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After the brutal murder of his promiscuous wife, Clint (Charles Pitts) is forced to flee a small town… Harry (Charles Napier), a wicked look-alike who committed the killing, had little trouble to put the blame for the murder on Clint…

Clint falls into a number of adventures, getting caught in the act with the mail-order wife of a farmer, having a brief affair with a chesty black mute girl, and finally coming across a diner/gas station run by a lonely but beautiful woman who turns out to be a copy of his former wife… Clint stays on at the diner to help out the woman, and falls in love… The assassin, however, passes through, discovers Clint, kidnaps his new girlfriend, and tries to kill them both…

The women in "Supervixens" are buxom, attractive, and very intelligent, whereas the men are generally sex-crazed, vicious, and uncoordinated... Meyer usually bombards his audience with erotic images—big breasts, strong desire women, and simulated lovemaking—but here he gets carried away with several sadistic scenes that are real turn-offs...

Russ Meyer, like David Lynch or Alejandro Jodorowsky, creates his own world in his movies and invites you to visit. And while I may not want to LIVE there, I sure do like to visit! You either love Meyer or you don't, it's as simple as that. Most fans seem to regard either Faster Pussycat or Beyond The Valley Of The Dolls as his best movies. I worship them both but my particular favourite is Supervixens. This movie is like no other ever made, with it's surreal mix of buxom babes, humour, violence, car chases and dynamite that has to be seen to be believed! Charles Napier fans note that this is his definitive performance playing psycho cop Harry Sledge, which may or may not be a reprise of his role in Cherry, Harry and Raquel! I dunno. Other Meyer regulars pop up including Haji, Stuart Lancaster and the criminally underseen John Lazar(Z-Man). But the real find here is Shari Eubank in a duel role. She unfortunately only made one other movie after this, Chesty Anderson,USN (with Timothy Carey!). She will always be remembered by lovers of trash cinema everywhere.

You haven't lived until you've seen Supervixens!

Russ Meyer's Supervixens mixes extreme violence with campy humour, which results in a film that can feel a rather awkward at times. Those looking for a gritty, hard-hitting thriller might struggle with the frequent comical sex scenes (accompanied by a breezy soundtrack), and those wanting a frivolous romp loaded with big-breasted women could well be deterred by the occasional spot of gruelling nastiness. One things for sure: it's a one-of-a-kind offering - offbeat and quirky - that fans of cult cinema simply cannot ignore.

Buxom Shari Eubank takes on a dual role in the film: first, as SuperAngel, stunning yet obnoxious girlfriend of easy-going gas station attendant Clint Ramsey; and secondly, as SuperVixen, the lovely rest-stop owner Clint falls for while on the run from the law, having been wrongfully accused of Angel's murder. In reality, the villain of the piece is corrupt psycho cop Harry Sledge (a memorably loathesome performance by Charles Napier), who killed Angel after she mocked him for his inability to perform in the sack. Much of the film follows Clint as he hitches down the highway, meeting various characters along the way, including swinging couple Cal (John Lazar) and SuperCherry (Sharon Kelly), farmer Lute (Stuart Lancaster) and his nympho mail-order bride SuperSoul (Uschi Digard), and SuperEula, the wild daughter of a protective motel owner.

Undoubtedly, the most disturbing scene in the film is the murder of Angel, Harry Sledge kicking down a bathroom door to get to her, pushing her into the bath (which is full), stamping on her, jumping on her, and then electrocuting her. Its cruelty and sadism rivals anything to be found in a video nasty. The film also ends with some brutal violence, Harry abducting Vix (as SuperVixen likes to be called) to use as bait to lure Clint to his doom. Vix ix roughed up by Harry, and Clint is shot and stabbed. In a typically kooky Meyer moment, Harry finally get what is coming to him, blown up in a loony tunes style with his own stick of dynamite. As for the more light-hearted stuff, my favourite part has got to be Clint's crazy day out with sassy black babe Eula, who is one crazy gal, riding topless in a speeding dune buggy, sunbathing naked in the desert, and seeing to the sexual needs of a wandering strongman in the middle of the highway. Phew!

My rating: 7/10 - might've been a touch higher had it been a bit shorter.

Part of the fun of watching a Russ Meyer movie is sitting in mind-boggling disbelief at just how sexist & deranged it is, then going with the flow as you escape into his voluptuous pre-silicone dreamworld. Misogyny isn't really the word, as you can imagine the old sleazeball worshipping these women & doing anything for them while he's filming them bouncing around.

