Agrega una trama en tu idiomaAfter a jet plane leaves New York en route to London, a note is found in the lounge with a message threatening to kill passengers. Soon, two passengers are killed. Captain Larkin must find t... Leer todoAfter a jet plane leaves New York en route to London, a note is found in the lounge with a message threatening to kill passengers. Soon, two passengers are killed. Captain Larkin must find the killer before the body count increases.After a jet plane leaves New York en route to London, a note is found in the lounge with a message threatening to kill passengers. Soon, two passengers are killed. Captain Larkin must find the killer before the body count increases.
- Karen White
- (as Farrah Fawcett-Majors)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
As the film tepidly moves along, begging you to find the murderer among the passengers before anyone is actually murdered, you'll be treated to outrageous mid-70's fashion (brown is IN!), bizarre character backgrounds, and the hottest burgeoning romance this side of Harold and Maude, an elderly Jewish woman and an elderly Methodist known only as Uncle Charlie. "Ah...I know half the story already!" says the elderly woman slyly after Uncle Charlie introduces himself, and believe me, you will know every sundry detail of Uncle Charlie's hard knock life, even though it's probably better that you didn't.
You will see Sonny Bono sing, and you will realize why Cher was much better on her own. Robert Stack will make Bruce Willis in Die Hard look bad with his endless barrage of hard-boiled, sarcastic one-liners. But most of all, you will figure out who the murderer is, and you will be satisfied when they get their comeuppance.
No, there is no singing stewardess, no jive-talkers, no inflatable auto-pilot, no Leslie Neilsen. But unless you are unable to mock the earnest, but futile work of many to make a taut murder mystery shot almost entirely on a plane full of large, orange seats, you will like Murder on Flight 502. I promise.
As for holes and errors in the scenes, one could pick apart all the discrepancies, and most been done here. I'd add that I've never been on a flight, nor seen one from those days where all the seats are oriented backwards to the nose of the plane, not to mention the rest of the seat layout, fanning in towards the aisle as they do. Maybe they did, but first class, flying backwards the whole way? Might make some people more ill if they're prone to that.
Some mention the variation in quantity of passengers in some scenes (coming and going of passengers), but there's the bathrooms, and not staying in your seat would be normal back in the good old days when a lounge was available, though they showed the lounge mostly empty when shown at all. (I'm all for bringing the lounge back, especially for long flights). "Skyjackings", as they were called, were in the news a fair bit in those days, yet dogs seemed to do just fine in deterring trouble, no need for today's excess. If only people could watch the news these days with as discerning an eye for discrepancies as they do with films, they may notice a few things. At any rate, a good little film if you want the flavor of how that genre of TV was back then....
The film's sets look cheap, and the stereotyped characters are too perfunctory to spark much interest. The film's visuals look dated.
Given the suspects and the obvious red herrings, the whodunit puzzle is not that hard to solve. However, the plot twist at the end I did not see coming.
Even with a couple of obvious plot holes, "Murder On Flight 502" held my interest as a whodunit puzzle. But it has a "Producer Aaron Spelling" look and feel to it, with those cheap sets, bland dialogue, cardboard characters, and nondescript elevator music, all rather typical of assembly-line 1970's made-for-TV movies.
This film is not about a "terrorist" as we think of them today. It was about one man, planning to kill another man, just a vendetta thing. The acting was awful, for the most part, but like I said, if you don't mind that-- the movie was worth $2.00. Obviously made for TV-- every twenty minutes there was a blackout for commercial insertion. And it was strange that the plane was carrying hundreds of passengers (according to the pilot), but we only saw about a dozen. From scene to scene, the number of extras would change. The cabin would be almost empty in one scene, then the next scene, there would be someone in every seat. Oh, well. It was fun. Not funny--- just fun.
But don't hate this movie because it's, well, bad; praise it for its badness. This is one of those movies that is good to watch because it's horribly done. The acting is horrible, the script is horrible, the story is horrible. The only thing that was done right was the casting, but, as we're seeing so much these days, a good cast can't save a movie. But a good sense of humor can. Which is why I give this movie a fairly high grade: if you enjoy pretending to be a sillouette in front of a giant movie screen, you'll like this movie.
¿Sabías que…?
- TriviaThe uniforms worn by the airlines female crew members are actual TWA Stewardess uniforms worn during the winter months from 1968-1971. The same uniforms can be seen at the end of Steven Spielberg's "Catch Me If You Can".
- ErroresDanny Bonaduce's character, Millard Kensington, disappears from the first class cabin about halfway through the movie, never to be seen again.
- Citas
Paul Barons: [to his drunken seat-mate] Can't you get it through that pickled brain of yours that there's a homicidal maniac on board?
- ConexionesReferenced in ¿Y dónde está el piloto? (1980)