Journey Into Fear

I was apparently one of the few people who saw this movie on its brief release in 1975. I knew about the 1942 Orson Welles film but had yet to see it. I went to see this version because of Vincent Price and he does not disappoint. Other big name cast members added to the fun. Zero Mostel recycles his PRODUCERS persona and Donald Pleasence adds another of his quirky characters to his resume'. Joseph Wiseman from DR NO is on hand along with Yvette Mimeux as a chanteuse who can't sing and a young Ian McShane who never says a word. The protagonist is Sam Waterston fresh from THE GREAT GATSBY and years before LAW & ORDER. Incidentally the Jackie Cooper listed in the cast is not the former child actor but the film's stunt coordinator.

The plot, which is updated from Eric Ambler's 1940 novel, concerns a petroleum engineer named Graham whose discovery of oil deposits in Turkey leads to several murder attempts to keep his discovery from becoming known. Most of the movie takes place aboard a tramp steamer where Graham tries to evade his pursuers without knowing who they really are. It eventually leads to a final and memorable confrontation in Genoa involving Waterston, McShane and Vincent Price. Waterston is very good as a man who knows that he's out of his depth but manages to stay one step ahead thanks to luck rather than skill.

Director Daniel Mann was a big name in the 1950s and 60s with COME BACK LITTLE SHEBA and BUTTERFIELD 8 but by 1975 he was basically a director for hire. He works well with the actors but seems unsure what to do when it comes to dealing with the story elements or pacing the film. There's also evidence of post-production intervention as the editing is a little ragged in places but that's mostly in the beginning. After years of being unavailable JOURNEY INTO FEAR has made it to Blu-Ray and while its good to see it again, the print used is an old one complete with a PG rating before the credits which evokes a certain nostalgia. It's also probably the only print available. However the picture is clear and the sound is good although subtitles would have been appreciated. My thanks to Dark Force Entertainment for resurrecting this forgotten title which, although flawed, is definitely worth revisiting...For more reviews visit The Capsule Critic.

Top-notch cast, nice scenery (in Turkey, Greece and Italy), a dazzling car stunt at the very start and a memorable dispatching of the final villain are the main virtues of this otherwise pedestrian chase yarn which plays like an elongated episode of a TV series of its time. There is very little story - just the pretext of a McGuffin (everybody is after Sam Waterston for some "information" he has - which we never learn what it is). Vincent Price and Ian McShane fare best in the name-packed cast; Waterston is a rather bland lead, Zero Mostel is annoying as a "Turkish" agent, and Yvette Mimieux gets to show us her washboard abs, which are a definite plus, but has little else to do. *1/2 out of 4.

Swap a train for a boat, oil for some bullets and we have a rehash of the 1943 Orson Welles version of this story - only this is nowhere near as good. It doesn't really help that the casting lacks for any great clout. Sam Waterston is weak in the lead as "Graham" - the scientist who gets caught up in a Turkish conspiracy after he discovers that there might just be oil in them thar desert. This information is proving quite dangerous for the man and he needs to get out before he succumbs to one of the plentiful - but not very efficient - assassins out to kill him. He manages to make it onto a train on which he hopes to escape - but are the passengers all they seem to be? We know from fairly early on that "Banat" (Ian McShane) is his biggest danger and therein lay my first problem. He has all the menace of a cucumber sandwich. Zero Mostel's duplicitous "Kopelkin" fares little better and though the supporting cast boasts some A-list names, they feature too sparingly to make much difference with this rather far-fetched and procedural attempt at a thriller that's just, well, very light on thrills. I did quite like the last few scenes as things flare up, but otherwise this is a pretty unremarkable television movie that you'll very readily forget.

In this pretty crummy adventure flick, Sam Waterston stars as an American who becomes the target of an assassination when he discovers oil in Turkey. It's a remake of the 1943 Orson Welles movie, but you're far better off sticking with the original. Sam comes across as remarkably awkward as he runs for his life. He saunters around in wide open spaces, then seems surprised when bad guys start shooting at him. And worst of all, he trusts everyone! Someone around him has to be a bad guy, right? Either Yvette Mimieux, his beautiful and unlikely love interest who doesn't mind his ineptness; Zero Mostel, his guide from the Turkish embassy, Vincent Price, an art aficionado, Shelley Winters, who's basically playing a five-second stereotype of her character in The Poseidon Adventure, Donald Pleasance, Ian McShane, Stanley Holloway, or Jackie Cooper. Someone has to be out to get him, or else why is his life in danger?

If you're the type of person who likes to watch bad movies and chuckle, you might like this one. But if you're looking for a quality thriller or on-location adventure flick, stick with Death on the Nile. For me, the best part of the movie was seeing Vincent Price act out his real-life persona of appreciating great art.

This is one of those thrillers from back in the day which tried to incorporate various European locales into the plotline to inject a bit of colour and variety. To that end, the story of this one begins in Turkey, fires over to Greece and then takes a boat to Genoa. Its constantly on the move, as we progress from car to train to boat to running around. This may sound pretty fluid stuff but, unfortunately, in practice it's really none-too-thrilling. The basic storyline is one of the issues - a petroleum geologist discovers a major oil field in Turkey leading to rival oil people hiring assassins to silence him, so they can move in and get the black gold themselves. Oil deals are not the most interesting ideas to base a thriller around to be perfectly honest, so the filmmakers had their work cut out right from the start to make this one involving. But to make matters worse, the direction is flat as a pancake as well, meaning that the whole enterprise never really gets out of third gear at any point. The best thing about this one is its cast. I am a big fan of Vincent Price and Donald Pleasence, who appear here improbably as respectively a Turk and an Arab! But even the best efforts of those two stalwarts can only do so much with the material and it did seem like they were going through the motions in this one.