Atrapado sin salida

Czech director Milos Forman seems to be obsessed with rebellious characters that don't like to go with the flow. Just think about Larry Flynt in "The People vs. Larry Flynt" or Andy Kaufman in "Man on the Moon", in the two most recent movies of Forman. The central character in "One Flew Over the Cuckoo's Nest" played by Jack Nicholson is also one of those characters, that wants to break the routine and even starts a revolt against the staff and nurse Ratchett in particular, in a mental institution.

The movie is perhaps more comedy and entertainment than heavy drama. Still that doesn't mean that the movie isn't filled with some powerful emotional sequences. The tension between the patients and the staff gets more and more notable and grows throughout the movie, which eventually leads to a 'wonderful' ending which I'm not going to spoil.

Yes, Jack Nicholson is truly splendid in his role and it seemed like he was improvising all his lines and actions during the entire movie. It was a really Oscar worthy performances, which he also received. Another Oscar winner for her performance was Louise Fletcher, which in my opinion is a bit too much credit. She plays her role well but nothing more than that. She did not deeply impressed me or anything. This movie also marks the debut for some today well known actors such as Danny DeVito (he looked so young and different!), Christopher Lloyd and Brad Dourif, who also received an Oscar nomination.

Really one of those movies that you must have seen at least once in your life.

9/10

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Jack Nicholson is a great actor. No, not a great actor, a spectacular actor. This is a film from fairly early in his career, as well as it is for several other actors in this film, who later have had long, great careers too, including Danny DeVito, Christopher Lloyd and Brad Dourif. The film has some unforgettable moments... who could forget Louise Fletcher's icy stare, Jack Nicholson's smart-aleck remarks or Will Sampson's impressive, almost entirely silent performance? The film portrays the horrible truth about how patients were treated in mental institutions back then, and tells the story of someone who desperately wanted to break out, to rebel, to change things, for himself and for the others. I was compelled by this film, from the very first frame. I never took my eyes off it, and I will definitely be thinking about this film for a while. I thought it was great the way one of the very first frames depicted the institution as something far more similar to a prison than a hospital. Milos Forman did a great job of making that contrast very powerful to the viewer. The film is very moving and a truly beautiful cinematic experience. Every single actor gives a stellar performance, every single character is perfectly written, every single line, every single frame is absolutely perfect. I wouldn't change a thing in this film. It has a great pace, you never lose interest, but it never seems to be rushing to get through it, either. It's simply perfect. I have not read the original book, but if I ever come across it, I might check it out. I have only seen this film once, but I will definitely watch it many times in years to come. I recommend this amazing piece of great cinema to anyone who has at least a slight interest in the drama genre, or any fan of any of the actors, as they are all in their absolute prime in this film. 10/10

Set in the early 60s, the story involves R.P. McMurphy (Jack Nicholson) and his arrival at a mental institution in Salem, Oregon (where the film was shot). He plays the "mental illness" card to get out of prison time, thinking it'll be a piece of cake, but he's wrong, very wrong. Everything appears well at the hospital and Nurse Ratched (Louise Fletcher) seems to be a benevolent overseer of McMurphy's ward, but there are sinister things going on beneath the surface.

"One Flew Over the Cuckoo's Nest" (1975) is a film you'll appreciate more as you mature. I saw it when I was younger and, while I thought it was good, I didn't 'get' a lot of the insights the film conveys.

The movie criticizes the way institutions deal with mental illnesses. Their "therapy" is futile and only makes the patients dependent on the institution itself, thereby creating its need for existence (often at the taxpayer's expense). McMurphy is a threat to the establishment and therefore must be "dealt with."

A lot of people criticize the film by suggesting that Nurse Ratched "isn't that bad" or that "she was only trying to do her job", etc. I had the same reaction the first couple of times I saw it. This reveals an aspect of the film's brilliance: Ratched's malevolence is so subtle that the filmmakers allow the possibility for complete misinterpretation. Yes, from an administrative point of view, she seemingly does a good job, she's authoritarian without being sadistic, and she cares for the residents as long as they follow the rules (more on this below). Yet she is demonic as a robotized arm of a dehumanizing system. She maintains the residents in a state of oblivion and marginalization; they are deprived of their dignity because the system sees them as subhuman.

The filmmakers and Fletcher (not to mention the author of the book, Ken Kesey) make Nurse Ratched a more effective antagonist by showing restraint. Compare her to, say, Faye Dunaway's portrayal of Joan Crawford in "Mommie Dearest," which pretty much turned her into a cartoon villain. Ratched isn't such an obvious sadist, yet she uses the rules to tyrannize the men and reduce them to an almost infantile state of dependency and subservience. Her crowning achievement is Billy Bibbit (Brad Dourif).

McMurphy, despite his obvious flaws, is the protagonist of the story. Although he's impulsive and has a weakness for the female gender, which got him into prison in the first place, he has a spirit of freedom and life. His problem is that he needs to learn a bit of wisdom; then he can walk in his freedom without causing unnecessary harm to himself and others.

