The Wild Party

It's 1929 and talkies are taking over. Veteran comedian Jolly Grimm (James Coco) is putting together a new silent film with his own money. It's an old style broad comedy. He's throwing a party but is having trouble gaining support for his film. He hopes to show the movie during the party and get some backing. He's afraid to lose his girlfriend Queenie (Raquel Welch) who catches the eye of hunky new leading man Dale Sword (Perry King).

This is a different Merchant-Ivory movie from their more famous 80's and 90's fare. They are still doing historical dramas but not necessarily this type. For most of it, I liked this movie and was surprised at the critical panning. The dark ugliness of Hollywood could be off-putting. I'm not a fan of the ending. It's often an easy out for a movie to end with gun fire. A better climax may be Jolly trying to get into the Pickford party and refused entry. All in all, I like this as one of many takedown of Hollywood people.

The Wild Party is probably based on several wild parties and scandals which took place during Hollywood's silent era when movie stars could do almost anything they wanted behind closed doors without having to worry too much of exposure as there were no real tabloid magazines at the time. James Coco plays a washed-up, silent movie comic who throws a wild party at his home, thinking it will save his career but doesn't count on the extent of depravity of some of his guests. At times, the film is highly realistic and makes you wonder about current Hollywood parties and what really goes on between co-stars. The film has a great 1920's look and the music also adds to the feel. The film is hard to define. It's sort of a historical drama, crossed with black comedy but a pretty good one at that.

: It's 1929, and Hollywood is changing over to sound. Meanwhile, screen comic James Coco hasn't made a film in six years, but he's putting the finishing touches on his latest, to be followed by a party. Some major players show up, but it's mostly hangers-on, marginal players, and parasites who stay for the debauched and desperate aftermath.

This Merchant-Ivory film features a fine performance by James Ivory, a good one by Raquel Welch as his mistress, and a party that by 1970s standards would have been a slow night at Studio 54. Heck, exclude the gunfire, and I've been to wilder science-fiction club meetings. Still, although the pacing of the movie is stop-and-go, there are a few moments that visually capture the moment: a man dancing to "The Herbert Hoover Drag" that looks like a John Held Jr. Cartoon; a moving camera combined with editing montage to show the orgiastic aspects of the part; Coco and Miss Welch telling the story of how they met. These are all good moments, but the movie under-delivers on the title.

It's based on a poem by Joseph Moncure March who also wrote the poem that The Set-Up (1949) was based on. Most of the time he is better remembered as a playwright and screenplay writer.

Unforgettable, very well done depticition of decadent 1920s Hollywood. Raquel Welch is superb as the desperate, sweet mistress of a deeply disturbed overweight and washed up comic named Jolly Grimm, ably played by James Coco. To resuscitate his career, Jolly throws a party that ends in tragedy. Very loosley based on Fatty Arbuckles story, this unforgettable and devastating film features fine support from Perry King as a Valentiniesque actor, and especailly from Miss Tiffany Bolling, as a lovely but unhappy film starlet. All in all, a class A effort that should have gotten a better recption at the time, but may well emerge as a cult classic. It is newly released on DVD , which should add to the fine film.

The combination of director James Ivory and his producing partner Ismail Merchant with sensual star Raquel Welch should have resulted in a dynamic art-house hit, but "The Wild Party" is a series of missed opportunities (you're more acutely aware of all the possibilities that went unrealized than you are gripped by what made it to the screen). Loosely based on the Fatty Arbuckle scandal, this is a well-intentioned, noble failure with James Coco playing a silent-screen star in early 1930s Hollywood who throws a bash to celebrate his comeback in talkies, but his big night goes awry. A.I.P. recut the film for its theatrical run to punch up the sex--which gave the pic something of a sullied reputation--however MGM has since restored Ivory's cut. Coco, Welch (as mistress Queenie), and Perry King (as another in his stable of studs) all do fine work, and some of the dialogue has snap. The film is certainly a curiosity, but Ivory's handling is plastic and his pacing and musical effects are colorless. *1/2 from ****