Supervixens, however, is just plain nasty, due to the one scene in which Super-Angel (the running joke is that all the women have the Super- prefix to their names) is kicked to death & electrocuted in a bathtub by Charles Napier's impotent cop. Not funny. Doesn't help that Super-Angel's character is set up as being somehow deserving of it.

No, not funny at all, even if you're used to the Russ Meyer school of sensitivity. It belongs in a 1980's splatter film, & leaves a nasty taste in the mouth for the rest of the film, which is pretty ordinary until Charles Napier turns up again & torments Super-Angel's later re-incarnation, Supervixen, in a way that would be amusing if you could only forget his earlier scene.

See Beyond The Valley Of The Dolls instead.

I dont know why i liked this movie. It have some exaggerate moments but i felt that some womens were not ashame to take initiative and show their bodies and they are not ashame to talk about sex and i felt that this is completely not the same thing in society and i felt that the exaggerate moments pretty unconventionnal and pretty interesting in some ways.

Words like "vile" and "reprehensible" don't even begin to express my contempt for this movie. Russ Meyer is just a filmmaker with a quirky sense of humor and a fetish for big breasts, right? Well he's also got a mean misogynistic or maybe just plain misanthropic streak in him from what I can tell. Despite all the busty women this film is not the least bit sexy. It is, however, definitely obscene.

In interviews Meyer has put down hardcore pornography but I've seen scores of porn flicks and not a ONE of them has anything in them as disgusting (and disturbing) as the brutal stomping and electrocution a young woman receives in this movie. Anyone who argues this is fantasy violence has some pretty sick fantasies. This was made during an "anything goes" era, the 1970's, but I have to wonder what the participants really thought of this twisted vision. It should be avoided at all costs by anyone with a sense of humanity.

Supervixens is one of those pleasures I watch these days with even a greater joy - this little gem is everything today's p.c.-crowd will not understand and even hate. Russ Meyer provides once again everything you expect from a cult-trash-sleaze-movie - ueber-life girls, a weird soundtrack, overacting deluxe and a good shot of violence and nudity. This is how you entertain your audience for generations on a small budget. Great. Maybe even more important these days than ever.

The movie follows the hilarious odyssey of a nice young fellow, on the run for one man and an army of very very voluptuous bigbreasted women. The production and the visualization is low budget, but very effective and moody, the humor is really incredibly weird (especially the Nazi-jokes are very sick) and the violence is convincingly sadistic. One of the most exciting films ever made and absolutely Meyer's masterpiece. Nice, nice, nice!

Without a doubt, the first 10 minutes of Supervixens is one of the best pieces of comic film editing I've ever seen. If there's anyone who's interested in figuring out how to quick cut images with dialogue in order to create a comic effect, watch this. Most of Meyer's movies are pretty bad, but there are three that are great and this is one of them. Meyer creates a surreal American landscape, where people are all endowed with unreal sex parts, all the woman bare the title "super", and ex-nazi's are gas station owners. The movie is filled with in-your-face phallic symbols and the scene with Super Angel and the cop is absolutely hysterical. Can't wait until this is on DVD.

The obvious intent of Russ Meyer to put as many attractive amply endowed women on display certainly proves successful in "Super Vixens." The film is essentially a road movie, with the hero encountering different vixens along the way. What a lucky guy Charles Pitts character is, being constantly pursued by beautiful women. His nemesis is Charles Napier who plays a sadist cop. There is a final confrontation atop a desert bluff, which plays like a Wylie Coyote cartoon. The film is very uneven, switching from Napier's brutal beatings of women, to "beep beep" situations. The eye candy meter is off the charts however with Shari Eubank, Christy Hamburg, Uschi Digard, and Haji, so the movie succeeds quite nicely despite the thin script. - MERK

Referring back to the previous comment - I sure have a sense of humor, and a quirky one at that, (love monty python, super troopers, shaun of the dead, etc) but this has to be the worst movie ever! No wonder its on pay TV at 2am. It is even hard to tell what genre this is, and the murder scenes are just so wrong. Not to mention the bad effects, acting, fashion and hair dos. Also, since I am German, I didn't really appreciate the use of a nazi propaganda song from world war II. I would add something positive but I just cannot find anything to say. Sorry, but unfortunately I have to say this one is definitely not worth watching.

