[go: up one dir, main page]

    Calendario de lanzamientosTop 250 películasPelículas más popularesBuscar películas por géneroTaquilla superiorHorarios y entradasNoticias sobre películasPelículas de la India destacadas
    Programas de televisión y streamingLas 250 mejores seriesSeries más popularesBuscar series por géneroNoticias de TV
    Qué verÚltimos trailersTítulos originales de IMDbSelecciones de IMDbDestacado de IMDbGuía de entretenimiento familiarPodcasts de IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthPremios STARmeterInformación sobre premiosInformación sobre festivalesTodos los eventos
    Nacidos un día como hoyCelebridades más popularesNoticias sobre celebridades
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de visualización
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar app
  • Elenco y equipo
  • Opiniones de usuarios
  • Trivia
IMDbPro

Il vizio ha le calze nere

  • 1975
  • 1h 33min
CALIFICACIÓN DE IMDb
5.1/10
252
TU CALIFICACIÓN
Il vizio ha le calze nere (1975)
HorrorMysteryThriller

Agrega una trama en tu idiomaA number of women are brutally murdered. It quickly becomes apparent that all the victims are connected to a woman who had been having illicit affairs with them.A number of women are brutally murdered. It quickly becomes apparent that all the victims are connected to a woman who had been having illicit affairs with them.A number of women are brutally murdered. It quickly becomes apparent that all the victims are connected to a woman who had been having illicit affairs with them.

  • Dirección
    • Tano Cimarosa
    • Gianni Siragusa
  • Guionistas
    • Adriano Bolzoni
    • Luigi Latini de Marchi
  • Elenco
    • John Richardson
    • Dagmar Lassander
    • Ninetto Davoli
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.1/10
    252
    TU CALIFICACIÓN
    • Dirección
      • Tano Cimarosa
      • Gianni Siragusa
    • Guionistas
      • Adriano Bolzoni
      • Luigi Latini de Marchi
    • Elenco
      • John Richardson
      • Dagmar Lassander
      • Ninetto Davoli
    • 13Opiniones de los usuarios
    • 8Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos52

    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    + 48
    Ver el cartel

    Elenco principal14

    Editar
    John Richardson
    John Richardson
    • Inspector Lavina
    Dagmar Lassander
    Dagmar Lassander
    • Leonora Anselmi
    Ninetto Davoli
    Ninetto Davoli
    • Sandro Lucetti
    Magda Konopka
    Magda Konopka
    • Countess Mara Orselmo
    Giacomo Rossi Stuart
    Giacomo Rossi Stuart
    • Anselmi
    Daniela Giordano
    Daniela Giordano
    • Nelly
    Ursula Davis
    Ursula Davis
    • Anna
    • (as Pier Anna Quaia)
    Tano Cimarosa
    Tano Cimarosa
    • Sgt. Pantò
    Giovanni Brusadori
    • Mario the coiffeur
    • (as Giovanni Brusatori)
    Dada Gallotti
    • Marilyn
    Gianni Williams
    • Manlio 'Jerry'
    Giovanna D'Albore
    • Emma Giorgi
    Livio Galassi
    • Marco Orsello
    Marco Busciala
    • Dirección
      • Tano Cimarosa
      • Gianni Siragusa
    • Guionistas
      • Adriano Bolzoni
      • Luigi Latini de Marchi
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios13

    5.1252
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Opiniones destacadas

    6HumanoidOfFlesh

    Razor wielding beauty in black.

    A young woman nicknamed Nellie is murdered with a razor by a woman dressed in black.The next victim named Emma has her throat slashed in a park.The police begins their investigation and question lawyer Anselmi with whom Emma worked as a secretary.The third woman is slashed to death by enigmatic beauty in black.All the victims were friends of layer's wife Leonora Anselmi."Reflections in Black" aka "Vice Wears Black Hose" is a dreary and unremarkable Italian giallo with plenty of sleaze and some sexy Euro-exploitation starlets including Dagmar Lassander and Magda Konopka.My copy runs 74 minutes and I don't have any idea where to find fully uncut 90 minutes Italian version.If you like your gialli with sleaze and full-frontal nudity check this one out.6 out of 10.
    5CrimsonRaptor

    Black Stockings, Bloody Secrets 🖤🔪⚡

    Tano Cimarosa's directorial debut represents a well-intentioned but ultimately flawed entry into the giallo genre that never quite achieves the atmospheric tension it so desperately seeks. Set against the unlikely backdrop of San Benedetto del Tronto, this 1975 thriller follows the familiar template established by Dario Argento's masterworks, yet lacks the visual sophistication and narrative coherence that made those films so compelling. The story centers on a series of brutal murders targeting young women, all connected by their association with the wife of a prominent lawyer, but the execution feels more derivative than inspired.

