Pánico en el aeropuerto

I cannot believe the negative comments I am reading here. This is a complex, atmospheric and well-acted thriller, which fully captures the 1970s atmosphere of European terrorism, fashion and mannerisms.

The photography is stunning of the Norwegian snowbound landscapes, and Sean Connery gives one of his best performances.

And to cap it all there is a great - and I mean GREAT score by Jerry Goldsmith, one of this best.

Check the scene of the plane chase through the mountains, also the stylish montage of scenes involving London being struck by terrorism in the opening credits and the way the photofit of the terrorist leader gradually appears.

Goldsmith's score is so good, it is worth watching for that alone!

Sean Connery plays a tough, uncompromising security chief who just happens to be a Swede with a distinctive Scottish burr in this forgotten thriller from the mid-70s. It's probably forgotten because it's all a bit hum-drum and consistently fails to thrill at any level. These were sort of Connery's wilderness years when he made a number of stinkers post-Bond (this, Zardoz, The Next Man) before finally hitting his stride. Having said that, he's still the best thing in this. Ian McShane can't compare and, sporting a three piece-suit and footballer's hair-do, makes a completely unconvincing terrorist.

The story is unnecessarily convoluted and – at less than 90 minutes – overlong, with a number of superfluous scenes. Characterisation is non-existent, the terrorist's ideology and objectives sketchily described, and the climax is badly bungled as black-and-white suddenly becomes a murky grey which grows even muddier when two (presumably) good guys come to blows.

The picture's one saving grace is Sven Nykvist's terrific photography. He captures some incredible images during the plane chase sequence which are simply staggering when viewed in high definition.

This film is also called The ransom, not to be confused with the mild action film with Mel Gibson.

The film set in the Scandinavian country (called Scandinavia in the movie, while it is shot in Norway), the snow atmosphere and the heavily dressed characters somehow dictated the slowness of the pace in the movie. Nevertheless, it's exciting. The whole look is not your conventional Hollywood actioner, while at the same time deserves the same class as that of the late sixties/early seventies crime/caper movies like Bullit, French Connection, Taking Pelham One, Two and Three and Dirty Harry.

Connery is fun to watch. He really adds to the atmosphere of the movie and the relatively tame climax looks good with his presence. Good movie. 7/10

Strong performances by leads Sean Connery and Ian Mc Shane, backed good action segments, pacing and fine winter locations. Poor editing in some spots causes the film to seem a bit stiff as does some inferior dubbing. Nice twists. Connery's always a pleasure to watch, and Mc Shane's bad guy provides an interesting touch as the head terrorist.

Sadly neglected 70's thriller shot on location in Oslo, Norway. Sean Connery looks great as "Scandinavian Security Chief" Nils Tahlvik, and director Caspar Wrede has made some great use of Oslo scenery including a West Side residential area, Oslo's City Hall and Fornebu International Airport (which closed down in 1998). It's also nice to see one of Norway's greatest stage actors, Knut Wigert, as Connery's commanding officer.

All though slow-moving at times this gritty looking thriller has a nice realistic flair to it, including some surprising plot twists along the way.

One final note: from a Norwegian point-of-view it's fun to see how much this British production has the look and feel of a 70's Norwegian film!

Update/comment on Mike's user comment with the headline "Boring Swedish hijacking action": I don't know where he gets all this "Swedish"-stuff as the movie is mainly shot on location in Norway, it has Norwegian actors in some of the supporting roles (most notably Knut Wigert and Alf Malland) and not one Swedish actor, and as IMDb states it is a British production. Sweden had nothing to do with it.