a new world of crates, cardboard cities, junk cars and trucks, and movable golf carts by the dozens. There must also be gasoline I assume in this new post-apocalyptic vision. Hmmm. This film is just awful and just awful in so many ways. Let's, for a moment, buy into the cardboard cities that somehow survive while cities of stones, bricks, and steel disintegrate - the story is ludicrous as we see a band of men just attack with no real purpose. Why do they follow the man known as One? Why was there even a nuclear holocaust? Where did the cardboard come from? How about the big bubbles that are put over holes in cars? The golf carts with mechanisms that come out and slowly decapitate men that run and never waver from a straight path? The cast is wooden and principally Italian with Fred Williamson standing out in a bland performance but better than most of what you get. I really wasn't expecting much, but you think if people got enough money to produce this and act in it and assemble all that cardboard that they would have at least put a bit more care and attention to details, the story, the direction, the settings, and their performances. At the very least the American title is partially prophetic using the word "waste."

Basic set-up: lone anti-hero protects the last remnants of civilization from the murderous mitts of a gang of psychotic (yet somewhat charismatic) would-be genocide artists named Templars. Some amusing B-movie level lines, plus some pretty impressive B-movie special effects (Templars exploding under crossbow fire - heheh ) held my attention for the running time. A pure 80s synth track proves the icing on the post-nuke mushroom cake. However the real point of stand-out in this film remains the abundance of futuristic (by 80s sci-fi standards) technology littered around the wasteland (the nuclear war takes place in 2010, nine years before the events depicted on screen). If you like trashy-yet-terrific sci-fi, post-apocalypse flicks or a good laugh, give this the once-over!

How the producers of this film were not sued for copyright infringement is a small miracle. I've watched some terrible films, but this is amazingly bad. It's the sort of film that's made enjoyable by drinking games.

Strangely enough, the best direction in the entire film is the delicate treatment given to a homosexual rape scene. This proves to me the producers *chose* to make a bad film when they could have made a good one. Shameful!

Watch the real Road Warrior instead.

OK. First of all this movie is one of the better B-movies I have seen for awhile. It is a cheap Italian knockoff of "Road Warrior". However, Mel Gibson has been replaced by a major phuckin ham of an actor and Fred Williamson is hilarious. The outfits are utterly retarded, especially those of the bad guys. Was I supposed to be scared of these guys? They dress like rejects from an Andrew Lloyd Weber show and their vehicles are golf carts covered in aluminum foil. Plus there must be some Weirdo,Italian thing going on that I don't understand. Why are the bad guys all Puritan, vigilante homosexuals? One of the more entertaining scenes is one our hero is captured and boned in the rump as initiation for execution, mainly because it is the weakest cinematographic displays of the movie. For a B-movie, this film has just about everything:Bad special effects, bad acting, lame plot, weak characters, crappy dialogue, Casio keyboard soundtrack, Fred Williamson, and way too many cliches. Rent it, get some cheap beer, and watch it with some friends for a good laugh.

As a fan of obscure 80's drive-in and late night TV movies, I usually find something to like in even the most low-budget film. But "The New Barbarians" had absolutely nothing in it, that I can point to as giving even modest entertainment value.

The soundtrack is jarring and uneven disco-synthesizer. The acting is on a grade-Z level. This is supposed to be a desert wasteland, yet the bad guys run around in pristine white costumes. The vehicles are all new looking and shiny, standard car frames covered with unconvincing sheet metal. The sound of the car motors is poorly over-dubbed with a buzzing sound. All the action seems to occur in the same quarry location.

What's especially ludicrous are the tiny flash powder explosions, followed by stuntmen flying through the air as though propelled by a mini-nuke.

And to think that a crap movie like this is actually available in Blu-ray. While other much-better films of this era (like "She" starring Sandahl Bergman) are only to be found on hard-to-find poorly transferred DVDs.

'The New Barbarians' aka 'Warriors of the Wasteland'. Here's your typical crappy B-action film, complete with some of them looking spaced out, one looking like a priest for deer hunters, some look like bums, and others looking ordinary. They drive fast cars and motorcycles while carrying guns ans such. The film is another post-apoptotic type of movie -- wanting to be Mad Max and Star Wars smashed into one.

I see nothing new here, it's just done on a small budget with a story, look and feel that is unappealing to me. And there is a very annoying blonde headed kid that really gets on my nerves.

If you are really into 1980s Action film then you might like this one. I am one that is extremely picky about these types of film and only like a small handful of them.

3/10

This movie definitely has my vote as the worst movie I have ever seen. There may be worse movies out there, but I have never seen them.

It has been quite a while since I saw this movie, but certain parts of it are hard to forget (Trust me, I've tried.) From pathetic acting to shameful special effects (is that tin foil he's wearing? What's it supposed to be? Oh, a space suit. You'd think they would at least hide the lines...) to homoerotic violence to...well, it just gets worse from there.

The most entertaining thing about this movie is reading the reviews. I don't think I have laughed quite that hard in a while.

I cannot stress this strong enough...if you haven't, do << NOT >> see this movie!!!!

I see from the reviews on this board that the film in question is dividing opinion hugely. On one hand many reviewers are describing this as one of, if not the worst movie ever made whilst others are touting it as an unintentional work of genius. For what it's worth, I would place the movie as somewhere in between the two extremes.

