Melanie

I have tried for years to remember this movie. I knew it started when it an M. I happen to look at Glennis O'Connor's acting since I knew she had been in "Ode to Billie Jean" and there it was "Melanie". I am watching it right now on YouTube on my TV. It is not a real clear copy but great to finally have found it after over 40 years. Remember the male lead singing song over and over with lyrics "Real, real, real good and real, real, real......" with back up singers repeating "real, real, real..... I remember watching it a lot with my Dad over 40 years ago but could never remember the title except that it started with an M. The male I remember singing was Burton Cummings. I will never forget it again.

I absolutely love this movie. It is one of the best movies I have seen, Why can't we buy it?

Where can I go to ask someone to put it in publication? It is a must to see. It is a great family movie. I guarantee anyone who see's this movie will love it.

Glynnis O'Conner is awesome in this, so is Burton Cummings.

Great music that Burton sings. Don Johnson is great in this movie.

All the people who are cast in this movie are great.

It's also a great love story. I wish I could find this movie. I will get several copy's for friends and family.

The premise portends drama that's going to be less than fun, and as soon as we meet Carl and see what a brute he is - well, hypothesis proven. At the same time, the film strikes a weirdly playful tone at some points, especially in the character of Rick. Not least of all as it shifts between moods, the movie is a bit ham-handed in some scenes, to enough of an extent that without knowing any better, it'd be easy to think 'Melanie' is a made-for-TV movie. Even putting that aside, the picture is rough around the edges - the plot is whole, but still seems slightly unfocused where it expands away from the core question of custody; the romantic elements definitely feel a little forced.

If one can overlook the indelicacies, however, at its core this is really a very good picture. Rex Bromfield's direction doesn't strike me as particularly notable, but it's highly competent - and he does a great job of vividly realizing the screenplay, which I think is pretty fantastic. The narrative is compelling, and the scene writing is actually very strong, and impactful - more than I could have expected. The dialogue comes across as real and believable - and perhaps above all, as the story is largely character-driven, the roles are written with a gratifying measure of depth and personality. Even in moments that feel a little cheesy, there's a wonderful earnestness and moving sincerity to 'Melanie' in telling the tale of a woman doing her utmost to be reunited with her son. It would have been very easy for the film to dip into Lifetime-style melodrama. Yet while there are keenly dramatic instances, especially at the climax, instead the feature remains smartly centered on the protagonist and her astonishing growth, and the friends that help her.

With that - I love the cast. Don Johnson embraces a duly unlikable cocksure menace as Carl with a completeness that I appreciate, ensuring that his presence is known despite having not a lot of screen time. Though not true, the part of Walter that Paul Sorvino plays seems more dynamic than what I'm used to seeing from him (maybe because I readily picture him as stodgy Sergeant Cerreta in 'Law & Order'), and Sorvino is sweetly warm in his portrayal. Meanwhile, it's a joy to watch Burton Cummings depict boisterous, down-on-his-luck Rick - I'm certainly familiar with Cummings' days with The Guess Who, but it's a swell surprise to learn he can act, too! The singer-songwriter sells his role with delightful nuance, and no small amount of pep, making me all the more happy to have discovered this film. Yet that goes doubly for Glynnis O'Connor as the title character, delivering so outstanding a performance that I can't believe she hasn't come to my attention before now. O'Connor demonstrates admirable range, poise, and strength of personality in capturing Melanie's plight and determination - and really, I kind of think she makes the movie worth watching all by herself, nevermind the rest of it. With every step that Melanie takes toward self-improvement on the road to gaining custody, O'Connor impresses by fully embodying the mother, and it's just lovely to see as a moviegoer.

Sometimes kitschy, and more predominantly alternating between scenes and tones distressing, galvanizing, and heartwarming - 'Melanie' is, at all times, pleasantly endearing. It's not perfect, but at that, I wonder if I'm nitpicking too much in my criticism as it is. There's no pretension here, no tricks or hooks - just genuine, honest storytelling, excellent writing, and terrific performances. Rounded out with fabulous, catchy music from Paul Zaza and Cummings himself, the film is absorbing, charming, satisfying, and rewarding. It's no searing time-honored classic or must-see social commentary - just one very, very good movie. There's little more to be said - I entered with no foreknowledge and mixed expectations, and walk away giving an enthusiastic recommendation: 'Melanie' is an ultimately feel-good drama well worth 100 minutes of your time.

The movie storyline was original and the music, thank-you Burton Cummings of The Guess Who, was great! He really surprised me as both a comedic and dramatic actor. The rest of the cast for this low budget film endevor came off as quite good. A sleeper movie during the early 80's, it did quite well on cable. Hard to find on tape or DVD but shouldn't be too hard to find on e-bay. There were many toe-tapping moments during the film, but what really came as a shocker and quite a pleasant surprise was the fact that Miss O'Connor exposed her bare breast for the first time in front of the camera. NICE! This occurred within the first 15-20 minutes of the opening before she left home to move to California with a friend.

My husband surprised me recently with the DVD - I had seen a mention of the movie when Burton Cummings had come to town to do a concert but unfortunately it was sold out anyway... I issued a challenge to my hubby to find the DVD and within an hour he had located and ordered it! Don Johnson does a great job as the hard-ass redneck husband who's fed up with his illiterate wife, Glynnis O'Connor, who plays a very strong and determined woman with just the right amount of vulnerability to make Paul Sorvino and Burton Cummings's characters want to protect her and fall in love with her.

Burton's acting was spot on, he's so charming and entertaining and his performance was effortless and natural. His singing is an especially great treat but I must confess that I did have to pause, rewind and re-watch that one particular scene a few times over. Thank goodness the sheet music was big enough!