La balada de Narayama

Having watched both versions of Ballad of Narayama I came to the conclusion that neither movie is truly great but if elements of both were to be combined it would create the perfect blend. I still enjoy both films quite a lot, it's just that they could've been more. The main advantage of this version is the great cinematography and the use of real life locations. The 1958 movie looks great too and the sets are fantastic in it but this version in my opinion is more impressive with the beautiful shots of real scenery. Additionally, I enjoyed the often metaphorical footage of animals and nature. On top of that I much prefer the way that this story was told as the main drawback of the original Ballad to me was the kabuki style storytelling which thankfully the newer one dispenses with.

However, what the first Ballad did much, much better was that it made me feel for its characters a lot more. That movie is shorter and yet the characters are more realised and when the ending comes and the inevitable has to happen it made me really sad. In this 1983 version the final choice didn't have the same impact due to me not caring as much about the people. On top of that the main matriarch was played much more sympathetically in the older film, thanks to the actress which helped to add to the emotional punch that the movie was aiming for. Instead of focusing on doing more to make the viewer care for the inhabitants of the village the newer Ballad instead opts for the inclusion of a plethora of mostly comedic sex scenes which whilst often amusing can be a bit too much. I understand that it's a bit of a trademark of director Imamura to do this and I don't have a problem with it but I just wish he substituted some of those scenes with others or made the movie longer to add more of the much needed emotion. All in all this is a very good movie, as is the first one but I still think there is room for another go at this story which if done right has the potential to be better than both its predecessors.

I was a little surprised by a few of the negative comments below since I don't consider this film to be at all slow or dull. Many foreign and Asian films (Tsai Ming-Liang, Apitchatpong Weerasethakul, Hou Hsiao-Hsien for example)are far more grueling and slow whereas this film is loaded with narrative events, humor, eroticism (of various sorts, not all involving contact between humans and other humans)and a profound meditation on community, responsibility and mortality. If one finds this slow then I'd imagine most foreign films besides Amelie would be off-limits. I have rarely seen a film that forces one to confront such disturbing yet important subjects. In this village where scarcity forces all over 70 to be taken to Narayama mountain to die, a 69 year old woman who is still energetic and capable must settle her son's affairs before taking her final journey. Pondering how one would live in a place where for years one would know that at 70 this would happen is one key question. Further, what are the final things one must do before dying. Finally, the film makes us confront the literal truth of bodily decay and corruption in the scenes at Narayama Mountain.

With beautiful photography and sensitive, elegant acting, this is perhaps the best exploration of what it means to be human. As usual, Shohei Imamura draws direct parallels between the basic drives & instincts (hunger, greed, lust, anger, envy) of people and other animals. I have friends who have walked out of this movie because they found these comparisons so depressing when shown in the desperately poor rural Japan during the late 19th century. What they missed was the core intelligence, caring, self sacrifice, clear thinking and love that enabled that community, and by extension the human race, to survive such difficult times.

This sympathetic portrayal of a family in a rural village is the best of ten films I have seen from Imamura, with an epic scale of Akira Kurosawa and all of the subtlety of Ozu.

One of the best films I have ever seen. Teaches you how to love your parents and kids. The cast and photography are amazing. A must see movie. As for the previous comment from US on this film - isn't USA a country where the elderly are sent to nursing homes to die, often stripped off their dignity? So, go visit your granny or mommy...

On numerous occasions Japanese filmmaker Shohei Imamura has confessed that he is more interested in filming tales of despicable low lives than narrating stories of hypocrite Japanese middle class.This is precisely what makes his film special.It must be mentioned that an earlier version of this film was made in 1958 by veteran Japanese film maker Kinoshita Keisuke.Imamura has often stated that his film is more sensual than that of Kinoshita as it featured a Kabuki style narration of events.Ballad of Narayama is a film about ancient traditions which are hard to follow.It takes place in a Japanese village where a majority of inhabitants are low lives who lead a not so decent life.As traditions are to be respected there is a lot of respect for elders. The highlight of the film is the existential dilemma of a Japanese man whose task consists of leaving his old mother in the mountains of Narayama to be eaten alive by vultures.It is believed that forthcoming generations will live when sacrifices are made by old people.It is amazing how Imamura has managed to recreate a vivid life of ancient Japanese village.Ken Ogata is a joy to watch as an obedient son who hesitates to see his old mother die.A truly great film to learn about the eccentricities of human mind especially of the oriental kind.