Il vizio ha le calze nere

We've all been there - the middle of a murder mystery just because you happen to be a lesbian countess with an angry husband, and the victims being all your ex-lovers. Them damn police don't let up with their questions either. Don't they know that lesbian sex scenes are a giallo film's way of distracting you from the lame plot?

Yep, the killer has black gloves and an open razor, the victims are young and often naked ladies, and there's loads and loads of nudity to keep you awake between the interminable police investigation scenes. The main focus seems to be mainly on John Richardson the policeman and his sidekick, who suspiciously is played by director/actor Gaetano. There's also a keen rookie cop and his girlfriend that clog up the investigation side of things too, and bulk out the plot.

As usual a photograph is a main plot point, there's a few effective stalking scenes, but even the rampant nudity couldn't really carry this one all the way through. They didn't give Giacomo Rossi-Stuart enough screen time either.

Well, it's safe to say that Reflections in Black isn't the most interesting example of the Giallo genre, but it has more than its fair share of sleaze and the short running time ensures that the film doesn't really have time to run of steam. One of the most nauseating things about this film is the cinematography. Director Tano Cimarosa doesn't really seem to care about the sets and colour schemes that set Giallo apart from the thriller genre on the whole and goes for a grisly look and feel to the film. This does, of course, blend well with the film's sleazy nature...but it's not very easy on the eyes. The sleazy plot line focuses on the brutal slashing of a number of women. After interviewing a few suspects, it soon becomes apparent that the murderer is focusing on the friends of Leonora Anselmi. Leonora is married, but that doesn't stop her from having numerous relationships with other women…

Director Tano Cimarosa seems keen to keep the focus on sleaze and savagery throughout, and if we're not witnessing a woman being slashed open with a razor blade, we're watching two of them getting it on. Normally, a film like this would get a high rating from me; but because the cinematography is so painful, none of it is pleasing to the eye and that ensures that it's all rather uninspiring. The cast features two recognisable names, those belonging to John Richardson, the star of a number of Italian films including Bava's Black Sunday and Lenzi's Eyeball, and Dagmar Lassander; who also appears on a number of cult cast lists. Neither really has room to impress here. Despite putting more focus on sleaze, the plot is actually quite complicated; and is made more so by the fact that all the characters are wafer thin and it can be difficult to work out their motives because of that. The ending doesn't come as much of a surprise, although I wasn't really expecting it to. Overall, Reflections in Black really isn't a good film; but I hesitate to completely condemn it as it's a great exercise in crappy film-making, and it does at least do some of the things that you want a Giallo to do.

Reflections in Black is a good name for a movie. And this one has a tantalising poster too if you bother to seek it out. But you know that old saying about never judging a book by its cover…

This is certainly one of the least impressive examples of the Italian giallo that I have seen. It was directed by Tano Cimorosa, who also plays the diminutive detective with the 'tache. Cimorosa will be familiar to a lot of you from his memorable appearance in Renato Polselli's brutally sleazy giallo Delirium (1972). Well this movie sure has its fair share of sleaze as well but it's a much less entertaining affair. On the one hand it certainly contains many of the giallo conventions such as a convoluted mystery, violent murders and a healthy amount of nudity; on the other hand it completely lacks any sense of style. As a result it merely comes off as rough edged and at best semi-interesting. It stars giallo regulars such as Dagmar Lassander and Giacomo Rossi-Stuart but they aren't really given a lot to do.

It should be pointed out that the copy I saw was pan and scan and 72 minutes, with poor sound. Perhaps if I saw it in a better version my opinion would improve, as I do believe that there is a 90 minute cut out there. But my main feeling is that the basic ingredients of this one are not terrific no matter the version.

This is one of your sleazier gialli right up there with scuzzy favorites like "Strip Nude for Your Killer" and "The Slasher Is a Sex Maniac". The plot even by giallo standards is hopelessly convoluted and ridiculous with far too many thinly-drawn and similar-looking characters for any non-Italian viewer to keep straight. To his credit, the first-time director, sleazeball character actor Gaetano Cimorosa, obviously tried to inject some visual style into the proceedings, but to little avail. Still there is fun to be had here; at least, if you can get past the unusually homophobic storyline that has any number of heterosexually desirable bisexuals and lesbians being killed for no other reason than their sexual orientation (even as the movie itself hypocritically wallows in prurient lesbian sex).

Normally, I'd describe the plot right here, but, believe me, it really doesn't matter with this one. The movie is currently available in two versions. The English version is full-screen with Dutch(?)subtitles, but it looks pretty decent. The Spanish language version (obviously from the post-Franco, post-censorial "destapa" period) is wide-screen and is the only version featuring nudity from the ravishing Dagmar Lassender and Magda Kopovka. Unfortunately, its also WAY too heavily padded with softcore sex scenes that manage to slow even further the movie's already glacial pace, and it looks horrible to boot. Pick your poison (lucky me, I own 'em both).

Mixed bag... but mostly pretty bad.

First, this film does a couple things right. The dialogue is better than it has to be, and it mixes in moments of wit and humor throughout the script which are a nice bonus. The acting varies. Some of the actors are quite good. Some even convey appropriate grief in response to murder. However, there are other actors here that are utterly unconvincing as their "characters." It's pretty bad at times.

The film never decides on a proper protagonist. There are 3 or 4 contenders. But no central hero to root for.

In the end, the villain does not get their proper time to shine in all their madness. It felt unsatisfying. I'd skip this one.