Nurse Ratched, on the other hand, represents legal-ism, which is an authoritarian spirit obsessed with laws or rules. This is clearly seen in the World Series sequence: Even though McMurphy gets the final vote he needs for his ward to watch the Series Ratched refuses to allow it on a technicality. When McMurphy then PRETENDS to watch the game and works the guys up into a state of euphoria, Ratched reacts with sourpuss disapproval. That's because legalism is the opposite of the spirit of freedom, life and joy. Legalism is all about putting on appearances and enforcing the LETTER of the law (rule). The problem with this is that "appearances" are not about inward reality and, worse, "the letter kills."

Despite his folly and mistakes, McMurphy does more good for the guys in his ward than Ratched and the institution could do in a lifetime. How so? Not only because he has a spirit of freedom and life, but because he loves deeply, but only those who deserve it - the humble - not arrogant abusers. When you cast restraint to the wind and love with all your heart you'll reap love in return, as long as the person is worthy. A certain person hugs McMurphy at the end because he loves him. McMurphy set him free from the shackles of mental illness and, worse, the institution that refuses to actually heal because it needs mentally ill people to exist; it only goes through the motions of caring and healing (not that there aren't any good people in such institutions, of course).

No review of this film is complete without mentioning the notable character of "Chief" Bromden, played effectively by Will Sampson.

The film runs 2 hours and 13 minutes.

GRADE: A

The opening shot of ONE FLEW OVER THE CUCKOO'S NEST is a bleak glance at an Oregon morning. Stirring, haunting music plays gracefully on the soundtrack and a car approaches. Inside the car is one of film history's most remarkable characters. "Randle McMurphy" is about to bring hope, humor, and a glimmer of reality to some disturbed people in a mental hospital. Jack Nicholson as "McMurphy", is something of a paradox. Is this guy crazy or is he really the lazy, conniving criminal most believe him to be? That is the magical mystery and start to a journey into mental illness and the effect this man will have on some truly messed up men.

Milos Forman directs this all-time classic, which swept the Oscars deservedly, and holds up so well 25 years later. It is a simplistic film about small people living in their own small worlds. Manic moments are mixed with poignant acting all leading to an astounding climax. Not before or since CUCKOO'S NEST has a collection of different characters had such an impact on me. You could write a book report about each of the patients in the ward. The two most important people here are, of course, Jack Nicholson and Louise Fletcher.

Nicholson has his greatest moments in this picture. One brilliant scene has him doing an imaginary play-by-play commentary of the 1963 World Series to the group, who are not allowed to watch the game on TV. It is a poetic sequence and Nicholson goes crazy with his delivery, describing baseball with colorful anecdotes and profanity. "McMurphy" immediately makes an impression on the crazies and shows them how they don't have to stick to the "normal routine". He knows their names right away, he sprays them with water, he makes impossible bets with them, he introduces them to fishing, and he even gets a suffering young kid (played well by Brad Dourif) a "date".

Louise Fletcher plays one of the more reprehensible human beings in film as "Nurse Mildred Ratched". She is a hardened woman, one who makes the daily meetings with the group a contest to see who will win. Her stubbornness and lack of compassion for the poor guys is rather one dimensional. That's perfect because that is exactly who she is. Her strong will to keep things monotonous leads to a final showdown with the free spirited "McMurphy" in what is easily one of the most shocking and disturbing climaxes in recent memory.

ONE FLEW OVER THE CUCKOO'S NEST does not try to make a statement about mental illness or how the unstable should be treated. Rather, it is a very simple portrait of the long days and hilarious scenarios that can come about when a mixed bag of suffering people are thrown together. Mental illness is nothing to laugh about, but the fact that Nicholson is not really crazy (at least in my opinion) allows us to be amused. He seems to love his compadres in the hospital. He is mislead, however, into thinking he can do as he pleases.

There is no denying the power of CUCKOO'S NEST. The two main powerhouse performances are golden, the cinematography is morbid and gritty like it should be, the "Chief" is great as Nicholson's right hand, ah, protagonist, and you care a lot about what will happen as the film moves on. The famous, final shot ironically happens to be an exit of a major character into that bleak, Oregon morning.

NOTE: I have never read the book and I find it hard to believe author Ken Kesey has never watched the filmed version. Comparing a book to a movie is impossible. They are 2 distinctly different artistic methods of story-telling.

R. P. McMurphy, A Korean war veteran pleads insanity and lands up in an institution for the Mentally unwell. In charge of his ward is Nurse Ratched, who has a right control on proceedings, McMurphy challenges the order of things.

Let's be honest, this film is phenomenal, and should be regarded as one of the greatest films ever made.

I read the description here, and I'm not a hundred percent sure I fully agree with it, for me it's more of a power struggle between Murphy and Nurse Ratched. Murphy challengers Ratched for sure, but it feels as though her battle is to get him to conform, he fights against it, and wants to give some life back to the patients.

For such a serious and bleak setting, there's actually a lot of humour, it drops to some real lows, but the laughs and lighter moments are so uplifting.

Jack Nicholson, what can you say, is this one of the greatest performances of all time? I'd say you could make a strong case for it. The supporting cast are awesome, nobody puts a single foot wrong, acting perfection, Louise Fletcher, Christopher Lloyd, Danny DeVito etc, sublime.

The direction is phenomenal, this is a startling looking movie, and one thing this film has is originality, sheer originality, there is nothing quite like it.

At least I now understand the Netflix Ratched series, and the link that has to this movie.

You could watch this film 1000 times, and it would still be as good.

10/10.