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Agrega una trama en tu idiomaActing boss Hirotani of the Ohara gang uses his friendship with corrupt cop Kuno to usurp a staged land deal that rival yakuza gang Kawade had arranged through local politicians. Open warfar... Leer todoActing boss Hirotani of the Ohara gang uses his friendship with corrupt cop Kuno to usurp a staged land deal that rival yakuza gang Kawade had arranged through local politicians. Open warfare erupts between the two gangs.Acting boss Hirotani of the Ohara gang uses his friendship with corrupt cop Kuno to usurp a staged land deal that rival yakuza gang Kawade had arranged through local politicians. Open warfare erupts between the two gangs.
- Premios
- 2 premios ganados en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This probably deserves a second viewing because I lost the drift a couple of times and found myself confusing the goodies and the baddies. I'm sure this is partly the director's intention, but probably not to the extent I lost it for a while. Never mind this really moves along and the confusion surrounding the participants and the minimal plot matters little. Great cinematic style with much variety, even use of black and white for flash backs and freeze frame for emphasis. Rousing score inspired by blaxploitation movies and a welcome and strong performance from the great Reiko Ike. Sex and violence, some debate about whether the cops or the yakuza are the good guys and then some more sex and violence. Very good but I'm sure I'll enjoy it even more another time.
One of the best Yakuza films and one of the best crime films in general it's a must watch for anyone who is a fan of the genre.
Acting boss Hirotani (Hiroki Matsukata) of the Ohara gang uses his friendship with corrupt cop Kuno (Bunta Sugawara) to usurp a staged land deal that rival yakuza gang Kawade had arranged through local politicians. Open warfare erupts between the two gangs.
By 1975, Kinji Fukasaku had made more than 30 films, most if not all of this daunting number in the Toei studio system. Returning to the screen after completing their "Battles Without Honor and Humanity" series together, Fukasaku joined forces once again with screenwriter Kazuo Kasahara, composer Toshiaki Tsushima and star Bunta Sugawara.
We have a story where the corruption is so deep, it almost seems normal. It has been suggested that the title, "Cops Versus Thugs", is meant to imply "Cops as Compared to Thugs" rather than "Cops Fighting Thugs". This would be a wise and apt distinction, as the cops are every bit as involved in the yakuza as the "thugs" in this story. Allegedly the story is loosely based on a true incident (though no one knows what incident this would be), and there is the question of whether this is pure fantasy or some sort of blunt social commentary.
Besides the film's wild violence (sort of the precursor to Takashi Miike), what really stands out is the funky 1970s score from Toshiaki Tsushima, who worked with Fukasaku on the "Honor and Humanity" films as well as many others. One of their earlier collaborations is "The Green Slime" (1968), a personal favorite that was wrongly harangued in the debut episode of Mystery Science Theater 3000.
This is "Fukasaku at the peak of his powers," writes Tom Mes, who really ought to know better than anyone. For me, the peak will always be Fukasaku's final film, "Battle Royale", perhaps simply because it was my first exposure to his work. But of his nearly countless contributions to cinema, "Cops vs Thugs" (despite this terrible English title despite the subtlety mentioned above) is one of his best, and a true joy for anyone who likes crime, action, and maybe just a pinch of sleaze.
Along with a high-definition transfer, Arrow Video brings us "Beyond the Film: Cops vs Thugs", a new 10-minute video appreciation by Fukasaku biographer Sadao Yamane and a new 12-minute visual essay on cops and criminals in Fukasaku's works by film scholar Tom Mes. Praised by many as one of the all-time greatest yakuza films, this is not to be missed.
By 1975, Kinji Fukasaku had made more than 30 films, most if not all of this daunting number in the Toei studio system. Returning to the screen after completing their "Battles Without Honor and Humanity" series together, Fukasaku joined forces once again with screenwriter Kazuo Kasahara, composer Toshiaki Tsushima and star Bunta Sugawara.
We have a story where the corruption is so deep, it almost seems normal. It has been suggested that the title, "Cops Versus Thugs", is meant to imply "Cops as Compared to Thugs" rather than "Cops Fighting Thugs". This would be a wise and apt distinction, as the cops are every bit as involved in the yakuza as the "thugs" in this story. Allegedly the story is loosely based on a true incident (though no one knows what incident this would be), and there is the question of whether this is pure fantasy or some sort of blunt social commentary.
Besides the film's wild violence (sort of the precursor to Takashi Miike), what really stands out is the funky 1970s score from Toshiaki Tsushima, who worked with Fukasaku on the "Honor and Humanity" films as well as many others. One of their earlier collaborations is "The Green Slime" (1968), a personal favorite that was wrongly harangued in the debut episode of Mystery Science Theater 3000.
This is "Fukasaku at the peak of his powers," writes Tom Mes, who really ought to know better than anyone. For me, the peak will always be Fukasaku's final film, "Battle Royale", perhaps simply because it was my first exposure to his work. But of his nearly countless contributions to cinema, "Cops vs Thugs" (despite this terrible English title despite the subtlety mentioned above) is one of his best, and a true joy for anyone who likes crime, action, and maybe just a pinch of sleaze.
Along with a high-definition transfer, Arrow Video brings us "Beyond the Film: Cops vs Thugs", a new 10-minute video appreciation by Fukasaku biographer Sadao Yamane and a new 12-minute visual essay on cops and criminals in Fukasaku's works by film scholar Tom Mes. Praised by many as one of the all-time greatest yakuza films, this is not to be missed.
I should start by noting that "Kenkei tai soshiki boryoku" ("Cops vs Thugs" in English) is both the first yakuza movie that I've ever seen and the first Kinji Fukasaku movie that I've ever seen. What an impressive one. This look at a war between rival gangs over a piece of land getting auctioned is one of the grittiest movies that I've ever seen. The protagonist is a cop in the pocket of one of the gangs. We don't tend to think of Japan as a crime-ridden society, but we forget that it still has organized crime (which can actually exist anywhere). This movie shows just how much the authorities were in tow to the yakuza.
I now hope to see Fukasaku's other movies. They'll be hard-pressed to be as intense as this one, but I suspect that they'll be fine pieces of work. In the meantime, check this one out.
I now hope to see Fukasaku's other movies. They'll be hard-pressed to be as intense as this one, but I suspect that they'll be fine pieces of work. In the meantime, check this one out.
There's lots going on here in addition to the sex and violence that you'd expect. It's harsh, and deals with codes and honour in interesting ways. Think of it like a Japanese Scorcese picture and you'll get it. Works well.
¿Sabías que…?
- TriviaPresident of Toei Okada Yusuke came up with the title of the film while on the toilet.
- Créditos curiososOpening credits play over exposition explaining the current state of the yakuza within the city and their history.
- ConexionesFeatured in Beyond the Film: Cops vs Thugs (2017)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Полицейские против бандитов
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 40min(100 min)
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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