    Cimarosa, better known as a character actor in Italian comedies, demonstrates a basic understanding of giallo conventions but struggles to create genuine suspense or visual flair. The cinematography captures the coastal setting adequately without ever transforming it into something memorable or haunting. The killer's black-clad appearance adheres to genre expectations, though the reveal lacks the psychological complexity that distinguishes superior entries in this field. The film's pacing suffers from uneven editing choices that dissipate tension rather than build it, particularly during the investigative sequences that should drive the narrative forward.

    John Richardson delivers a competent performance as the investigating lawyer, bringing his characteristic screen presence to what is essentially a thankless role. Dagmar Lassander provides the requisite glamour and vulnerability, though her character remains frustratingly underdeveloped. The standout performance comes from Ninetto Davoli, whose natural Roman charm and spontaneity inject much-needed energy into otherwise perfunctory proceedings. His scenes provide the film's few moments of genuine life, suggesting what might have been achieved with a more inspired approach throughout.

    The film's most significant weakness lies in its inability to generate sustained atmosphere or believable character motivations. While the murders are adequately staged, they lack the baroque artistry that defines the best giallo films. The investigation proceeds through predictable beats, and the eventual revelation feels arbitrary rather than inevitable. Cimarosa's script, co-written with seasoned professionals, fails to provide the psychological depth or surprising twists that genre enthusiasts expect. The dialogue often feels stilted, and the relationships between characters never achieve the complexity necessary to invest viewers in their fates.

    Despite these shortcomings, the film occasionally succeeds in creating isolated moments of genuine unease, particularly in its use of telephone threats and surveillance imagery. The score, while not particularly distinctive, supports the action adequately and avoids the overwrought orchestration that mars some contemporary efforts. The production values remain consistently professional, suggesting that the film's problems stem from conception rather than execution.
    6nick121235

    Okay

    This had absolutely zero atmosphere whatsoever. It felt, to me, like a made for TV film. The camera work wasn't too bad, it wasn't breathtaking but there were some very nice shots and sets/locations, so that kept me paying attention even when the story was either not keeping me interested, or just confusing me to the point that I wanted to turn off the TV. I do like that it's a mid-70s giallo rather than the more typical early 70s, because it meant that the fashion was quite fun to observe, being different from a lot of other gialli. Mid to late 70s fashion is some of the best and funnest and craziest in my opinion, but that's completely subjective. Still, it added another factor that kept me watching. Great furniture too.

    Overall it's not actually bad, it's just not good either and has no atmosphere whatsoever which is unfortunate in a giallo film. But it's better than I originally thought.
    5dopefishie

    Mixed bag... but mostly pretty bad

    Mixed bag... but mostly pretty bad.

    First, this film does a couple things right. The dialogue is better than it has to be, and it mixes in moments of wit and humor throughout the script which are a nice bonus. The acting varies. Some of the actors are quite good. Some even convey appropriate grief in response to murder. However, there are other actors here that are utterly unconvincing as their "characters." It's pretty bad at times.

    The film never decides on a proper protagonist. There are 3 or 4 contenders. But no central hero to root for.

    In the end, the villain does not get their proper time to shine in all their madness. It felt unsatisfying. I'd skip this one.
    5Bezenby

    Kind of drifts by

    We've all been there - the middle of a murder mystery just because you happen to be a lesbian countess with an angry husband, and the victims being all your ex-lovers. Them damn police don't let up with their questions either. Don't they know that lesbian sex scenes are a giallo film's way of distracting you from the lame plot?

    Yep, the killer has black gloves and an open razor, the victims are young and often naked ladies, and there's loads and loads of nudity to keep you awake between the interminable police investigation scenes. The main focus seems to be mainly on John Richardson the policeman and his sidekick, who suspiciously is played by director/actor Gaetano. There's also a keen rookie cop and his girlfriend that clog up the investigation side of things too, and bulk out the plot.

