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Seriously though, this isn't a bad movie. OK, so it's formulaic of it's time and you can pretty much guess where it's going and who the killer is, and who the killer is not! Lynda Carter is good as the heroine of the piece and doesn't do a bad job. Steve Forrest's character is such a lonely soul in it that he can literally break your heart with a tone of voice and a look - he is such an under-rated actor, he's just brilliant, and I'm slowly going broke collecting all his movies; especially rarities like this one!

Also, a surprise to see fellow Brit Julian Fellowes as a store owner called Leo (with hair) - that was a hoot.

All in all, not a bad film as I said earlier, I'm guessing at the time it was made in 1982 it would have been suspenseful but by today's standards it's pretty tame but great to watch on a dark rainy night - make sure your doors are all locked though (just in case).

Hotline is a pretty good made-for television movie,that,if given a chance,can keep you on edge for the duration.I saw it when it came on the tube for the very 1st time.Lynda Carter does a fine job as the lead role, playing a character named Brianne O'Neill who takes a job at a hotline crisis center.Soon she receives calls from a man using bizarre, macabre nursery rhymes and calling himself "The Barber".He describes his murderous activities and inclinations over the phone, and the suspense builds as the killer closes in on O'Neill, all the while repeatedly reporting his deeds to her over the phone.This is an obscure film that's worthy of some attention,-rarely does it come on television.

Where was this movie filmed. I can't find anything on this question.

TV thriller concerns Lynda Carter hot on the trail of a killer who communicates with her via telephone about his heinous deeds. It's a race against time as the body count rises and the killer comes closer and closer to making Lynda his next victim! Okay suspense, but the prime attraction is of course Ms. Carter, who made a slew of TV flicks after WONDER WOMAN was cancelled and looked good, even if you didn't buy her as a detective or social worker or whatever she was playing in any particular film.

Chesty California art student Brianne O'Neill (Lynda Carter) accumulates multiple admirers from her night-time job tending bar. They range from creeps to charming eccentrics. Dr.Justin Price (Granville Van Dusen), a psychiatrist who runs a distress centre falls somewhat in to the latter category. He hires her to answer distress calls at his centre during the day.

In to this attractive young widow's life a stalker enters and aggressively pursues her invading her home. Possibly the same depraved individual is behind multiple murders of young women in the area. Probably the same sicko is continually calling Brianne at the distress centre speaking in riddles and taunting her.

Price downplays the seriousness of the phone calls as do co-workers. A lot of cranks call in to the centre and they are used to it. But the raspy-voiced creep continues to call the centre and asks for her. Brianne continues to accept the calls and play along trying to guess the riddles he keeps leaving her with even as he calls her at home and then the bar.

Brianne doesn't scare easily. That is one of the first things we find out about her. Because of this aspect of her character she can indulge her curiosity sorting through the variety of weirdos she meets with seemingly lesser regard to her own life and limb than most might have. But given that a number of the same weirdos are within her social circle that might be another reason.

The surprise resolution to the mystery is mildly jarring to the viewer but considerably more so to the heroine/potential next victim.

Though less than brilliant this goofy but fun CBS TV movie has real appeal not merely for its distinguished cast but also for the fact that it tells us a story rather than giving us a lecture. Far too many made-for-TV movies produced at that time and since featured a serious social issue plot and 'Based on a true story' pedigrees. An old-fashioned movie with a fictionalized narrative was becoming rare in made-for-TV cinema.

The script for this production could have been made into a low-budget feature. Because it was on television it offered the viewer a movie night without leaving the comfort of home or incurring the expense and hassle of going to the cinema.