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IMDbPro

La balada de Narayama

Título original: Narayama bushikô
  • 1983
  • C
  • 2h 10min
CALIFICACIÓN DE IMDb
7.8/10
9.6 k
TU CALIFICACIÓN
La balada de Narayama (1983)
In a poor 19th century rural Japanese village, everyone who reaches the age of 70 has to climb a nearby mountain to die. An old woman is getting close to the cut-off age, and we follow her last days with her family.
Reproducir trailer2:58
1 video
35 fotos
DramaMystery

En una aldea rural japonesa del siglo XIX, todo el que cumple 70 años debe escalar una montaña cercana para morir. Una anciana se acerca a la edad límite, y seguimos sus últimos días con la ... Leer todoEn una aldea rural japonesa del siglo XIX, todo el que cumple 70 años debe escalar una montaña cercana para morir. Una anciana se acerca a la edad límite, y seguimos sus últimos días con la familia.En una aldea rural japonesa del siglo XIX, todo el que cumple 70 años debe escalar una montaña cercana para morir. Una anciana se acerca a la edad límite, y seguimos sus últimos días con la familia.

  • Dirección
    • Shôhei Imamura
  • Guionistas
    • Shôhei Imamura
    • Shichirô Fukazawa
  • Elenco
    • Ken Ogata
    • Sumiko Sakamoto
    • Tonpei Hidari
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.8/10
    9.6 k
    TU CALIFICACIÓN
    • Dirección
      • Shôhei Imamura
    • Guionistas
      • Shôhei Imamura
      • Shichirô Fukazawa
    • Elenco
      • Ken Ogata
      • Sumiko Sakamoto
      • Tonpei Hidari
    • 40Opiniones de los usuarios
    • 44Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 9 premios ganados y 9 nominaciones en total

    Videos1

    Trailer
    Trailer 2:58
    Trailer

    Fotos35

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    Elenco principal28

    Editar
    Ken Ogata
    Ken Ogata
    • Tatsuhei
    Sumiko Sakamoto
    • Orin
    Tonpei Hidari
    • Risuke
    Aki Takejô
    • Tamayan
    Shôichi Ozawa
    • Katsuzô
    Fujio Tokita
    Fujio Tokita
    • Jinsaku
    Sanshô Shinsui
    • Zeniya no Tadayan
    Seiji Kurasaki
    • Kesakichi
    Junko Takada
    • Matsuyan
    Mitsuko Baishô
    Mitsuko Baishô
    • Oei
    Taiji Tonoyama
    Taiji Tonoyama
    • Teruyan
    Casey Takamine
    • Arayashiki
    • (as Kêshi Takamine)
    Nenji Kobayashi
    • Tsune
    Nijiko Kiyokawa
    • Okane
    Akio Yokoyama
    • Amaya
    Kaoru Shimamori
    • Tomekichi
    Yukie Shimura
    • Amaya no Nyôbô
    Masami Okamoto
    • Amaya no Chônan
    • Dirección
      • Shôhei Imamura
    • Guionistas
      • Shôhei Imamura
      • Shichirô Fukazawa
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios40

    7.89.6K
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    Opiniones destacadas

    10flautist_englishdork

    Harsh yet beautiful

    This is actually an extraordinarily beautiful film, if one has even the remotest understanding of Japanese culture around that time period. The harshness of life in Japan made the sort of society in which people went to "be with their loved-ones" and "be with the God of the Mountain" at age 70 completely necessary. The focus of the film is the struggle for survival, and more than that, prospering, in the harsh environment of c. XIX Tohoku. The exploration of this topic takes the viewer into a study of survival through strict rules, and prospering through sexual relationships. The scenes of sexual intercourse serve to portray that even in sexual situations, the Japanese as a people have never viewed nature and animals as separate from ourselves.
    10maple-2

    One of my five favorite movies ever - What is uniquely human

    With beautiful photography and sensitive, elegant acting, this is perhaps the best exploration of what it means to be human. As usual, Shohei Imamura draws direct parallels between the basic drives & instincts (hunger, greed, lust, anger, envy) of people and other animals. I have friends who have walked out of this movie because they found these comparisons so depressing when shown in the desperately poor rural Japan during the late 19th century. What they missed was the core intelligence, caring, self sacrifice, clear thinking and love that enabled that community, and by extension the human race, to survive such difficult times.

