Una vez no basta

I haven't seen this in a while, and miss this rarely seen pic, which deserves a cult following. Deborah Raffin is outstanding as a gorgeous young girl with strange feelings for her Dad. She gets involved with an unhappy alcoholic writer, played by David Janssen. Brenda Vaccaro is outstanding as her beautiful but embittered friend who is desperate for a man. And Melinda Mercouri is memorable as a lovely lesbian. They knew they were making a piece of trash here, and it is well worth your time. Good job. I esp. like those corny singers at the end of the film which seem to have stepped out of a 1960s movie!Deborah is good and she is fortunate to have such a great ensemble cast to support her. Enjoy!

I guess no one was able to turn out how quality camp in the 60's better than Jacqueline Susaan and every one of her novels that reached the big screen became a camp classic and this one was no exception. ONCE IS NOT ENOUGH is a camp classic from the Susaan library that induces numerous giggles along the way as it follows the adventures of a rich girl named January Wayne (the wooden Deborah Raffin)who is the daughter of a washed up of movie director (Kirk Douglas), with whom she has a semi-incestuous relationship with, who resents her father's marriage to a wealthy matriarch (Alexis Smith) and retaliates by having an affair with an alcoholic writer (David Janssen) who is her father's biggest enemy. This movie has it all...sex, drugs, lesbianism...all the makings of a camp classic, delivered by campy cast which also included George Hamilton as an aging playboy, Melina Mercouri, as an aging lesbian movie star, and Brenda Vaccaro as a man-crazy magazine editor (Vaccaro actually received an Oscar nomination for Best Supporting Actress). It's not as funny as VALLEY OF THE DOLLS, but there are definite laughs to be fund here.

Wackadoo slice of late Susann--the most swanky I-love-daddy fantasy ever committed to celluloid. Little princess Deborah Raffin can't get over those warm, tingly feelings she has for Daddy (Kirk Douglas), a worn-out Hollywood producer reduced to marrying a lesbian billionaire (Alexis Smith) to keep Princess in cashmere. When she feels her special place has been taken by the sapphic capitalist, she shifts to a handy incest-surrogate--a soused genius novelist (David Janssen) who seems to be modeled after Norman Mailer. In a stroke of sublime Susann fantasy, Mailer-Janssen is impotent--cured by the nubile caresses of Princess. Throw in Brenda Vaccaro as a man-eating fashion editor and you have a mound of trash with as much fragrance as a New York sanitation strike.

The saddest credits on this number: "Producer--Howard Koch. Assistant Director--Howard Koch, Jr." Imagine the agony of poor Guy Green, an aging British yeoman who had just finished work on a biography of Martin Luther, as he struggled with the correct way to shoot a sex scene between Alexis Smith and Melina Mercouri. It's all not quite as peacocklike as it sounds, but Susann certainly had a pop style--the raspy voice of an old Broadway bawd telling an ingenue (i.e., her hausfrau-ly reader), how it really is in the big, ugly, grown-up world. The freaky, non-contradictory mix of camp, obsession and melodrama a la fromage has a sweetness a half century later: the biggest-selling woman author of all time really did just want to be a pampered shiksa teenager stroking some graying temples.

"Once Is Not Enough" is a movie that starts off innocently enough but after a while, it's obviously a story adapted from a Jacqueline Suzann novel. I say this because in the 1960s and 70s, Suzann's stories resulted in several VERY salacious movies, including "The Valley of the Dolls", "The Love Machine" and this film. These movies deliberately pushed the envelope of good taste and the ratings board by including all sorts of adult themes. For example, in "Once Is Not Enough", the author tackles bisexuality, an Electra Complex (where a woman is essentially in love with her father or an older man as a 'daddy substitute'), alcoholism and more.

When the story begins, a famous but down and out movie producer (Kirk Douglas) learns that his daughter (Deborah Raffin) was badly injured in an accident. Apparently, she was in a Swiss clinic for years recovering and when she is released, she moves in with her father in a fancy New York apartment. She soon learns, however, that her father essentially sold himself to get her this apartment, as he's practically broke and married a rich woman (Alexis Smith) to give his daughter a fancy life. But over time, the daughter finds that living in this apartment isn't for her and she sets out to find herself in a new job, new apartment and, of course, sex.

The film certainly is very blunt when it comes to sex, so some viewers might be turned off by this. Of course, some also might find the plot terrific! I just mention this because this certainly isn't a movie for the prudish or conservative viewer. It also, at times, comes off as crass....and this, of course, depends on the viewer.

So is it any good? Some of the dialog is a bit cheesy...and some is simply fabulous. The acting is generally very good and the film looks lovely. As for the plot, subtle is ain't! I found the film entertaining but also pretty shallow and glossy. It's tough to love a film when you dislike pretty much everyone in the story! Worth seeing if you like that sort of thing...and far, far better than "The Valley of the Dolls", which was a bit of a bomb.

By the way, it is strange that Deborah Raffin receives 8th billing, as she is clearly the star of the movie and the plot centers around her. Of course, at the time, she was a 'nobody' and a lot of 'somebodies' were billed above her...even if they were barely in the movie.

While nubile daughter Deborah Raffin (as January) recuperates from a motorcycle accident, "Academy Award"-winning movie producer Kirk Douglas (as Mike Wayne) marries super-wealthy Alexis Smith (as Deidre Milford Granger). This is because Mr. Douglas has fallen on hard times and wants to continue living a champagne caviar lifestyle, and Ms. Smith wants a backgammon partner. Smith is having an affair with reclusive movie queen Melina Mercouri (as Karla). Recovering beautifully, Ms. Raffin loses her virginity to stud cousin George Hamilton (as David Milford), who is also seeing Ms. Mercouri...

Raffin eventually falls in love with alcoholic writer David Janssen (as Tom Colt), after he fails to copulate with her best friend, promiscuous "Gloss" magazine editor Brenda Vaccaro (as Linda Riggs). Mr. Janssen thinks Douglas' film version of his "Pulitzer Prize"-winning novel was awful. Douglas disapproves, naturally, of his daughter's affair with Janssen...

The main theme of "Once Is Not Enough" appears to be the borderline incestuous love between Raffin and Douglas. Also, most of the couples have at least one bisexual partner; although there is no overt indication Janssen has any sexual interest in handsome astronaut Gary Conway (as Hugh Robertson), it's difficult to ascertain another reason for his inclusion in the storyline. Apparently, much was cut from Jacqueline Susann's best-selling novel. She and Irving Mansfield began by assembling good production values, but lost control as the story was turned into something hesitating and vacuous.

Some trashy fun remains.

***** Once Is Not Enough (6/18/75) Guy Green ~ Deborah Raffin, Kirk Douglas, David Janssen, Brenda Vaccaro