Yes, the film is admittedly a low budget, low brow rip off of Mad Max……but…….taken for what it is, and if you approach it in the right frame of mind, it's actually a pretty decent, undemanding watch. In fact, I would even go as so far as to suggest that the film is actually one of the better post apocalyptic Mad Max inspired outings to spring out of Italy during the 1980's.

That staple plot of a lone group of survivors terrorised by nomadic barbarians rears its' hoary old head yet again here. In this case, the villains are a group of self appointed purges of humanity calling themselves The Templar's who are headed by that Italian B-movie stalwart of villainous roles, BIG George Eastman who plays a character named (oddly) One.

There is ostensibly some enmity between One and the hero in this, Scorpion, based on some undisclosed prior events. For his part, Scorpion seems content to drive around in his souped up car and periodically wipe out Templar raiding parties although predictably, Scorpion and One are bound to meet up at the films climax for one final battle.

Although the budgetary constraints are overtly apparent in the films overall look, there are a number of commendable action and gore sequences littered throughout the running time including a humorous beheading scene and a number of bodies exploding in a particularly cool manner! And let us not forget, how can any film be entirely bad when the always awesome Fred 'The Hammer' Williamson is on board?! (Well with the exception of the atrocious Delta Force Commando of course!)

May I finally just add a special mention to Anna Kanakis, the actress in this who Scorpion saves from a Templar assault……she is seriously HOT, HOT, HOT stuff! – Hell, watch the film to feast your eyes upon her if nothing else!

Considering its age and that it's Italian,this movie isn't too bad.There's been a nuclear war and a group known as the Templars wants to kill everyone who survived.The main character,who is very boring and forgettable,must stop them.The special effects are so bad they're funny.The Templars shoot some kind of sticky land mine at the hero's car and it sticks to the door.He pushes a button and the door flies off and lands right next to the bad guys.There's an extremely tiny explosion and people do 3 flips in the air like a nuclear bomb hit them.This movie probably set a record for the most people to flip into the air due to a tiny explosion.There's even a few times where it looks like their lips match the audio.90% of the movie takes place in a quarry.They drive out on one side and then just go in the other entrance.Not the best story but there's just enough boobies to even it out.Definitely worth watching.

The always reliable Enzo Castellari shows that even with a budget of twenty lira he can fill a movie full of action, style, and see through body-armour.

It's 2019, and it post-apocalypse time! That means humble survivors roaming the landscape, pray to an army of gay psychopaths called the Templars. These guys, led by giant George Eastman, just want to destroy everything they see. Not the most long term game-plan, I must admit, but you've got to give them credit for sticking to such a crap idea with unerring conviction.

Up against them is Scorpion (Giancarlo Perle), a lone warrior driving through the land in his weird bubble car type thing, getting into scrapes with the Templars, and mutants, but always finding time to pick up female survivors. He's closely followed by Fred Williamson, another warrior who likes to team up with Scorpion, seemingly just for a laugh.

There's a caravan of survivors led by some religious guy heading in the direction of 'the signal' who are under threat by the Templars, and it's up to Scorpion and Fred the hammer, and for some reason the blonde kid out of House by the Cemetery, to do them all in. That's the plot.

The New Barbarians is one of those films where you can safely lock your brain in a box and store it under the couch. If you try looking for logic, or anything like that, you're watching the wrong film. If you want to see brain meltingly camp action, this is the one for you.

I'm a sucker for Enzo Castellari films. Even here, where there doesn't seem to be any budget at all, he still manages to fill the screen with slow motion explosions, decapitations by machine, gadget filled cars, exploding bodies and sexy Euro-babes. There's plenty of stand out moments, from the scene where George Eastmen 'takes Scorpions pride', if you know what I'm saying, to guy getting shot in the chest and exploding.

Plenty of b-movie actors here too - Massimo Vanni sports an alarming mohican and drives a car that has a deadly spinning blade, Ennio Girolami's car has a flamethrower, Giovanni Frezza lives in the world's weirdest caravan, and Anna Kanakis seems slightly confused as, out of gratitude for not being raped by Scorpian, she had sex with him in a plastic see-through tent.

Plus, Fred Williamson fires arrows at people that either make them explode or make their heads fly off into the air - How can anyone not like that? The now defunct Vipco released this in a great widescreen copy. Not the best of Casterrali's work (I think, from this era in his career, it's edged out by both Bronx Warrior films), but the man's got style and talent. Just don't take it too seriously (I get the feeling that those involved in making it weren't).

The summary above is quite appropriate--even though it's what my wife said to me late one night as I sat watching this film. This is because "Warriors of the Wasteland" featured a pulsating and VERY repetitive musical soundtrack and the same fake laser sound again and again and again--like some sort of 1980s video game--which my wife assumed I was playing because of the cheap sound effects.

"Wariors of the Wasteland" is a cheap knockoff of "Warlords of the 21st Century"--which is a cheap knockoff of "The Road Warrior". This is NOT an impressive pedigree! However, instead of being made in New Zealand (like "Warlords"), it's made in Italy. The film is set in the dystopic future where society has disintegrated and people are living in the desert--killing each other and driving around in crappy looking cars and motorcycles. The film is practically plot less--consisting of baddies with horrid punk rock snarling, shooting their crappy lasers and terrorizing the dozen or so extras you see during the course of the film.

If you like badly acted and plot less films with lots of action, then you are in for a treat. However, if you aren't and actually demand quality from a film, then keep looking. Pretty crappy.