Agrega una trama en tu idiomaAfter a jet plane leaves New York en route to London, a note is found in the lounge with a message threatening to kill passengers. Soon, two passengers are killed. Captain Larkin must find t... Leer todoAfter a jet plane leaves New York en route to London, a note is found in the lounge with a message threatening to kill passengers. Soon, two passengers are killed. Captain Larkin must find the killer before the body count increases.After a jet plane leaves New York en route to London, a note is found in the lounge with a message threatening to kill passengers. Soon, two passengers are killed. Captain Larkin must find the killer before the body count increases.
- Karen White
- (as Farrah Fawcett-Majors)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
If you are under 40 I'm not sure you will really appreciate this. But if you remember the 1970s at all this is terrific and hilarious for reasons never intended. It is about an international flight headed for London. After take-off a smoke bomb goes off in the first class lounge. As a result of this, an airline executive gets a note a day earlier than he normally would have, and it apologizes for the murders on flight 502, the flight that just took off. So now it is a race to figure out who is the murderer before he can kill.
There are all kinds of furtive glances and obvious grudges between the first class passengers to stir the pot. There are some married couples on the flight, but there are also lots of people flying alone, and they strike up conversations with whoever is sitting next to them. It reminded me of Love Boat, and that should be no surprise since Aaron Spelling, who produced Love Boat, also produced this film. Of course, today, bothering a stranger next to you with conversation would get you rebuffed because you would be interrupting their game of Candy Crush on their phone. But in 1975 people were OK with casual conversation and were accustomed to occasionally being bored.
What's funny about it? Robert Stack as the pilot five years before Airplane, playing it straight. That setting a smoke bomb off in an airport doesn't get you shackled by the TSA upon arrival and sentenced to 40 years in the basement of a federal prison. That the killer on the plane just ASSUMES certain movements of passengers whom he targets. Farrah Fawcett as a stewardess (that is what they called flight attendents then) who at this point in her career has very limited acting talent. That changes a lot over time.
What's great for classic film buffs? Larraine Day, Dane Clarke, Walter Pidgeon, and Ralph Bellamy making appearances as passengers.
I had a hard time rating this film. I'm rating it as a time capsule that is certainly not boring. Thus my rating will probably be higher than those of other folks.
This should come as no surprise, since the passenger list includes: A bank robber, a fake priest, an alcoholic crime novelist, and Danny Bonaduce!
The "stewardesses" (Farrah Fawcett and Brooke Adams) are far too busy smiling to notice the mayhem! Thank God that Robert Stack is at the helm or this plane would go straight into the Atlantic ocean!
Adding to the madness, what sort of airline allows Sonny Bono on board one of its aircraft? With a guitar!
On a personal note, the next time the TSA has me spread eagled next to the baggage carousel I'll be thanking my lucky stars that I'm not back in those dark days of air travel chaos!...
The film's sets look cheap, and the stereotyped characters are too perfunctory to spark much interest. The film's visuals look dated.
Given the suspects and the obvious red herrings, the whodunit puzzle is not that hard to solve. However, the plot twist at the end I did not see coming.
Even with a couple of obvious plot holes, "Murder On Flight 502" held my interest as a whodunit puzzle. But it has a "Producer Aaron Spelling" look and feel to it, with those cheap sets, bland dialogue, cardboard characters, and nondescript elevator music, all rather typical of assembly-line 1970's made-for-TV movies.
This is probably most notable for a pre-Charlie's Angels performance from a very lovely Farrah Fawcett as a stewardess on a flight from New York to London that has a murderer on board. In some ways it's rather preposterous. There are far too many coincidences - far too many people in the First Class section who just happened to know each other and have grievances with each other. The intent was obviously to give a large stable of possible suspects to keep the viewer guessing. In some ways it didn't work. I had the murderer figured out pretty early, and if you didn't figure it out well before it was revealed then you missed something pretty obvious. Mind you, the same could be said for the plot twist involving Fawcett's character at the end, and that took me off guard. I also couldn't figure out why the man who tried to kill singer Jack Marshall (played by Sonny Bono) is never restrained, but ends up back in First Class with his wife as if nothing had happened - he just tried to kill a guy with a knife!
This was clearly made by Aaron Spelling as lightly entertaining TV mystery to keep people occupied for a couple of hours in front of their TV screens. With folks like Robert Stack, Walter Pidgeon, Danny Bonaduce, etc., it's pretty good fun. 6/10
¿Sabías que…?
- TriviaThe uniforms worn by the airlines female crew members are actual TWA Stewardess uniforms worn during the winter months from 1968-1971. The same uniforms can be seen at the end of Steven Spielberg's "Catch Me If You Can".
- ErroresDanny Bonaduce's character, Millard Kensington, disappears from the first class cabin about halfway through the movie, never to be seen again.
- Citas
Paul Barons: [to his drunken seat-mate] Can't you get it through that pickled brain of yours that there's a homicidal maniac on board?
- ConexionesReferenced in ¿Y dónde está el piloto? (1980)