Lookin' to Get Out

I thought this film was excellent! I saw the extended version on DVD so uncertain what the clipped version looks like.

Jon Voight is superlative as the annoying wise guy gambler. Burt Young doesn't appear to be acting as the NYC street wise buddy - he is that good or at least well cast. Ann-Margret nails it as the old girl-friend who can't quite get Voight's character Alex out of her system. She is smoldering every time she is on screen and she really keeps the viewer enthralled with all the male actors vying for attention. Her extended kiss as Patti Warner with Alex will jolt male and female viewers alike with its tenderness and anticipation!

Should be required viewing for anyone with, or knows someone with a gambling addiction!

Really combines some of the best elements of Ocean's 11, The Sting and Don Quixote. Don't miss the last 15 minutes to see who is conning who.

The scene with real life father Jon Voight and daughter Angelina Jolie is not to be missed as it came off surreal to me. Watch and see what I mean.

Novices will dismiss this gorgeous movie as drek, pointing out that the only "good" thing about it was Angelina Jolie when she was 4 years old. First of all, anyone who is an Angelina "fan" has problems of their own, and are in no position to criticize anything, much less art, like this great movie.

Put simply, this is the best movie about friendship I have ever seen. The writing is spectacular, as Jon Voight really understood how to express to the audience the love these two guys had as friends. The subtleties in the acting are wonderful to watch, like when Alex (Voight's character) yells at Jerry (Burt Young's character) for losing all his money at the race track. He screams at him, but then remembers that his friend is his friend, faults and all, and walks up to Jerry, pats him on the back and says, "Come on, let's go get some breakfast." The physicality of the pat on the back was a lovely touch, just like the Italian brothers fighting on the beach in "Big Night". The brothers "fought" with love, not really hitting each other. The two guys in "Looking to get Out" accept each other with all their faults, like no other two characters I've ever seen in film or TV. One scene has Jerry telling a p***ed off casino owner that his friend (Alex) doesn't understand how impossible he (Alex)is, but that he (Jerry) does, and that's why he's his friend. To which a very indignant Alex (Voight) says to the casino owner, "How 'bout that?", and the two of them walk out together, having lost all their money, up to thier necks in deep ca-ca, but still having each other. Yet another wonderful moment in the film is when Alex has gotten them into more trouble, and Jerry says this about Alex... "You know, he's a great guy to have in a jam. Problem is that he's the one who got you into the jam in the first place." Great writing, wonderfully acted by all the cast.

This film is rich. Rich with one-liners, rich with wonderful characters all the way around, and rich in humanity. This is a gorgeous film, and if you're ever lucky enough to see it, grab it, and never let it go. Of all of Jon Voight's movies, this would be the one I'd like to talk with him about. What a gem! "Coming Home", "Midnight Cowboy", "Table For Five", yes, they're good, but "Looking To Get Out" stands alone. Of course you have to understand film and writing to appreciate it. You can't just be in the Angelina Jolie fan club.

Because this film has been so stubbornly withheld from the home-video market, it has been years since the last time I saw it. Still, as a serious aficionado of fine acting, I still retain vivid memories of this lively flick and I can not understand all the negative reaction it received. The characters who populate this story are fascinating and memorably enacted by a superb cast. It would be little more than another typical caper flick were it not for the well-drawn weaknesses of the main characters which lead them inexorably into a high pressure situation from which they must try with all their might to escape. If you ever get to see this show, watch for the marvelous work of the numerous supporting players such as Richard Bradford. It is a deliciously glossy, stylish film but with a character-driven story that thoroughly engrossed me each time I saw it. It dances precariously between comedy and drama in a manner which I found intriguing and delightful. In view of all the bad reviews I have read about "Looking to Get Out" I deeply regret that it persists in being unavailable year after year. I would love to look at it again to try to figure out what causes so many folks to dislike it. Is it simply a matter of taste? I do not know.

Seven stars. A weak seven, but good enough to round up. Hal Ashby had, possibly, the best six-consecutive film run in history from Harold and Maude through Being There. This film clearly does not match that amazing run, but it's still a lot of fun. Jon Voigt, an actor I've been a fan of for 50 years now, turns in an excellent performance as a more-wily-than-smart gambler trying to square a big debt. Ann-Margret does fine as his ex, who figures out he's running a con at the Vegas spot where she now works. But for my money, the show is stolen by Burt Young. He did tons of movie and TV work, and was a tremendous actor. But he was too dumpy looking to be a star. In a career of character parts, this was one of his biggest shots, and he just nailed the loyal, not as dumb as everyone thinks, sidekick.

Ashby's career as a director was pretty short, and he really faded from prominence in the last few years of his life. But he was still making quirky, intelligent, entertaining films. The film from his big six that is closest to this is probably The Last Detail. If you liked that one, take a look a this. 20 September 2022.

I'm a huge fan of Angelina Jolie and I have the full collection. I thought this was a horrible movie, but it's definitely a must-rent for any Angie fan. At 7 years old, she may only be there for a minute in the end, but it's all worth it...