Trashy chesty women, an evil cop and a sad idiot.... there you have it!!! shari eubank is absolutely fabulous and ultra sexy!!!! especially as the sweet cheeky supervixen.... Porn for the soul. There are a lot of mixed feelings about super angel's murder... if you can look beyond the gore and cruelty you do kind of see a funny side to it... this was way before Trantino's kill bill gore fest and quite shocking for its time. though loads of comedy sex and silly story lines keep the film rather funny and exciting. the highlight being supervixen and her gas station oasis and dream haven in the middle of nowhere.... but watch out the bad cop's back!!!! the ending is rather silly and totally comic!!! . a load of laughs with one the sexist woman on screen ever!!!!!!! a must for fans of cult trash!!!!

While I did know about this 1975 movie existing, I have never actually watched it before. Yeah, never been overly fond of the Russ Meyers movies, and thus I never felt the urge to track down this particular movie. But I happened to get the chance to watch it here in 2025, and thus opted to watch it and see if I had been missing out on anything. I have to say, though, that I harbored zero expectations to the movie, given the premise of the concept of the movie.

Now, the storyline was actually better than I had expected. Why? I figured that this would just be some sleazy film to show off lewdness and ample bosomed women. But there was actually a proper storyline in the movie, and not a shabby one either. So color me impressed on that account, just a shame that it sort of drowned in Russ Meyers obsession with showing off topless women.

I was a bit surprised to see actor Charles Napier in a movie such as this. In fact, I think that he was also the only familiar face on the screen for me. The acting performances in the movie were actually surprisingly fair for a movie such as this.

Personally, I have to say that this was not a movie that really played out all that well for me. There just simply was way too much focus on showing off topless women throughout the entire movie, and it sort of dumbed down the narrative in my opinion.

"Supervixens" was a watchable movie, sure, but it is not a movie that I will be returning to watch a second time. Nor has it spurned me to venture out and track down the many other Russ Meyers movies either.

My rating of "Supervixens" lands on a four out of ten stars.

Russ Meyer is a God who succeeds in creating his own utopist universe over and over again. This film is just brilliant, even though the entire prudish and easily offended world will never admit it. Yes, it's a sexfilm… So what if it is? And besides, apart from that it also is a truly ingenious comedy and a cruel satire. After his more pretentious (but equally terrific) portrait `Beyond the Valley of the Dolls', Meyer falls back on the themes and ideas that gained him his first successes. This being the adventures and misfortunes of a young protagonist on the run. Falsely accused of murdering his girlfriend, a handsome man hitchhikes across rural America. Everywhere he goes gorgeous, voluptuous nymphs sexually harass the poor, poor guy (???). Isn't life hell? Charles Napier is excellent as the psycho cop, while the `vixens' are too hot to handle! Every single girl who walks through the screen here looks like a fantasy come true. Supervixens constantly features cheerful music and the screenplay is very funny. Although I can imagine not for all tastes, I personally laughed sick when the Austrian chick starts squealing German while making love! Russ Meyer often reuses stuff that also featured in his earlier movies. Like the snakebite or even the entire climax which is a more explosive update of the `Motor Psycho' ending. Not too original but who cares? He's Russ Meyer so he can do anything he wants! A fellow fan stated in his user comment that you haven't lived until you see Supervixens, and I couldn't have said it better. A must!

Boobs galore in Russ Meyers's "Super Vixens", including quite a lot of misogynistic violence, a horsely hung Charles Napier playing a psycho cop, some utterly demented humor and maybe even some extremely weird and incomprehensible supernatural goings-on with that Witch of the Phallus Mountain there. No need to mention the luscious women portraying their goods & having sex in this film, right? I have no idea, but Russ Meyers had more than one bolt loose, if you ask me. I enjoyed this one immensely. First time viewing & the very first movie I watched in 2007 after the New Year celebrations. Deserves 9/10 for crazy boob-a-licious fun, but I'm going to give it 6/10 as an, ehr, over-all accomplishment. Fair enough?

In between the sexy VIXEN and the sexy and hilarious BENEATH THE VALLEY OF THE ULTRAVIXENS, Russ Meyer made this horrendous piece of cinematic crap. The women in it are pretty, to be sure, but they're also totally unlikeable. Even Clint, the hero, generates no sympathy in the least. There are two things that I DID enjoy about this: One is the performance of Charles Napier as the slimy, despicable Harry Sledge. Truly one of the best villains to grace the silver screen. The other good thing is the scenes involving Stu Lancaster and the incomparable Uschi Digart as a married farm couple who take Clint in after he is mugged. Watching Uschi be . . . well, Uschi . . . almost make it worth sitting through the surrounding nastiness. There is also the appearance of fellow Chicagoan Anne Marie (Eufala Roop from ULTRAVIXENS) that is all too brief.