    This sympathetic portrayal of a family in a rural village is the best of ten films I have seen from Imamura, with an epic scale of Akira Kurosawa and all of the subtlety of Ozu.
    10dks35

    A must see movie

    One of the best films I have ever seen. Teaches you how to love your parents and kids. The cast and photography are amazing. A must see movie. As for the previous comment from US on this film - isn't USA a country where the elderly are sent to nursing homes to die, often stripped off their dignity? So, go visit your granny or mommy...
    7Chance_Boudreaux19

    Too much sex, not enough character development

    Having watched both versions of Ballad of Narayama I came to the conclusion that neither movie is truly great but if elements of both were to be combined it would create the perfect blend. I still enjoy both films quite a lot, it's just that they could've been more. The main advantage of this version is the great cinematography and the use of real life locations. The 1958 movie looks great too and the sets are fantastic in it but this version in my opinion is more impressive with the beautiful shots of real scenery. Additionally, I enjoyed the often metaphorical footage of animals and nature. On top of that I much prefer the way that this story was told as the main drawback of the original Ballad to me was the kabuki style storytelling which thankfully the newer one dispenses with.

    However, what the first Ballad did much, much better was that it made me feel for its characters a lot more. That movie is shorter and yet the characters are more realised and when the ending comes and the inevitable has to happen it made me really sad. In this 1983 version the final choice didn't have the same impact due to me not caring as much about the people. On top of that the main matriarch was played much more sympathetically in the older film, thanks to the actress which helped to add to the emotional punch that the movie was aiming for. Instead of focusing on doing more to make the viewer care for the inhabitants of the village the newer Ballad instead opts for the inclusion of a plethora of mostly comedic sex scenes which whilst often amusing can be a bit too much. I understand that it's a bit of a trademark of director Imamura to do this and I don't have a problem with it but I just wish he substituted some of those scenes with others or made the movie longer to add more of the much needed emotion. All in all this is a very good movie, as is the first one but I still think there is room for another go at this story which if done right has the potential to be better than both its predecessors.
    8kiddar

    A shocking, depressing, and even humorous depiction of a villages efforts to survive.

    "Ballad of Narayama" is ultimately a film about survival.

    Set during the Meiji Period, the inhabitants of a tiny Japanese farming village are forced to embrace extreme tactics to ensure that they stay alive.

    Male babies are instantly killed with hardly any remorse, while females are usually sold. Stealing food is punishable by death, which we see in a very disturbing scene where an entire family are buried alive due their father's crime.

    And, ultimately, the elderly are sent to die at the base of a mountain called Narayama when they reach the age of 70.

    Despite the depressing tone, there is a lot of humor in this film, as well. The songs that the villagers sing about each other are pretty funny, and it's difficult not to laugh at Old Orin trying to knock her own teeth out with a rock.

    Speaking of Old Orin, the actress who player her (Sumiko Sakamoto) gives a wonderful performance in this film. She had her teeth surgically removed for this role, and gives a realistic depiction of a 70-year-old woman even though she was in her 40s when the film was made.

    "Ballad of Narayama" is indeed a depressing film in many aspects, but it's also filled with humor and offers a better understanding of what life must be like in these types of situations.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Sumiko Sakamoto had her four front teeth extracted so she could better portray the scene where Orin smashes out her front teeth to convince her family that she is old enough to go.
    • Citas

      Risuke: Hey Tsune! You guys tossed the dead baby in my paddy!

      Tsune: Sure did. I figured that in Stinker's paddy, the stench would make it rot quicker... so I went out of my way to do you a favor. Be grateful.

      Risuke: Who needs fertilizer like that? That was your brother, wasn't it?

      Tsune: Wasn't my fault.

      Risuke: You thought it'd be a girl, but you got a boy. Serves you right!

      Tsune: You moron! You were almost thrown away yourself.

      Risuke: You too. Same goes for all the yakkos in the village!

      Tsune: Man you stink! If the next one's a boy, I'll go to your stinking paddy... and toss it there...

      Risuke: I don't want... fertilizer like that...

    • Conexiones
      Featured in Fandor: Cannes On Fandor: Two-Time Palme D'Or Winning Directors (2017)
    • Bandas sonoras
      Risuke no uta
      Written by Hitoshi Machida

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    Preguntas Frecuentes17

    • How long is The Ballad of Narayama?Con tecnología de Alexa
    • Is there more than one version?
    • Is this the only film transcription of the book "The Men of Tohoku"?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de agosto de 1986 (México)
    • País de origen
      • Japón
    • Idioma
      • Japonés
    • También se conoce como
      • The Ballad of Narayama
    • Locaciones de filmación
      • Maki Village, Otari, Nagano, Japón(village: 36°45'53"N, 137°55'39"E)
    • Productora
      • Toei Company
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 10 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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