Laberinto de pasiones

While some of my friends watched (and were delighted by) the latest movie of Almodovar the cinematheque in my village screened his second movie, made almost 30 years ago – 'Labyrinth of Passion'. A couple of months ago I had seen 'Do You Remember Dolly Bell?' (made one year earlier than the film of the Spaniard) the first film of Kusturica, now this one, and beyond the similarities of the game of identifying in early works the spark of genius of the later great movies there is also an abyssal difference between the two. While Kustirica's movie show the restrains of the censorship his work was subjected to in the still-Communist Yugoslavia, Almodovar's film shouts FREEDOM.

Indeed, 'Laberinto de pasiones' is a film that could have been only in 1982 and in Spain. The young director seems to be drunken by the light and colors of a world that just woke up after several decades of dictatorship. His characters live in a Madrid that has become the heaven of all kinds of experiments – in music, in love, in the way people live. There is absolutely nothing that reminds the films of Carlos Saura or Bunuel, the film is made by a young director whose career started with the liberation of Spain, and who celebrates his freedom in making movies and experiments with characters and a social medium on the fringe.

Did I already say that watching this film is fun? Just saying that one of the characters is the son of the Shah of (T)Iran who happens to be gay but then is 'cured' by a nymphomaniac named Sexilia – you already got a feeling of the material Almodovar plays with. He also crosses the line to play a gay punk singer in travesty in one of the several delicacies of the film. Sure, there is a lot of trash around, and not all of it is that original, but then you have Banderas playing a gay terrorist who falls for his target before knowing whom he gets in bed with. All the story is told with a kind of detachment that makes you feel the protective smile of the director when looking at his characters and actors.

No, this film is not a masterpiece, and if I had seen it by or close to the time it was made I am not sure whether I would have liked it, or identified the huge director Almodovar will become starting a few films later. If there is anything close in genre it is rather the low cost comedies that by that time I would have seen in Romania (later the boorekas movies in Israel). There is however in this film enough craziness and bluntness to break away from the crowd, and a hidden tear behind the laughs that I am pretty sure that could not have escaped me completely.

This film exhibits Almodovar's true comic genius like no other. It will leave you reeling, and wanting to run about the streets naked while you howl with manic glee. It is truly a maddeningly funny comedy that goes way beyond risque (nothing is taboo in this lunatic-romp). It is so original that you may have trouble excepting its anything goes mind-set at first. The film's madcap style, characters and situations are akin to nothing I've ever seen. You've got to check this one out!

In his two first movies (and I would count the third one too -Entre Tinieblas-) Almodóvar was more a kind of outsider, someone who needed to express himself freely in a country that had suffered a Dictatorship for almost 40 years. Neither "Pepi, Luci..." nor "Laberinto de pasiones" tell any story in particular, at least none that's interesting. They're rather a collection of gags and sketches that are meant to scandalize and to drive up the wall all that right-winged people. Almodovar uses topics such as incest, gay power, Islamic terrorism, drugs abuse... 100% punk attitude, basically. And though Spain is much more liberal nowadays some of the passages of Almodovar's first movies couldn't be accepted by the society. How come? Well, because of the "political correction" stuff (isn't it some kind of censorship too?? I mean, self-censorship).

Anyway, this movies have to be understood in the right context (just like John Water's first films). If you don't take that into account you'd better go and watch any other thing.

5.5/10

Very typical Almodóvar of the time and, in its own way, no less funny than many of his later works. And why is that? There is nothing to be provoked or shocked about, and I guess any such effect is more coincidental than intentional. No, the great humor stems from an underlying, almost surreal, absurdity that is woven into the scenery: The characters' nearly complete lack of taboo. It's the same kind of 'comic suspense' you find in his later works, though you'll find it in a more rough version here. He's building up for masterpieces to come, but is not yet there.

The sole reviewer who commented on this movie before I did, claimed that it had to be a "very select" group of people who'd find this movie hilarious. I do.

I agree with both comments above but wanted to emphasis what a fun insanely gleeful movie this is. Very camp and sleazy. A movie about being young. Worth viewing for Almodovar and Fanny (Fabio) McNamara's horrendous pop group 'performing' 'Suck It To Me'. Drag queens worship Fanny and you'll see why. A sort of Madrid Liquid Sky with humor and a decent plot. Very cult and very 60's mod. Pure fun.