Onna hissatsu ken

Sue Shiomi is not only a beautiful and cute woman (she reminded me of Cynthia Khan, and I love Cynthia Khan), but a fast, graceful fighter as well. Sonny Chiba has a limited role, but when he does appear he is in top form. The fights follow a mostly grounded style, although there is some unrealistic high-flying at certain points. The movie has plenty of action, but the plotting, characterization, dialogue, etc. are all nil. Simply put, there is nothing interesting going on in this film besides the fights to justify more than one viewing. Worth noting is also Maltin's review, calling this a "crude concoction of sex and sadism"; I wonder what movie he saw. And a word of advice: if you ever run across the DVD box set "Women Who Kick Butt", avoid it. At least half of the 10 movies included are complete crap, and some have no "femme fatale" action to speak of. "Sister Street Fighter" is easily the best of the bunch, but that's not really saying much. (**1/2)

"Sister Streetfighter" is but one of Sonny Chiba's "Streetfighter" series, this time with the impossibly cute and dimpled Sue Shihomi in the starring role.

OK, I will admit, this film is technically not that great. The acting is bad, the plot cheesy, and you can drive a truck through the holes in it.

So I will admit I have a sick addiction to these types of movies, because I loved "Sister Streetfighter".

What other movie gives you a cavalcade of freak-shows like a drugpin who collects "killers" at is secluded villa, a guy who exports his heroin disguised as human wigs, a henchman named Hammerhead with a gang who wears black cone-shaped wicker baskets for helmets, a group of girl Thai kick boxers in leopard-print named the "Amazons 7", a dart-blowing freak with a weird African shield and dime-store cape... a movie where you will see an assortment of weapons including staff, forks, tonfa, nunchuku, darts... need I go on?? "Sister Streetfighter" is that, and more.

Sue Shihomi starts off the movie doing a combination of the katas "kanku dai" and "heian yodan". There is not much biographical information on her on the web but I would guess she has some formal karate training because she is executes many of her kicks well, and in one scene she executes three really nice thrust kicks (kekomi) in a row. You don't often see good technique in martial arts films. As a result the fight scenes with Shihomi in it are very good, exciting and dynamic. She shows herself skilled also at using nanchaku and the sai (forks), one of which she plant in a poor fellow's head. And Sonny Chiba steals the few scenes he is in.

The cheesiness of this movie cannot be understated. In one scene Tina Long (Shihomi) finds her way onto the evil drugpin's property. She is discovered by the henchman "Hammerhead". Suddenly and inexplicably, they are transported high atop a sea-side cliff. Then, just as suddenly, they are fighting on a suspension bridge. I mean, this is classic stuff people! Also hilarious is the person introduced as "Eva Parrish - Karate Champion of Australia" is shown doing an absolutely horrible version of the kata "tekki shodan". Then the mysterious Ms. Parrish is never seen again in the film.

Recommended with two thumbs up for fans of the genre!

Note--This review is based on an English-dubbed version of this movie. Usually dubbed movies stink compared to subtitled ones, though this one wasn't bad. The worst aspect of the dubbing was the stupid voice they gave Sonny Chiba in a few BRIEF scenes. It just sounded very wimpy.

As for Chiba, there are undoubtedly a lot of "Chiba-philes" out there who will watch this film because it's part of the Street Fighter series. However, be warned, he is barely in the movie at all--appearing briefly three times and amounting to perhaps five minutes on film. I assume either they added Chiba to the film later to cash in on the success of the Street Fighter films or they just paid Chiba for a couple days work because that's all he wanted to do. Regardless, many have unscrupulously marketed this as a Sonny Chiba film, but it really isn't. Plus, what you do see of this great martial artist is far from his best work.

So instead, watch this movie just for its merits without Chiba--which it does have in spades. While not among the very best martial arts films, the action is significantly better compared to the average film from Hong Kong from the same time period. And while the story about drug dealers is just okay (it's really just an excuse for all that kicking and crunching), it's also better than the silly plots of many Hong Kong productions as well. Now I am NOT saying the Hong Kong films aren't fun to watch, but many have the most outlandish plots ever to appear in martial arts films (blind assassins, guys with three foot long tongues, fighting gorillas, etc.). SISTER STREET FIGHTER is much more direct and down to earth--with a very conventional plot and setting.

What was unusual about this film, and I appreciated it, was the collection of both styles and masters in various styles of martial arts. In fact, during one portion of the film, they freeze the frame to tell you who this master is and their style. A nice touch. However, there were also some real odd-balls among these "greats"--such as the guys who wore black baskets on their heads and the ladies who dressed like Fred Flintstone!!! You have to see them to believe it!

My most serious negative is that while the action is good, the lady protagonist's style isn't Chiba's--and she doesn't deliver as many crunching death blows as Chiba--it's more a kinder, gentler version of martial arts. Plus, the plot itself is nothing new and isn't all that engaging. Also, parents take note, there is some nudity in this film as well as the expected violence. Think twice before letting the kids see this one.

Possibly the most polished production of the Streetfighter franchise. Few complaints about not being able to see the action properly in this one. Even Sonny himself seems more clean cut and freshly scrubbed, perhaps because he is wearing white instead of black this time, and his moral code is more conventional, if still tongue in cheek chauvinist.

However, Sonny is only a supporting player, with only a few fight scenes, which may come as a disappointment to some, based on what the promotional material implies, and though he is billed as "The Streetfighter", he isn't really the same character he played in the first two movies. Instead, as the title suggests, sexy tomboy Sue Shiomi takes centre stage, stepping out from the shadow of Sonny, and she has the charisma to make it work.

The film is reminiscent of "Enter The Dragon" in some ways, in that the head villain favours the metal claw as a weapon, he has an impressive "lair" (which includes an Olympic size swimming pool!) complete with underground cave passages similar to "Enter The Dragon". He also has an array of colourful assassins, who each seem to specialize in different weapons, as well as the usual cannon fodder henchmen.

As fans of Japanese martial arts movies have come to expect, it has its fair share of crimes against fashion, bizarre costumes, gratuitous sadism and bloody, cartoonish violence. All present and correct then.

A fierce female martial arts warrior named Tina Long sets out on a mission to rescue her captured brother Lee Long, an undercover agent now being held prisoner by the very drug smuggling ring he sought to bring down! Meanwhile, the head of the drug smuggling ring has assembled a menagerie of the world's greatest killers, some truly outlandish and bizarre eccentric characters, to protect himself and his interests.

This delivers the goods when it comes to fight scenes, 1970s style exploitation thrills, chase and action sequences and best of all, it takes a surprisingly cool stylish approach, like something out of a comic book splash page, when it comes to introducing its characters.

Where this falters is its mistaken over-reliance on wire stunts for the climactic showdown at the end leading to the most unbelievable and unrealistic fight sequence in the entire film. Also the characters, despite their colorful outer appearance, all remain completely one-dimensional making the film as an whole more forgettable than it might have been otherwise. All in all, this is a good albeit flawed effort.