    As usual a photograph is a main plot point, there's a few effective stalking scenes, but even the rampant nudity couldn't really carry this one all the way through. They didn't give Giacomo Rossi-Stuart enough screen time either.

    Más como esto

    A.A.A. Massaggiatrice bella presenza offresi...
    5.1
    A.A.A. Massaggiatrice bella presenza offresi...
    Enigma rosso
    5.6
    Enigma rosso
    Caramelle da uno sconosciuto
    5.2
    Caramelle da uno sconosciuto
    Pasos de danza sobre el filo de una navaja
    5.8
    Pasos de danza sobre el filo de una navaja
    La orgía nocturna de los vampiros
    4.9
    La orgía nocturna de los vampiros
    L'ultimo treno della notte
    6.1
    L'ultimo treno della notte
    A ritmo de muerte
    5.5
    A ritmo de muerte
    Mystère
    5.5
    Mystère
    Im Stahlnetz des Dr. Mabuse
    6.0
    Im Stahlnetz des Dr. Mabuse
    La endemoniada
    5.0
    La endemoniada
    Mo toi
    6.0
    Mo toi
    Der Fluch der gelben Schlange
    5.2
    Der Fluch der gelben Schlange

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      When the cultured but assumedly heterosexual dress designer happens to employ the French phrase "mise en scene" to "set the scene" for his testimony, Sgt. Panto, who just assumes all designers and hairdressers are automatically gay [he's previously insinuated that the couturier wears his own wares, and later professes the belief that the guy's a "fag"], on a hunch it must be something subversive and immoral, mimics back "mise en shame", so as to indicate, wrongly, that he knows it's pervy code for a proposition to commit some sort of disgusting same-sex act.
    • Errores
      When the cultured but assumedly heterosexual dress designer happens to employ the French phrase "mise en scene" to "set the scene" for his testimony, Sgt. Panto, who just assumes all designers and hairdressers are automatically gay [he's previously insinuated that the couturier wears his own wares, and later professes the belief that the guy's a "fag"], on a hunch it must be something subversive and immoral, mimics back "mise en shame", so as to indicate, wrongly, that he knows it's pervy code for a proposition to commit some sort of disgusting same-sex act.
    • Citas

      Dressmaker: Our work requires a certain "mise en scene." ... Do you understand Sergeant?

      Sgt. Pantò: Well,,, I try ... So I wanted to ask you if you ever dressed as a woman?

      Dressmaker: Me, dress as a woman? Why would I?

      [Panto stutters, trying to avoid an indelicate or explicit response]

      Dressmaker: Mise en scene?

      Sgt. Pantò: [cutting him off, relieved he didn't have to say it first] "Mise en shame!" Exactly!

    Selecciones populares

    Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
    Iniciar sesión

    Detalles

    Editar
    • Fecha de lanzamiento
      • 4 de octubre de 1975 (Italia)
    • País de origen
      • Italia
    • Idioma
      • Italiano
    • También se conoce como
      • Reflections in Black
    • Locaciones de filmación
      • Italia
    • Productora
      • I.R.I. Cinematografica
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 33 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 2.35 : 1

    Contribuir a esta página

    Sugiere una edición o agrega el contenido que falta
    Il vizio ha le calze nere (1975)
    Principales brechas de datos
    By what name was Il vizio ha le calze nere (1975) officially released in Canada in English?
    Responda
    • Ver más datos faltantes
    • Obtén más información acerca de cómo contribuir
    Editar página

    Más para explorar

    Visto recientemente

    Habilita las cookies del navegador para usar esta función. Más información.
    Obtener la aplicación de IMDb
    Inicia sesión para obtener más accesoInicia sesión para obtener más acceso
    Sigue a IMDb en las redes sociales
    Obtener la aplicación de IMDb
    Para Android e iOS
    Obtener la aplicación de IMDb
    • Ayuda
    • Índice del sitio
    • IMDbPro
    • Box Office Mojo
    • Licencia de datos de IMDb
    • Sala de prensa
    • Publicidad
    • Trabaja con nosotros
    • Condiciones de uso
    • Política de privacidad
    • Your Ads Privacy Choices
    IMDb, una compañía de Amazon

    © 1990-2025 by IMDb.com, Inc.