Hustle

Burt Reynolds really channels a young Marlon Brando in this film. He plays Lt. Phil Gains and is a cool character who doesn't like to get too close to people(he has a penchant for 30's style music and vernacular). He lives with his girlfriend, played by Catherine Deneuve, who happens to be a Call Girl but neither of them are willing to give up the dangers(mental and physical) of their careers. However, they dream about running off to Europe. It's as if they are afraid of what will happen if they do.

To sum it up, Gains is called in to investigate the body of a young girl found dead on a beach. It is ruled a suicide but the girl's parents, mainly her father, refuse to believe it. The father, played by actor Ben Johnson, is seeking revenge and Gains wants to be one step ahead of him.

To me, the standout in this film is actor Eddie Albert, who I've always had a crush on. This is probably the creepiest role he ever played. He's a lawyer with mob connections and won't let anyone stand in his way. He is also a client of Deneuve's character and grins ear-to-ear when talking about the dead girl and the pleasure he and friends got from her. We're talking HUGE creep factor here. In one scene he refers to the girl by saying "She could get milk out of a crowbar." Don't think I need to explain THAT line.

This film is the typical 1970's cop film with lounge jazz music playing over a car scene. Pretty tame by today's standards but did earn an R-rating. There is reference to a porno film that is supposed to feature Albert's character Leo Sellers(again pushing that creep factor up!). "Hustle" is probably one of Burt's more forgettable films but it is fun to see him take to a role so seriously after seeing him in Smokey and his other action films.

When the body of a woman is found on an isolated beach, Homicide Lieutenant Phil Gaines (Burt Reynolds) and his partner, Sergeant Louis Belgrave (Paul Winfield), are assigned for the investigation. They conclude, with the support of the report of the coroner, that the victim, the hooker and strip-dancer Gloria Hollinger (Sharon Kelly), committed suicide using pills. They omit to the family the existence of excessive semen in Gloria's orifices, but her father Marty Hollinger (Ben Johnson), a veteran of the Korea war, does not accept the police findings and try to locate the possible criminal following a personal investigation. The leads point to the last person to be with Gloria, the dirty and powerful attorney Leo Sellers (Eddie Albert), and also a regular costumer of Phil's girlfriend, the prostitute Nicole Britton(Catherine Deneuve).

"Hustle" is a great film-noir. The story is politically incorrect and all the characters are sordid. Burt Reynolds is great in the role of a tormented, but correct and efficient cop, capable of simulate evidences,living with the dilemma that his girl-friend is a whore, and expecting one day to move to Rome with her. Catherine Deneuve is in the splendor of her beauty in the role of a prostitute. Paul Winfield plays a correct detective, but brutal and racist. Eddie Albert is in the role of a powerful man, capable of killing to reach his objectives. Gloria's mother is an unfaithful wife and Marty is a paranoid and obsessed man. The appearance of the precinct is very real and authentic. Robert "Freddy Kruger" Englund, in the beginning of his career, has a short but important participation in the end of the story as the holdup man in a store. In my opinion, this film is very underrated in IMDb User Rating. My vote is eight.

Title (Brazil): "Crime e Paixão" ("Crime and Passion")

Alternate and original title (all comments from 28 year old memory) City of Angels. I saw this movie while on 3-4 hour break from college classes in lower Manhattan. Burt plays Burt. His character is a little too worldly to be believable, yet I love this picture. Deneuve is hot and Burt daydreams about retiring to Italy with her where they can open a liquor store. Burt keeps saying "Bingo" every few minutes. He had to be cheating. Seriously, the film is serious product placement for Bushmill's Irish Whiskey. After watching the flick I went out and got bombed on the stuff. Wound up Millstoned for 28 years. Recently got released. Has Burt made a good movie since I was in?

Nope, the movie with that amazing stunt mentioned above is "Stick", not "Hustle". "Hustle" is a nice little film, though - a fairly predictable TV cop movie plot, lifted well above the ordinary by some intelligent well-written dialogue and a nice, world-weary performance by Burt Reynolds (honest!).

Around the same time, the director also made "Ulzana's Raid" and "Twilight's Last Gleaming", both of which are deeply critical of the Establishment. True to form, in "Hustle", Reynolds' cynical detective takes some savage swipes at American society. Best line - "Can't you smell the bananas? We're living in f*cking Guatemala. With colour televisions." (The screenwriter also wrote "Save The Tiger" - with a very similar moral).

Well worth watching on late-night telly - NOT worth watching for Catherine Deneuve, who's remarkably wooden in English.

Burt Reynolds plays Phil Gaines, a middle-aged California cop plagued by a midlife crisis. His wife is seeing someone else, and he's in love with Nicole (lovely Catherine Deneuve), a prostitute. His job as cop entails endless frustrations not only with criminals but also with victim relatives, two of whom are Marty Hollinger (Ben Johnson) and Marty's wife Paula (Eileen Brennan), whose daughter was found dead on the beach. And the case is Phil's to investigate.

Some viewers will object to the film's admittedly slow pace. And the film does have a problem, but I don't think it's the pace. I think the problem here is that the script doesn't give us enough reason to care about Phil Gaines and his life as a cop. That he dates a prostitute does not help. There's also insufficient back-story about him. Except for his love life, we really don't get to know him very well, certainly not well enough to foreshadow the film's implausible double climax.

Perhaps the script's biggest flaw, however, is its lack of focus. Too much screen time is given to the Marty Hollinger character and his silly efforts to solve the case of his daughter's death, on his own. Whose story is this: Phil Gaines' or Marty Hollinger's?

But "Hustle" is not a bad movie, really it isn't. The casting and acting are fine. I thought Eileen Brennan especially gave a memorable performance. The film's production design is good. And color cinematography is terrific. I really liked those outdoor scenes on the deck where Phil and Nicole chat about life and love, with "Yesterday When I Was Young" playing in the background. Such scenes convey a melancholy, nostalgic mood, consistent with Phil's midlife crisis.

Although the screenplay is flawed, "Hustle" is still worth watching at least once, for the underlying character study of a cop in midlife crisis, for the fine acting, and for the film's excellent cinematography and production values.