Russ Meyer is a truly original American filmmaker of the highest caliber. His films are filled with lightning-speed edits, larger-than-life characters, delicious women, and over-the-top acting. His movies are shining examples of wonderful exploitation. They are by no means 'high-art' and should not be judged as such. Myer masterfully puts his unique vision on the screen in all of his films, and 'SuperVixens' is a shinning example of this...

This film starts off wonderfully, for it is incredibly entertaining and highly humorous (filled with VERY sexy women, large breasts, and lots of violence of course). It maintains a pretty rudimentary story-line, but that was never something that Meyer really pursued. He is more concerned with amusing characters, gorgeous women, and sweet violence, and this movie has plenty of that. Charles Napier gives one of his best performances ever here, as a psychotic, impotent, woman-killing cop. Shari Eubanks is dynamite and a vision to behold...

My only complaint about this film is that it loses a bit of momentum after its blazing beginning. If you are into Russ Meyer you have undoubtedly seen this film- if you haven't, you must! The transfer to DVD is of a very high quality- the sound and picture and crystal clear. If you have never seen any of Meyer's films, this as good a place to start as any...

The thing about Russ Meyer films is that from one to the next, you never truly know what you're going to get; watching one will not prepare you for another. Just about the only guarantee one has is that the result is going to be outrageous and over the top, explicit and exploitative, tongue-in-cheek and tasteless; it's no wonder that John Waters derived such clear influence from Meyer. For all the substantial sex, nudity, and emphasis of women's bodies, there's also an obvious kinship with outright sex comedies, except this filmmaker has tended to demonstrate that he's smart enough to generally aim for witty, sardonic sensationalism over cheap raunchiness. 'Supervixens' embraces all this and more, including even more severe violence, and (if possible) even more severely caricatured female characters. Anyone who can't get on board with such deliberate sleaze won't find anything here to change their mind, yet for those who can appreciate the slant, this is (mostly) ridiculous fun!

There are times when this seems too especially close to veering into self-indulgence, or leaning too hard into its Anything Goes mentality. The dialogue includes some needless homophobia and racism, for example. More significantly, I did say Meyer "generally" aims for wit over cheapness, and that this is "mostly" fun. For, insofar as the introduction of each new female character can effectively represent a different segment, almost as if in an anthology flick (as Meyer himself has more or less suggested), the man also seems intent from one "vignette" to the next on at least one inclusion that truly is base and crude, pursuing abject vulgarity over more meaningful cleverness. The overall intent of near-parody remains very clear, but - seemingly in reaction to two immediate predecessors that went a different route - Meyer's return to pure ballyhoo with 'Supervixens' apparently opened new channels of absurdity. Like a car fishtailing in poor driving conditions, Meyer overcorrected with this feature. As if to accentuate the point: the narrative writing is strongest at the beginning and the end, which is also where the dark, off-color humor is at its most intelligent, where the film is otherwise and in all other ways at its best - and not coincidentally, where the tawdriness is relatively downplayed.

Still, even at the picture's most genuinely ill-advised, one can hardly get mad at Meyer for doing what he wants to do - which is why we love him in the first place. Even when this goes too far, it still fits in neatly with the type of movie the man has made throughout his career, twisting together (in varying proportions) sexy kitsch, satire, downright silliness, and occasionally real plot. It's well made in every regard, from writing, direction, editing, and cinematography, to acting, music, stunts, and effects, even as each is bent toward definite cheek. I think this would have benefited from some healthy self-restraint, or maybe just one collaborator to tell Meyer "no," but all the same it's quite capably entertaining, if distinctly uneven. In both the filmmaker's oeuvre specifically and certainly cinema at large there are other movies that are a lot more enjoyable, and that should take priority for a viewer over this curiosity. Nonetheless, for all its excess and bombast, 'Supervixens' remains a fun, ludicrous romp, modestly worthwhile on its own merits; most recommendable for those who appreciate the campy zest of Meyer's other titles, or similar fare, this may not be perfectly essential but is a good time if you come across it.