El alguacil del diablo

Someone in Hollywood had the bright idea of taking the leading character from "True Grit" and putting him in a story redolent of "The African Queen", casting a much older Katharine Hepburn, then experiencing a revival in her career, in the same part she played opposite Bogie. And it worked. If anything Wayne, with an unerring ear for the comic potential of his character, is even better than he was in "True Grit". It's a genuinely funny performance. Hepburn's character is too much an amalgam of Rose Sayer and Mattie Ross; she could be "True Grit's" Mattie 50 years on. But the chemistry between her and Wayne is palpable; they spark off each other.

The plot isn't up to much. It's been cobbled together from scraps of better movies and there is a terrible bit of over-acting from Richard Jordan as the chief villain, but it looks great, (the scenery is terrific), and is very enjoyable.

A reading of the other reviews of Rooster Cogburn indicate that only fans of the two stars should look at this film. That's not saying a whole lot since this was a vehicle created for the two stars and only the two stars in this film could have brought it off.

It was a happy marriage of convenience with John Wayne's character of Rooster Cogburn from True Grit being so popular that a sequel was inevitable given Wayne's health holding up and Katharine Hepburn looking for something she could co-star with Wayne.

Hepburn was one of John Wayne's biggest boosters of his talent, politics aside. I remember reading that she thought John Wayne projected the same sense of integrity that Spencer Tracy did on the screen. Coming from her, I've got to believe that's the best compliment she could offer.

Wayne as Cogburn is on the trail of a gang that massacred an army patrol and stole a gatling gun and nitroglycerin for use in a planned bank robbery. The gang headed by Richard Jordan with Anthony Zerbe who used to scout for Wayne go to an Indian settlement with a missionary school headed by father and daughter preacher and teacher Jon Lormer and Katharine Hepburn. The gang shoots up the place and kills Lormer.

When Wayne comes he gets a lot more than he bargained for when he finds himself saddled with Hepburn and young Indian boy Richard Romancito. They accompany him on the trail of Jordan and his gang and get enough adventure to last a lifetime.

Everyone compares Hepburn as Eula Goodnight to her portrayal of another missionary, Rose Sayer in The African Queen. Both are on a chase in The African Queen with Bogey after the Germans who destroyed the mission in East Africa and killed her brother and with Wayne after some outlaws. And both films feature a very fine sequence of the two stars riding some rapids. But I think Eula Goodnight is a far more experienced woman of the world than Rose Sayer. Both disapprove of the alcoholic behavior of their male counterparts. Rose however takes some direct action.

As the film was designed around the two stars they settle comfortably in their roles. The chemistry between them is infectious, that they liked each other would be obvious to an alien from another planet.

I really envy young Richard Romancito to be in all those scenes and be able to watch a pair of screen legends.

Hired to track down a vicious gang, federal marshal Rooster Cogburn reluctantly lets a missionary and a Native American lad accompany him after their mission is ransacked by the gang in this belated sequel to 'True Grit'. John Wayne reprises the title role with just as much gusto despite noticeably looking older. Katharine Hepburn also puts in a strong turn as the missionary with the best scenes being the banter between the pair. The villains are not particularly interesting and the plot is no great shakes; in fact, 'Rooster Cogburn' feels more like a remake rather than sequel to 'True Grit' at times with Hepburn also seeking vengeance for a father killed. The plot is more complex than it first seems though. While most are quick to praise the chemistry between Wayne and Hepburn, it is the bond that slowly develops between Wayne and the young Amerindian, played by Richard Romancito, that is ultimately most touching. Romancito becomes a surrogate son of sorts to the once hardened old man who inadvertently finds himself with a 'family' for the first time as he pursues the gang. One wonders though just what messages (if any) the filmmakers had in mind with the project. Early on, Wayne is told "the west is changing and you aren't changing with it", and yet minutes later he hired because, again, he has "grit". Is the film meant to be a tribute to the virtues of old ways or a film about learning to change (unwillingly accepting companions)? Topped off with a memorable explosive climax, one thing for sure is that this is a more dynamic sequel than one might expect.

The couple Wayne and Hepburn or Hepburn and Wayne are top notch , both of whom are wonderful . The film is a first-rate western , is the following-up to ¨True grit" in which Wayne won an Oscar , Academy Award , for his acting. The movie is a remake from "African Queen " in which Hepburn did couple with Bogart , here Wayne and Katharine hand similar roles , even there is one dangerous runaway by a river. The plot line centers the killing of the Hepburn's father. John Wayne and Hepburn set out in pursuit the evil people : Richard Jordan , Anthony Zerbe and Jack Colvin . Direction by Stuart Millar is good , cinematography by Harry Stradling is breathtaking , landscapes are spectacular and gorgeous , it has been shot in natural parks . Lively and rousing musical score by Laurence Rosenthal . Rating : 7/10 very good , well worth watching . However , the film received terrible reviews on release . Many critics felt that it was too obviously derived from ¨African Queen¨ , and that both John Wayne and Katharine Hepburn were too old for their parts . The motion picture will appeal to John Wayne and Katharine Hepburn fans .

If you're expecting a highly original western with highly original characters who really stand out amidst the 1975 landscape, rent Bite the Bullet. You won't find those elements in Rooster Cogburn, but you will find two iconic legends of the silver screen, Katharine Hepburn and John Wayne, paired together in pretty much a remake of two movies. Obviously, Wayne is reprising his one-eyed Oscar role, and Hepburn is basically reprising Rose from The African Queen. She's a religious old maid who lives with a male missionary in her family, and when he's killed, she joins up with a rugged heathen-type to get revenge. This isn't a criticism, mind you; I'm just letting you know what to expect. This clean, sweet movie is for the older folks in the audience who grew older alongside the actors, those who don't like the way cinema and the rest of the world have deteriorated. If you long for the good old days and the good old movies, Rooster Cogburn will warm your heart.

Although, speaking of hearts, my one regret of this movie is that it wasn't as romantic as it could have been. The African Queen is one of the greatest love stories, but Wayne and Hepburn develop platonic feelings for each other. There's genuine affection and respect, but don't expect any, "Dear, what is your first name?" cutesy scenes. You will see a remarkable amount of action, given the two leads' age and health. Hepburn can still make it down the rapids and shoot at the bad guys, and even with one eye (and one lung in real life), Wayne can ride a horse and protect his woman.