Un inmigrante irlandés de finales del siglo XIX se hace rico.Un inmigrante irlandés de finales del siglo XIX se hace rico.Un inmigrante irlandés de finales del siglo XIX se hace rico.
- Ganó 2 premios Primetime Emmy
- 4 premios ganados y 8 nominaciones en total
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10Skragg
I really can't say enough about it here, because I've been hugely attached to it since it came out. There are several reasons to watch it - along with the "historical romance" reasons, there are the political ideas (which are that much bigger in the novel, but a very big part of this TV version). Whether it's borderline "conspiracy" thinking (with "those men" who influence everything) or not, those ideas have influenced plenty of my political thinking. (Partly because of this story, I always think the phrase "opportune little war" when I hear about ANY given war- and quite some time BEFORE the past three years.) Richard Jordan was just great as Joseph, an Irish character who hardly fits any of the images of Irishmen (even the positive ones), who's almost completely "cool", and whose emotions don't come out (in a big way) except in certain dramatic scenes, like the scenes with Catherine or Tom (for opposite reasons). There isn't enough room to mention all the best actors and characters, or scenes, but there's Perry King as Rory Armagh, Patty Duke Astin as Bernadette (I think someone here mentioned how great she was as a tragic character, and she won an Emmy for it, very deservedly), Jane Seymour as Margery, Cliff DeYoung as Brian Armagh, the aviator-film-maker etc., with his star Pearl Gray (Pearl White), Vic Morrow, who was extremely good as Tom Hennesey (and whom you really feel sorry for in that last scene with him, in spite of everything he's done), Beverly D'Angelo as Miss Emmy, Charles Durning as Big Ed Healy (I don't know if he's ever played a more entertaining character), and Harvey Jason as Harry Zeff. As far as I know, he's mainly a supporting actor in comedies, and you see that in his "sidekick" kind of relationship with Joseph, but of course with other levels to it - the scene where Joseph accuses Harry of being disloyal to him, which is the one kind of talk Harry can't stand to hear from him, and the scene where Joseph turns his back on blackmailing the senator, and Harry is glad for all three of them (not knowing what's coming next). And of course, the big guest stars, like John Houseman as Mr. Chisholm and Henry Fonda as Senator Bassett (two of the best scenes). Again, I could go on and on, but it's simply a very underrated story, as far as I know (in spite of the Emmy). Though to me, underrated is putting it pretty mildly.
The comparison of the fictional Armaughs to the Kennedy clan can't be escaped. Still, this is a magnificent entertainment piece about an Irish immigrant who claws to the top of power and money (remindful of Joe Kennedy Sr.?)with the crown jewel being son Rory's bid to become the nation's first Irish Catholic president. "Captains and the Kings" is riveting from its beginning when a young Joseph Armaugh is left by his mother's death to care for two younger siblings and through the end where the elderly Joseph is left alone questioning the cost of his power and wealth. The late Richard Jordan is brilliant in presenting his Joseph as the scrapping improverished immigrant turned industrialist power broker but who, in the end, pays a horrible price. The mini-series also introduced us to Blair Brown as the daughter of Joseph's role model, and she manages to grab our empathy despite her being a mistress in Joseph's extra-marital pilferings. But, in a role that landed her a second Emmy, Patty Duke (Astin)is devastating as Joseph's wife in an arranged marriage who gradually is pushed by the price of power (and alcoholism) to insanity. There is a lesson in "Captains and the Kings," especially to those who hunger for more. As with all things, costs come, and the question is at what cost do we feed our hunger and our willingness to pay it.
10tbob02
Captains and the Kings is such a rich mini-series. From the first episode to the last you can't help being drawn to the characters. I just got the VHS set and I can tell you that the story holds up as well now as it did in 1976. If you get the chance to see Captains and the Kings, don't pass it up. I guarantee it: you'll be hooked!!
10trob226
Finally! Powerful and spectacular miniseries. Marvelous actors, led by the always brilliant Richard Jordan (may he rest in peace) who makes us adore Joseph Armagh before he takes him to a ruthless, power-hungry SOB we still somehow care about. Bit by bit he destroys his life while he thinks he's building it. Harvey Jason is terrific as the only friend who always believes in him. Other supporting actors are the likes of Henry Fonda (brief but absolutely mesmerizing), Vic Morrow, Ray Bolger, Patty Duke Astin, Jane Seymour and a score of others at the top of their craft. Our terrible loss is that so many of them are gone now, but boy, what they left behind. Having so many of them in one work is a genuine treat.
Richard Jordan heads a starry cast in "The Captains and the Kings."
After the miniseries format proved popular NBC started a series called "Best Sellers," where impressive casts (mostly TV stars, but this one dug out Henry Fonda) enacted recent popular novels.
Taylor Caldwell's best-selling family-saga novels appeared perfect for this format.
Other best sellers were not so carefully chosen, and the "Best Sellers" series faded away. Occasionally, especially on CBS, classics were adapted for TV. NBC eschewed that stuff and stuck to recent best sellers, but the writers weren't always able to work magic. And few things are more boring than a dull 1970s miniseries. "The Captains and the Kings" is at least capable of sustaining interest; if, in nothing else, the wonder of who would show up next in tiny parts. They were prodigal with talent then. Actors like John Carradine were wasted.
Anyone can look up the impressive (for the 1970s) cast. Of particular interest are rising-star actresses like Blair Brown and, particularly, Jane Seymour. But she doesn't show up until the tail end of the thing.
The story is schmaltzy but that's what made popular novels and miniseries TV back then. Richard Jordan may not be everyone's idea of a great star, but he's the glue holding this remarkable miniseries together.
After the miniseries format proved popular NBC started a series called "Best Sellers," where impressive casts (mostly TV stars, but this one dug out Henry Fonda) enacted recent popular novels.
Taylor Caldwell's best-selling family-saga novels appeared perfect for this format.
Other best sellers were not so carefully chosen, and the "Best Sellers" series faded away. Occasionally, especially on CBS, classics were adapted for TV. NBC eschewed that stuff and stuck to recent best sellers, but the writers weren't always able to work magic. And few things are more boring than a dull 1970s miniseries. "The Captains and the Kings" is at least capable of sustaining interest; if, in nothing else, the wonder of who would show up next in tiny parts. They were prodigal with talent then. Actors like John Carradine were wasted.
Anyone can look up the impressive (for the 1970s) cast. Of particular interest are rising-star actresses like Blair Brown and, particularly, Jane Seymour. But she doesn't show up until the tail end of the thing.
The story is schmaltzy but that's what made popular novels and miniseries TV back then. Richard Jordan may not be everyone's idea of a great star, but he's the glue holding this remarkable miniseries together.
¿Sabías que…?
- TriviaThe miniseries cast includes five Oscar winners: Henry Fonda, Patty Duke, John Houseman, Burl Ives and Celeste Holm; and three Oscar nominees: Sally Kirkland, Ann Sothern and Charles Durning.
- ConexionesEdited into The Bastard (1978)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Der Preis der Macht
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- Tiempo de ejecución
- 9h(540 min)
- Relación de aspecto
- 1.33 : 1
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