L'ultima chance

So who's got the stolen jewels and what's with the motel owner's glum-looking wife. She may be sexy but she's a little weird. Seems someone at the motel has stolen the jewels from Floyd who's stolen them from a jewelry store. So Floyd better figure it all out or his crime partner Joe will figure a double-cross and use that pistol he's always caressing. If this sounds a little difficult, so's the screenplay. Reviewer sol-kay does a good job pointing out holes in the narrative, which undercut logic.

In terms of the cast-- well-known actor Eli Wallach may be headlined, probably for marquee purposes, but he really only turns up in the last third, bringing some much needed energy. Instead, bland Italian actor Testi gets the most screentime among the male performers. And of course there's Andress who gets to show her sexy body (as expected), plus a shot at being more than just that. Then there's cutie Barbara Bach who could have stolen the movie with a little more screen time.

For all the plot holes, the mystery surrounding the jewels manages to hold interest. Also, Michelle's dark psychology forms something of the movie's subtext. Unfortunately, Andress is not quite up to conveying this in effective form. Too bad, because a more nuanced turn could really set the movie apart from just a standard guessing game. To me, the movie squanders what's really promising material, namely, a study in Michelle's perverse psychology. Meanwhile, I'll be getting snow tires next time I travel north.

Notable actors: Ursula Andress! Eli Wallach! Fabio Testi! Barbara Bach! Howard Ross! Carlo De Mejo!

Most of the plot of this film occurs because Fabio Testi's character is such a dumbass. Really, if you were just released from prison and told to leave Canada, then take part in a jewel heist and sent over the border by your violent partner, would you then start making your car 'dance' all over an icy road because you heard a song you like on the radio? That's what Fabio does, and of course he crashes and ends up not meeting his partner and even more stupidly losing the diamonds he had with him.

The young Ursula Andress stays in the hotel with older husband Fred and step-daughter Barbara Bach. Barbara is going out with a local cop and Ursula seems to be getting it on with a local mechanic (Howard Ross), so Fabio's just walked in on a bloody soap opera. Ursula also makes a beeline for Fabio once he shows up, but when everyone in the hotel catches a news report detailing the heist, some folks figure out what's going on...and violent mobster Eli Wallach is getting impatient for his share of the loot...

Part Eurocrime film, part old school giallo, this one might not have enough nakedness and gore for more folk, but it's an interesting film anyway. It's one of those 'someone has loads of money and everyone is out to get it one way or another' films, like those late sixties Umberto Lenzi gialli. It's got a fair few twists and turns but might just be a wee bit too laid back for its own good.

It probably didn't have enough Eli Wallach when I think about it. How can you underuse Tuco? Especially with that mighty combover he's sporting in this one.

For reasons wholly obscure, and not just a trifle baffling, most appraisals of, Maurizio Lucidi's profoundly entertaining Poliziottesco, 'Motel of Fear' (aka) 'L'ultima Chance' (1973) are somewhat lukewarm affairs, this is a dismissive reading I happily don't share, since, Lucidi's lively, jewel-heisting, dangerously double dealing actioner remains a prime example of punchy Italian exploitation, with solid performances from two legitimate icons, the eternally sleek and moistly fabulous, Fabio Testi, and indelible cult hero, Eli Wallach playing a querulous pair of hard-boiled jewel thieves on the lam who discover to their considerable cost that hot rocks and a hotter blonde are too much for them to handle!

Tougher than a butcher's stropping belt, 'L'ultima Chance' is all about the devious machinations of hard-nosed wise guy, Joe (Eli Wallach), and slickly scheming, funky-looking baller, Floyd, played with a singular machismo by the tremendously testicular tearaway, Testi! The hopped up hoods fretful flight to the Stateline Motel is propelled by robust filmmaking, and a booty-boppin' deluge of righteously funky 'action-riffs' from the funk-master general of B-Movie cool, Luis Bacalov! While much of the amusingly pulpy narrative feels overly familiar, its reliance on all the bellicose, bullet-blasted poliziotteschi clichés works to its advantage.'Stateline Motel' is well worth a visit, the decor's a bit dingy, but who cares about the skeevey upholstery when you can eyeball dazzling screen sirens, Barbara Bach & Ursula Andress?

Ursula's performance is definitely brilliant in this movie. She proves not only is she beautiful, but given the right role she can act the hell out of it.

Fabio Testi looks good, but isn't the greatest actor, though he does try to hold his own.

An interesting plot that keeps you interested to the end.

L' ultima chance is one of those Italian films overdubbed in English in order to appeal to english-speaking audiences. It's about the love of a woman for a criminal who stays at the motel she owns. Well, it's a little more complicated than that, but it's an interesting plot. The movie, however,is poorly made, complete with lousy acting (Andress being an exception). Suspense is maintained throughout the movie, which is certainly a plus.

5